Saturday, January 21, 2023
Friday, January 20, 2023
OUT NOW: Lauds 'Imitation Life'
Available now on all digital platforms and 12inch vinyl record... Lauds’ debut full-length Imitation Life is a lush, aural tapestry of blissed-out guitars against a backdrop of rhythmic tension woven by the five-piece, Wilmington, NC-based band. The lyrics of the 10 tracks ping-pong between anxious introspection and the search for fleeting bits of contentment in life, like the best empathetic, reflective autumnal rock of the second Brit invasion era. On songs like "Wasted Hours", "24" and "Rust", the elegantly anguished vocals wash over the listener like the waters of Cape Fear and the Atlantic Ocean that dominate the Wilmington landscape, evoking the “post-surf stupor” that songwriters J. Holt Evans lll and McKay Glasgow feel after a day riding its waves.
Tuesday, January 17, 2023
JPW 'Something Happening / Always Happening'
[Repost from Arizona Central; by Ed Masley, January 12, 2023]
The album is an atmospheric gem whose highlights range from otherworldly instrumental "Something Happening" to hazy ballads of the sort it would be easy to imagine Roy Orbison recording in his later years (without actually sounding like an Orbison recording).
Tuesday, January 10, 2023
Best of 2022 *Updated*
Here are the Fort Lowell Records releases that have been featured on various 'Best of 2022' or 'End of Year' lists for 2022:
Citified Lie Like a Painter [LP] | LISTEN NOW
Desario Signal and Noise [LP] | BUY VINYL RECORD + LISTEN NOW
JPW Something Happening / Always Happening [Debut LP] | BUY VINYL RECORD + LISTEN NOW
- Aquarium Drunkard
- Buck Curran
- Great Big Hoping Machine
- Marc Masters
- One Chord to Another
- Petal Motel
- Remake/Remodel
- Stinkweeds
KITIMOTO Vintage Smell [Debut LP] | BUY VINYL RECORD + LISTEN NOW
Lauds Imitation Life [Debut LP] | BUY VINYL RECORD + LISTEN NOW
Lauds II [Digital EP] | LISTEN NOW
Kim Ware and the Good Graces Ready [Digital LP] | LISTEN NOW
Wednesday, December 28, 2022
Meet Wilmington North Carolina Indie Rock Band Lauds
[Repost by Blood Makes Noise; by Neil Sabatino, December 20, 2022]
Lauds’ debut full-length Imitation Life is a lush, aural tapestry of blissed-out guitars against a backdrop of rhythmic tension woven by the five-piece, Wilmington, NC-based band. The lyrics of the 10 tracks ping-pong between anxious introspection and the search for fleeting bits of contentment in life, like the best empathetic, reflective autumnal rock of the second Brit invasion era. On songs like Wasted Hours, 24 and Rust, the elegantly anguished vocals wash over the listener like the waters of Cape Fear and the Atlantic Ocean that dominate the Wilmington landscape, evoking the “post-surf stupor” that songwriters J. Holt Evans lll and Mckay Glasgow feel after a day riding its waves. We caught up with the band to ask them about what inspires them and how they formed:
How did the band form and what does the band name mean?
MK: We had become friends when another band I play with recorded an album at Holt III and Boyce’s dad’s home studio. Holt II (their dad) had told me that Holt III would be interested in some of the new demos we were making. I met up with him and found out he had some demos as well and I really liked them. Then we got together with our friend Rett Nabell and started writing. Within the first months we released a single and started playing shows, even got an opening spot for Futurebirds on their tour. Since then, the lineup has changed some and currently it’s the original three and our good friend Gavin Campbell playing bass. As far as the name, I had always liked religious words as band names. We wanted it to be one word and sonically interesting. We landed on Lauds which is the name of an early morning prayer service in the Anglican Church. The echoey cathedral-like associations seemed cool to us and our style of music and applied with some of the kind of Southern gothic artwork and literature that we like.
JHEIII: I also really like bands with one syllable names: Sleep, DIIV, Mourn, Wire, Blur etc.
Previous musical projects? How'd you first get into music?
The boys had the advantage of growing up with a very musical father who played in numerous rock bands and steeped them, and subsequently me, in shoegaze and British indie bands like Suede, Ride and My Bloody Valentine. We’ve all been in other bands but all agree that this is closest to the music we want to make. We are drawn to hooky, loud guitar music.
First concert that you ever went to?
JHE III: I think the first show that I bought tickets for and went to myself was maybe seeing the Love Language (legendary North Carolina band) at this place called the Soapbox in Wilmington when I was in high school. Was an amazing bar that put on all ages shows and you could do your laundry on the first floor. Wilmington hasn't ever really recovered from it shutting down. They turned it into a waffle house.
MK: One of the first local to Wilmington shows I went to was seeing He is Legend when I was maybe 14. We still like their music a lot and have gotten to know some of the guys. First big National show I went to was probably seeing Bloc Party and Minus the Bear in Winston Salem.
What's your writing process like?
MK: Holt and I are the primary songwriters but everyone contributes ideas. We have been pretty reflective over the last couple years figuring out life and where we are going. We talk a lot about our lives and relationships as friends. Our lyrics have been pretty introspective up to this point but there is collaboration on all instrumentation, lyrics and artwork in our band.
What other artists or songs inspire your music?
JHE III: Figured I would take this one as the resident nerd
1. 92 degrees-Siouxsie and the Banshees: Tinderbox is really the record that got me into this band. My parents didn’t listen to Siouxsie very much so I kind of discovered them on my own and was blown away. The production is just incredible and the guitars really sparkle on this song. The way the guitar melodies underpin her vocals throughout the song was really inspiring to me when writing lead parts for songs like ‘24’ and ‘Somehow’ on the record.
2. Here's Where the Story Ends- The Sundays: I adore the Sundays and this record in particular is one of my favorites. Completely guilty of trying to ape the 12 string strummed acoustic sound from this song on our song "Rust".
3. Slowdive-Slowdive: This is such a beautiful song. Rachel Goswell and Neil Halstead's vocals really evoke a sense of yearning and McKay and I feel like we try to channel similar feelings in the songs that we write for Lauds. I also love it when bands are self referential, and I guess in this case they are also referencing the Banshees.
4. Hide- Secret Shame: Secret Shame are an incredible band from Asheville. This track with its bassline and vocal hook is a real ear-worm. A buddy of mine and I went to see them earlier this year at Ruby Deluxe in Raleigh and we were completely blown away by their energy and just how good the songs were. Lena, their vocalist is incredible and absolutely belts it live. I love their new record and and while not an explicit influence on our music I feel as though we operate in similar spheres sonically so I wanted to shout them out.
5. The Disillusionist- The Church: Menacing song. Not expressedly political but seems to gain poignancy with each passing year. Marty Wilson-Piper and Peter Koppes guitar-interplay is definitely an influence on our sound. Priest = Aura is such a great record.
6. In Blur- Deafheaven: This was probably my favorite track of 2021. I love that it’s a bit of an homage to Vapor Trail by Ride. I’m a huge Deafheaven (and Ride) fan and the more post rock oriented bits of their songs are definitely an influence on us. I still probably listen to ‘Sunbather’ all the way through once a week.
7. Return of the Roughnecks- The Chameleons: Riff after riff after riff after riff. Profound and powerful lyrics. An all time moment for us as a band was opening up a solo acoustic show for Mark Burgess this summer. Lovely guy and a dream come true for us.
8. When I turn 50- Dulce Hombre: Dulce Hombre is our friend Jeff Corkery’s solo project. We wrote the song Distant Images together and he is one of the best musicians and guitar players I know. His first EP as Dulce Hombre is incredible. Mix of dancehall, Costello type power pop, surf rock. Sounds like drinking mojitos all day by the pool with your friends.
9. Burnt Almonds- Mute Swan: James, the boss of our label Fort Lowell, showed me this band who I believe are from Tucson. Guitars, bass, drums, all locked to kind of make one big mega-riff. Super hypnotic. The record this song is on ‘Only Ever’ is unreal in the car. Would love for Lauds to play with them some day.
What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?
As a band you are always working to make the live show better. I feel like we have found the right pieces to do that. We don’t have a lot of theatrics. We put a lot of effort into just getting through all the parts as cleanly as we can while also trying to put feeling into the vocals. We are really working on recreating some of the background vocals from recordings being featured more in live shows. We are also trying to connect more with the crowd. It used to feel like we were just trying to survive shows because there was a lot of moving parts with pedals and riffs that were 10 percent above our abilities at the time. Now we have gotten better and it feels like we can have fun. It’s also cool to see people singing out there. That means a lot to us.
Has the band tour? What has the touring experience been, best shows? worst shows?
MK: We haven’t really toured but we have played shows in the Triangle and are getting more traction in Winston Salem and western NC. Best show is definitely getting to open for Mark Burgess of the Chameleons at Monstercade in Winston Salem. We haven’t had any terrible shows from a crowd or venue standpoint. But I do remember feeling the most stressed out about playing a show in the triangle the Sunday after thanksgiving. It was rainy and we left some gear and we’re all feeling stressed about whether we had done enough to promote it. It actually turned out fine and we all agreed we needed to be better prepared if we were going to be going on the road. We’ve had opportunities to get on the road more but we’ve been learning from weekend trips and waiting to put out an album til now.
What's up next for the band?
MK: We’ve already been recording new stuff and we will either have a new batch of EPs or album within the next year. It took us a long time to get our self titled EP out but I feel like we have been cooking since then and feeling more certain about the type of songs we want to write. We are also working more on visuals for our music. We’ve known that it is important but haven’t taken the time u til recently to work with some of our visual artist friends. Be on the look out for those!
Thursday, December 22, 2022
New Year's Eve
Join us Saturday, December 31st at Satellite Bar & Lounge in Wilmington, North Carolina for our New Year's Eve celebration, featuring a live concert performance by Kicking Bird — who's debut album Original Motion Picture Soundtrack will be released in the new year (more to come on that) — followed by a Let's Dance DJ Set by Fort Lowell Records!
Wednesday, December 21, 2022
Fort Lowell Records is a Teenager now!
Happy Birthday, Fort Lowell Records! On this day (December 21), thirteen years ago (2009), our record label was born out of the love and admiration for artists within our community. It all started from a conversation with Zach Toporek from Young Mothers allowing us to release two of their songs for our first 7inch, aided by the sale of our yellow 1976 CJ5 Jeep (AKA: A ‘Rock Crawler’, with 35" tires and a 4" lift kit; damn I miss her) to help fund that project, as well as a few other records — including our second release “I’m Afraid of Everything” by …music video? (pictured here). Thank you, everyone, for the continuous support. 2023 is going to be an awesome year for Fort Lowell Records, which will include new releases Lauds, infinitikiss, MindsOne & Rizzy, Blaine Long & Jon Rauhouse, Kicking Bird, Brian Lopez, Blab School, James Sardone, Fuzz & Mac, Dead Cool, Naïm Amor, Summer Set, and more! Happy Holidays! 🍰
Tuesday, December 20, 2022
WL//WH Weekly Shoegaze / Dreampop / Psychedelic / Indie Tips
[Repost from White Light // White Heat; by Fabrizio Lusso, December 13, 2022]
Wilmington, North Carolina Dream Pop /Jangle Rock /Shoegaze band Lauds “Somehow” the second single from their 2023 debut album ‘Imitation Life’ via Fort Lowell Records
Second preview from next year’s debut LP for North Carolina‘s 5-piece weaves nostalgic introspective dreamy haze pitched with billowy jangly 6-string chimes, through a skittery scrum of obsessively winding and shimmering guitar melodies laced with wistful glistening strains, underpinned by sinuous limber basslines and shaky drums, to shudder with mercurial radiance over bittersweet romantic vocals, longing in loving memories amid sparkling angsty auras of starlit muses.
Friday, December 16, 2022
OUT NOW: 'This Water is Life, Vol. II' ft. Haji P. + Color Temperature
This Water is Life is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop / indie rock music from Southeastern North Carolina, as well as to provide a platform for Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife.
Volume II features Haji P. and Color Temperature.
Haji P. (short for Pajamas) is a North Carolina based multi-talented artist, who is heavily influenced by 80s / 90s pop culture. As the illustrator 'HP Fangs', he is known for drawing big teeth on things. Haji is also a Middle / High School Art Teacher at the Glow Academy, has always been in youth advocacy and development, and uses the word “dope” – a lot. Haji P.'s last musical release was his album, 'Neighborhood Kid', and he is sometimes found rapping with the San Francisco based collective, Rec League.
Color Temperature is the moniker for multi-talented multi-instrumentalist Ross Langdon Page; known for his musical contributions to AZZA, Lauds, Seeking Madras, and Tumbleweed, as well as his work as a professional photographer. "The River" was written from the perspective of a leaf traveling through the Cape Fear River in North Carolina, beginning at the mouth and passing through the polluted waters of the Chemours chemical plant—the company responsible for dumping Gen X into the drinking water of residents—before passing through Wilmington, NC and floating out into the vast ocean.
NOTE: The vinyl release of This Water is Life, Vol. II sold out during pre-orders. You can enjoy This Water is Life, Vol. II, along with Volume I, on Fort Lowell Records' Bandcamp page, as well as all Digital Music Platforms.
Wednesday, December 14, 2022
REVIEW: Lauds 'Imitation Life'
[Repost from Whisperin’ and Hollerin’; by Simon Phillips, December 7, 2022]
Imitation Life is the debut album by Lauds who come from Wilmington North Carolina, that sounds like it's a hotbed for dream pop. Lauds are McKay Glasgow and J.Holt Evans III and friends.
The album opens with "Parallel" a quite laid-back fey dreamscape of whose guitars will slowly open your mind up ready for the rest of Imitation Life as they give their best for you.
"Somehow" is gauzy dream pop with crystalline guitars to envelop you in its warm embrace to help you through winter while making sure you don't look back as you focus on the only things that really matter.
"24" feels like it's 24 bars of insistent bass with guitars sparkling over the top of that bassline, Gossamer vocals whisper in your ears, it's very relaxed and yet rather persistent as it repeats and evolves over the course of those 24 minutes hours and days.
"Cee Dee Lamb" feels like you are broiling that lamb on skewers of delicate guitar lines that build as the Lamb begins to char slightly is it rotates and enervates. The vocals make for an oblique background texture diving in and out of the music.
"Don't Mind" sounds rather sun dappled and laid back with a gentle psychedelic edge to it. The vocals have a sense of regret even as they tell you they Don't Mind it still feels like they really do care.
"Wasted Hours" feels like a song for all the time we wasted in lockdown, as well as all the time they've wasted waiting around for someone to show up, the super steady drumming allows the guitars to swell and rise and go off a little as they sound like Postal Blue or Orange Juice.
"Rust" has the vocals cocooned in reverb and echo set against the dreamy guitars that makes this almost feel like an anorak anthem.
"Distant Images (Ft Dulce Hombre)" has the hardest guitar line of the album as it cuts across the speaker's rapier style before the dreamier laid-back guitars come back like they have overdosed on early Soup Dragons singles while they try to comfort you in this gossamer cocoon.
"Wait Forever" could be about waiting for answers to the questions about your love as they are so intent on making sure the guitars mesh perfectly and the drums are spatially just how they ought to be that they forgot to tell us any relevant answers as we carry on waiting.
The album closes with "Misplace A Night" that I assume is about, getting so totally mashed that you haven't a clue what day of the week it is, let alone where you are, or what you were meant to be doing, as this gently intoxicating piece of Pastel shaded dreaminess leaves you coming down wondering what happened to your Cardigans during that night.
Tuesday, December 13, 2022
Aquarium Drunkard :: 2022 Year in Review
JPW—Something Happening / Always Happening: Aquarium Drunkard’s own Jason P. Woodbury ventures into the heart of cosmic Americana with a high, tender voice and songs as serene as the Arizona desert. Jolts of organ, gently plucked guitars, and the sputters of the Rhythm Ace drum machine lend a timeless quality to his band’s shimmering, mirage-like arrangements. Slow down and get lost in the haze.
Monday, December 12, 2022
Music Year-End List || Dennis’ Favorite Albums of 2022
[Repost from Add to Wantlist; by Dennis, December 7, 2022]
2. KITIMOTO || Vintage Smell
[Indie Rock, US || Fort Lowell Records] The Phoenix, Arizona-based quartet’s debut album is diverse, bewitching and addictive, colors outside the lines of genres and expectations, with intense guitar duels, poetic lyrics and convincing vocals. It surprises and amazes me every time.
Friday, December 9, 2022
OUT NOW: Lauds "Somehow" [Digital Single]
The second single "Somehow" from Lauds' spectacular debut album Imitation Life is out now on all digital platforms. — ""Somehow" is gauzy dream pop with crystalline guitars to envelop you in its warm embrace to help you through winter while making sure you don't look back as you focus on the only things that really matter." ~ Simon Phillips, Whisperin’ and Hollerin’
Lauds Imitation Life is due out January 20, 2023
Wednesday, December 7, 2022
HCTF premiere - Color Temperature: The River
[Repost from Here Comes the Flood; by Hans Werksman, November 30, 2022]
Ross Langdon Page, who goes by the stage name Color Temperature takes part in the second installment of This Water is Life series. Each EP has one side of hiphop and one side of indie music. The release supports a good cause: keeping tabs on Cape Fear River Basin in North Carolina by Cape Fear River Watch and Coastal Plain Conservation Group. He contributed the sprawling track The River, a piece that speeds up and slows down like its title suggests. Part ambient, part left-field danceable indie rock, and sprinkled with synths and spoken word, he created a journey that you don't want to end.
Langdon Page explains: "The Cape Fear River in North Carolina is 191 miles long. About 2/3 of the way to the ocean lies the Fayetteville Works Chemours manufacturing plant, which has been poisoning the drinking water of hundreds of thousands of NC residents since the mid-1980s. “The River” is a 13 minute 48 second journey down the Cape Fear, through the eyes of a leaf - first falling from its tree at the mouth of the river in Raven Rock State Park, traveling through the toxic waters near the plant, past the town of Wilmington, NC, then eventually floating out into the ocean."
The River will be released via Fort Lowell Records. This Water is Life, Vol. II is available for pre-order here (vinyl - 100 handnumbered copies, digital). Hiphop artist Haji P. contributed four tracks that take up the A-side of the EP. Release date: December 16.
Tuesday, December 6, 2022
LISTEN: Lauds Share New Single “Somehow"
[Repost from Rock & Roll Globe; by Ron Hart, November 29, 2022]
The Wilmington, NC-based band’s fantastic debut LP Imitation Life out in early 2023
Somewhere between the jangle of classic American college rock and the shimmer of late 80s / early 90s Britpop exists the music of Lauds.
Based out of Wilmington, NC (where they filmed Dawson’s Creek back in the day), the five-piece group will be releasing their illuminating full-length debut Imitation Life on January 10. 2023 via the rising Fort Lowell imprint. And one can clearly recognize the way by which BBC Radio resonates across the Atlantic Ocean and beneath the surfboards of songwriters J. Holt Evans lll and Mckay Glasgow on the latest single from the forthcoming LP, “Somehow.”
“’Somehow’ is one of the more uplifting tracks on the record. It’s about reciprocated feelings and the willful fog that covers you at the beginning of a new relationship,” Glasgow explains of the song. “We did bring in some heavy guitars to smear the background a bit, but overall it is a very upbeat song musically and lyrically.”
The Rock & Roll Globe is honored to officially premiere “Somehow” this morning on the site. If you could imagine the idea of Ride’s Nowhere if it was released on I.R.S. Records, you will love Lauds.
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| Lauds (Image: Mary Hannah Riley) |
Monday, December 5, 2022
'This Water is Life, Vol. II' Listening Party
Join us tomorrow night — Tuesday, December 6th — at Satellite Bar & Lounge here in Wilmington NC to hear the latest This Water is Life EP — Volume II — featuring Haji P. + Color Temperature! The needle drops on the record at 6:00pm, and we will be spinning This Water is Life, Vol. II until 8:30pm, mixing it in along with some other fun music! And don't forget, Block Taco is right there to make it a Taco Tuesday night, so we will see y'all then!
Wednesday, November 30, 2022
Brand New Music by Lauds + Color Temperature
Visit these websites — Rock & Roll Globe, Big Takeover, and Here Comes the Flood — to hear the latest music by both Lauds and Color Temperature, only available through these websites for the next few weeks until the official release dates for each record:
Lauds "Somewhere"
- World Premiere (Press): Rock & Roll Globe
- World Premiere (Radio): Big Takeover
- Release Date [Digital Single]: Friday, December 9th
- Pre-Order Vinyl Record here
Color Temperature "The River"
- World Premiere: Here Comes the Flood
- Release Date [12inch EP]: Friday, December 16th
- Pre-Order Vinyl Record here
Tuesday, November 29, 2022
Tuesday, November 22, 2022
JPW, now on Yellow Vinyl!
Phoenix, Arizona's own Jason P. Woodbury performs music under the moniker JPW. His debut album Something Happening / Always Happening sold out of its first pressing before it was ever released to the public. So, we placed an order for a second pressing of this masterpiece, but this time on YELLOW VINYL, and they are here ready to ship out, just in time for the holidays!
"It’s a collection of songs you might hear on the radio after a cosmic camping trip, familiar but far off. Songs for stepping out of the spaceship to crack a cold one on a blurry summer day, taking a moment to enjoy the smell of freshly cut grass." ~ Aquarium Drunkard
"Plays like a desert broadcast from the past where remnants of space-age pop mingle with an undeniably easy (and breezy) feeling you might've found out Topanga in 1972." ~ MTV News
"A cosmic rock roadtrip." ~ PopMatters
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