Independent Record Label | Est. 2009
Wilmington, North Carolina

 
 

EVENT CALENDAR

Showing posts with label Fort Lowell Records. Show all posts
Showing posts with label Fort Lowell Records. Show all posts

Thursday, December 19, 2024

New Year's Eve 2024 in Wilmington, North Carolina is at Satellite Bar & Lounge



Join us at Satellite Bar & Lounge in Wilmington, North Carolina on New Year's Eve / Tuesday, December 31 — LAUDS will be performing live in concert, followed by Fort Lowell Records' own LET'S DANCE event — a Vinyl DJ Night, deejayed by label owner James Tritten. LESLIE BLOWUP BAND will start the night off for us at 8:00pm, and music will be going all night long. This is a free event to the public; there is no cover charge to get in.

Tuesday, November 5, 2024

LET'S VOTE



If you are in Wilmington NC today (Nov 5), join Fort Lowell Records' owner James Tritten at the polls as he will be spinning vinyl records as a part of DJs at the Polls!  Join Fort Lowell Records at these locations: 
  • MORNING SHIFT:
    7:00-11:00am
    CFCC Health Sciences Building
    415 2nd Street N., Wilmington NC 28401

  • AFTERNOON SHIFT:
    11:30am-2:30pm
    MLK Center
    401 8th Street S., Wilmington NC 28401

Thursday, October 31, 2024

James Tritten: Building Community Through Music | CreativeMornings, Wilmington

CreativeMornings is a free monthly breakfast lecture series designed for creative communities across the world. James Tritten of Fort Lowell Records was asked to speak on the topic of 'Reflection' for the inaugural event of the Wilmington, North Carolina local chapter that took place on Friday, September 27th at Thalian Hall.

    Wednesday, October 30, 2024

    National group to set up 'DJs at the Polls' in Wilmington to entertain, drive turnout

    Lingam James (AKA: Infinite Spins)


    [Repost from StarNews; by John Staton, October 25, 2024]

    If you plan on voting in the Wilmington area Nov. 5, casting your ballot might come with a sweet soundtrack.

    DJs at the Polls, a national, non-partisan get-out-the-vote group, said it will have paid, professional DJs spinning tunes outside of about 85 polling places in New Hanover, Brunswick and Pender counties on Election Day.

    Chris Suggs, a state project manager in North Carolina for DJs at the Polls, said the group plans to have DJs at 1,365 voting sites around the state.

    It will be the group's first time placing DJs at polling sites in the Wilmington area. Suggs said DJs at the Polls ran a "pilot project" in North Carolina in 2022 and 2023, but that "the level of coordination is definitely new this year. This is the first year we've reached this level of engagement."

    The idea, Suggs said, "is to make election day a fun and enjoyable event," thereby increasing voter participation, which is the group's primary goal.

    "We don't care how people vote," Suggs said. "We just want them to get out and vote."

    As for the polling sites where DJs at the Polls will be set up, "Some are random," Suggs said, while other are picked because the precincts have high numbers of voters the group targets. Suggs said these include young voters, Black and brown communities, and what Suggs called "low-propensity voters" who vote sometimes but not always.

    Suggs said some voters in the Wilmington area will be getting postcards letting them know a DJ will be at their polling site.

    According to the DJs at the Polls website, the group's founder, Anton Moore of Philadelphia, started placing DJs at polling locations throughout Pennsylvania in 2008. Moore "helped design and implement DJs 4 Obama" in 2012, and later started DJs at the Polls as a non-partisan group.

    The group's website said it "was founded on the belief that voting is something to be celebrated. It was expanded on evidence that having DJs play polling places measurably increases voter turnout."

    The group cites a "2022 randomized control trial in Philadelphia at polling sites where our DJs performed." At those sites, "voter turnout increased 3%" over previous years. DJs at the Polls said it targets "densely populated urban areas with large numbers of underrepresented voters."

    Nancy Friedman, deputy director of DJs at the Polls, said the group will have DJs outside some seven dozen polling places in New Hanover, Brunswick and Pender counties, including the Career Readiness Academy at Mosely PLC in Wilmington, Lincoln Elementary School in Leland, and North Topsail Elementary School in Hampstead.

    A full list of participating DJs in the Wilmington area wasn't immediately provided to the StarNews.

    Friedman said "we haven't yet completed the matching process of DJs to locations, but we will have all of that completed by the end of the week."

    Wilmington DJ James Tritten of Fort Lowell Records said he will be spinning on Election Day, though he said he hasn't yet been told where.

    Another Wilmington DJ you might see at the polls is Lingam James, who DJs under the handle Infinite Spins. You can catch him spinning vinyl every Wednesday evening at Mad Mole Brewing off Oleander Drive as well as at other locations, including Satellite, Palate, and various spots in the Cargo District.

    [Lingam] James said that DJs at the Polls reached out to him about participating, and that it was something he wanted to do because "it would open me up to another audience, and hopefully improve the mood" at the polls, he said. "Voting is something we're tasked with as Americans, so I'm glad I can do my part to hopefully make it a more pleasant experience."

    [Lingam] James said he already cast his vote early, and that "it was a little tense in line. This will definitely help cut the tension."

    If you see Infinite Spins at your polling place, he said you can expect to hear "a lot of funk, soul, disco, jazz, hip-hop, just some upbeat stuff that anyone can chill to." He said he also imports a lot of rare vinyl records into his digital set-up, and looks forward to playing those as well.

    According to DJs at the Polls, DJs are paid $500 per four-hour set. Sites will host between one and three four-hour DJ sets, with some DJs performing multiple sets.

    Suggs said "we are very intentional about the DJs we recruit." The group targets professional DJs who gig regularly. Some might work on local radio while others are what Suggs called "celebrity DJs."

    The DJs "know their communities best," Suggs said, including what kind of music their communities want to hear. The group just asks that they play "family friendly" music that is "respectful" to the polling place, which might be at a school or church.

    Suggs said DJs at the Polls is funded by many different private donors and foundations, including Focus for Democracy, a nonprofit, non-partisan civic engagement group that its website says is "dedicated to empowering donors to make the most impactful contributions possible to strengthen democracy."

    So far, the group will be placing DJs in "13 states and counting," Suggs said.

    Some states, like Georgia, have passed laws restricting activity near polling sites. In that state, for example, it's illegal to even give food or water to people waiting in line to vote.

    In North Carolina, Suggs said, "we've been very well-received" by everyone from politicians to community organizers and "we haven't run into any issues at all" with local boards of elections.

    "They realize this is a non-partisan activity," he said. "In my work of doing this, there are always critics, but we've not run into any opposition that would make us stop what we're doing."

    Monday, October 14, 2024

    On a mission to inspire, national 'Creative' organization opens Wilmington chapter



    [Repost from StarNews; by John Staton, October 12, 2024]

    As the outer bands of Hurricane Helene blew through Wilmington on Sept. 27, about 75 people assembled in the ballroom of historic Thalian Hall for what would be the inaugural gathering of national organization Creative Mornings' brand-new Wilmington chapter.

    The crowd, which included musicians, actors, visual artists, arts administrators and even a few people who claimed not to have a creative bone in their bodies, was lively despite the stormy weather and the 8:30 a.m. hour, chatting as they enjoyed free coffee and doughnuts, and commenting on each others' answers to a question on a name tag handed out when they arrived: "What advice would you give to your younger self?"

    After 30 minutes of socializing and opening remarks by Creative Mornings chapter host Kerry Skiles and Thalian Hall director Shane Fernando, it was time for the main event: A Ted Talk-like presentation by James Tritten of Wilmington label Fort Lowell Records on the topic of "reflection."

    "People in creative fields or who are doing creative projects, there's always something you can learn from them," Skiles said during an interview a week or so after Creative Mornings made its Wilmington debut. "It's really about just connecting with people in the community. We want this to reflect what the community needs."

    The Creative Mornings motto? "Everyone is creative."

    Skiles, a native of Edenton, lived in Wilmington in the early 2000s before moving to Raleigh, where she lived for about two decades before returning to Wilmington a couple of years ago.

    During her time in Raleigh she attended monthly Creative Mornings meet-ups for close to a decade, and "every time I left one, I was like, 'I'm so inspired,'" she said.

    When she looked for a Wilmington chapter of Creative Mornings and found there wasn't one, she decided to start her own. Founded in Brooklyn in 2008, Creative Mornings now boasts some 238 chapters in 69 countries. According to its website, about 70,000 people attend a Creative Mornings event worldwide each month.

    Events are typically held on the last Friday morning of the month, with all chapters hosting a speaker who expounds on a common theme. In September, it was "reflection."

    Aside from a minor technical glitch that cropped up when slides she had prepared didn't project properly, the inaugural event seemed to go swimmingly.

    "It became bigger than we expected," Skiles said, "And that was just from word of mouth."

    September's speaker, James Tritten of Fort Lowell Records, told the story of how the label he runs with wife, the singer Tracy Shedd, started in Tuscon, Arizona, and responded to a tragic shooting there in 2011 by trying to put positive energy back into the community via a compilation album of local bands that raised money for anti-violence causes.

    The label has released 76 albums since its founding 2009, the majority of them since Tritten and Shedd moved to Wilmington in 2018. In 2020, inspired by the George Floyd/Black Lives Matter protests, Fort Lowell released a compilation album of Wilmington bands called "GROW" that has funded scholarships for a half-dozen students through the Wilmington chapter of the NAACP.

    That project, Tritten said, "helped us realize the beauty of what was here," and he also talked about the label's "This Water Is Life" series of albums that pairs Wilmington indie rockers with local hip-hop artists to raise money for environmental causes.

    "We took it as an opportunity to share the story of Fort Lowell. To reflect back, but also creating this idea of, 'I just want to shed light on the things around me,'" Tritten said. "I went at it wanting to ensure that there was an opportunity for inspiration to be had."

    In talking with people after his talk and "having people tell me, 'That really was inspiring,' I definitely left feeling good," Tritten said.

    When Skiles first asked him to speak at Creative Mornings, Tritten said, "My first question was, 'Where's the money?' If anyone was making money off this, I was going to have a problem with it. I quickly recognized Kerry is doing exactly what I'm doing, which is trying to shed light on our peers and our community."

    After talking with her, he said, "I realized, I have to be involved with this."

    Skiles said that Creative Mornings meet-ups are required by the national organization to be free, with volunteer labor and meeting space, food and coffee all donated.

    "That's kind of the beauty of it," Skiles said. "Chapters aren't run as profit-making machines, and there's not this underbelly of having to raise money."

    The idea is for the meet-up to be in a new place each month, at least at first, though Skiles said it might evolve into having "a go-to place sprinkled in with other locations."

    Wilmington's second Creative Mornings meet-up will be 8:30 a.m. Friday, Oct. 25 at the Cameron Art Museum and feature filmmaker Christopher Everett, director of the 1898 documentary "Wilmington on Fire" and co-founder of Wilmington's Three Chambers Festival, which has a combined focus on film, hip-hop and martial arts.

    "I've always been a fan of Creative Mornings. It's like Ted Talk for creatives," Everett said. "I plan on talking about creating a vision for a creative future. This story is important to me."

    Skiles said that, as speakers, Tritten and Everett "appealed to me in different ways. They had an idea and they wanted to bring it to life, and that's just inspiring."

    Sunday, September 29, 2024

    “Welcome to Jaxxonville” Episode 9: James Tritten from Fortlowell Records



    Hip-Hop artist, local resident of Wilmington NC, and Iron Maiden fanatic Fuzz Jaxx interviews yours truly on Episode 9 of Welcome to Jaxxonville. Watch nowhttps://youtu.be/StnR_V63xhU?si=zkAPGBu82pr2Rl0B

    Thursday, September 26, 2024

    CreativeMornings launches in Wilmington, first event happening Friday



    [Repost from WWAY TV; by Matt Bennett, September 24, 2024]

    WILMINGTON, NC — CreativeMornings, a global breakfast speaker series for the creative community, has officially arrived in Wilmington, bringing together artists, musicians, entrepreneurs, and other creative professionals.

    Kerry Skiles, the host for the Wilmington chapter, says she used to attend events in Raleigh before relocating to southeastern NC.

    “When I moved to Wilmington, there wasn’t a chapter here, so I applied to open one with a group of creative friends,” she said. “We wanted to provide something for the creative community to dig into on a monthly basis.”

    CreativeMornings meetings are designed to foster a welcoming environment for everyone, regardless of their professional background.

    “We think everyone is creative, and everyone is welcome,” Skiles said. Each event features speakers who share their experiences and projects, encouraging attendees to connect and collaborate.

    The inaugural event is scheduled for Friday, with James Tritten from Fort Lowell Records set to be the featured speaker. Tritten, along with his wife, Tracy, operates a record label that focuses on indie rock and hip-hop artists. They are also working on a benefit record titled This Water is Life, aimed at supporting water safety in the region.

    For those interested in attending, Skiles says all events are free, including attendance, coffee, breakfast, and ideas. “It’s a great collaboration and networking opportunity,” she said. The meetings typically start with socializing, followed by the speaker presentation, and wrap up by 10 a.m., allowing attendees to return to their daily routines.

    The inaugural meeting will take place on Friday at 8:30 a.m. at Thalian Hall.

    Click here for more information, and to register for the event: https://creativemornings.com/talks/james-tritten

    Tuesday, September 10, 2024

    James Tritten: Fort Lowell Records | Building Community Through Music



    CreativeMornings is a free monthly breakfast lecture series designed for creative communities. In 2008, Tina Roth-Eisenberg founded the lecture series in Brooklyn, New York as an ongoing, accessible event for New York's creative community. The concept was simple: breakfast and a short talk one Friday morning a month. Every event would be free of charge and open to anyone.  Lecturers include professional creators, designers, photographers and illustrators. 

    CreativeMornings now hosts events in 207 cities worldwide in 65 countries. Their events are run by approximately 1,500 volunteer organizers.  Kerry Skiles of Wilmington, North Carolina has taken the lead on hosting the local chapter for our Port City, and has invited yours truly — James Tritten — to be the first guest speaker for CreativeMornings Wilmington's inaugural event taking place on Friday, September 27th at Thalian Hall from 8:30-10:00am.

    About the speaker

    Fort Lowell Records’ James Tritten has spent the better part of his life dedicated to two major efforts: creating and supporting good music and giving a damn about the people and places around him.

    Working (and playing) his way from Jacksonville, FL, to Boston, MA, to Tucson, AZ, to Raleigh, NC, and finally, to Wilmington, James and his wife, Tracy, launched Fort Lowell Records in 2009 to promote and release music for artists they love – paying back the kind of support they received as young musicians. They also wanted to give back to their now-hometown of Wilmington, and do everything possible to help nurture its soil, and establish deep roots for a long lasting, music-filled future.

    To that end, in 2020, Fort Lowell released a compilation album of Wilmington indie rock bands called “GROW,” as a way to raise money for New Hanover County’s chapter of the NAACP. And since then, the couple has started a vinyl series called “This Water is Life,” which not only highlights new hip hop and indie rock artists from the region, but also provides a platform for environmental organizations — like Cape Fear River Watch and the Coastal Plain Conservation Group — to help spread the word about GenX contamination in the Cape Fear River Basin and the fight for clean water.

    Bringing together his love for music and a desire to strengthen his community, James and Fort Lowell Records are using creativity to not only shine a light on deserving hip hop and indie artists, but to also make a real difference for the health and well-being of Wilmington.

    Saturday, June 15, 2024

    Wilmington is a vinyl town: How spinning records impacts the culture of the Port City

    James Tritten + RizzyBeats at The Underfront Co.; photo by Ken Blevins


    [Repost from StarNews; by John Staton, June 10, 2024]

    In April, during the annual celebration of music and capitalism that is Record Store Day, James Tritten waited in line for three hours at Yellow Dog Discs on South College Road to buy a special release on vinyl from the British electronic band Ladytron.

    Arguably, Tritten wasn't even the most dedicated vinyl fan out there. At least 100 people were in line ahead of him when he showed up that April morning, he said, including a half-dozen people who had camped outside the store overnight to secure their places in line.

    At the Modern Legend record and lifestyle shop downtown, recent renovations allowed owner Catherine Hawksworth to double the amount of vinyl she carries. She said that this year's Record Store Day, when many artists drop exclusive releases available only at independent record shops, was the best one for sales since she opened Modern Legend eight years ago.

    "I've seen a massive increase in young people buying vinyl," Hawksworth said as a gaggle of twentysomethings browsed the stacks nearby, adding that vinyl records account for more than half of her overall sales. "Then again, my first customer today was a 70-year-old man who bought The Eagles and Steely Dan."

    Tritten, who owns Wilmington's vinyl-centric Fort Lowell Records with his wife, the singer Tracy Shedd — they pull from their massive record collection to DJ every Tuesday evening at the Satellite Bar & Lounge on Greenfield Street, and every Wednesday night at The Sandspur restaurant and bar in Carolina Beach — said it recently occurred to him that Wilmington punches well above its weight when it comes to buying, selling, playing and celebrating vinyl.

    "It's such a small community, but so rich in the arts," he said, likening Wilmington's affinity for vinyl to its status as a hotspot for such diverse yet cool activities as skateboarding and stand-up comedy.

    "People are very interested in vinyl records. All of the venues are supportive of having vinyl DJs," Tritten said. "There's more DJs being booked in Wilmington right now than I've ever seen in the six years we've been here.

    "It's a beautiful thing," he added. "I'm here for it all day long."

    The explosion of interest in vinyl has had an impact on Wilmington's arts and cultural scene. The outdated stereotype of a vinyl collector is an older guy playing records at home alone, but these days, vinyl is often a highly social activity.

    In addition to a half-dozen or more local record stores where vinyl is the main attraction, including School Kids Records on Kerr Avenue and Record Bar on Oleander Drive, area breweries including Flytrap and Mad Mole have "vinyl nights" where patrons can bring in their records to play. A dozen or more DJs with names like Bo Fader, Infinite Spins and Rob Starr spin vinyl records around town, and Wilmington label Fort Lowell is getting the music of local bands on vinyl.

    Wilmington even has a vinyl-themed hangout in the Ibis bar and coffee shop on Princess Street in the Soda Pop District, where area DJs hold court in a beautifully designed booth four nights a week.

    "I think it's at sort of a peak in my lifetime, definitely in the life of my business," said Matt Keen, owner of Gravity Records on Castle Street, which celebrates its 20th anniversary this year. "Around 2012 or 2013, I saw a huge shift from CDs to records, and it's stayed that way."

    It's not just a local phenomenon, of course. In 2022, vinyl became the most popular physical format for recorded music for the first time since 1987. According to the online data-gathering platform Statista, vinyl accounted for 40% of all album sales in 2023.

    The popularity of vinyl has accelerated since the pandemic, record store owners say.

    "'I sold them all a few years ago and now I'm buying them all back.' I hear that one at least once a week," said Wilmington DJ and hip-hop artist RizzyBeats, who also works at Gravity Records. The shop's clientele ranges from "10-year-olds whose grandparents are buying records for them" to the grandparents themselves.

    "People who buy music in a physical form, that just shows how much they love it," he said.

    In early May, RizzyBeats and Tritten teamed up for a special event that packed the house at downtown lounge UnderFront. Part of the Let's Dance series, which has Tritten spinning danceable tracks at different venues around town, the UnderFront show had an '80s theme.

    "Rizzy had a very specific vision, "Tritten said. "His perspective of it was, he knows that my roots are in post-punk and new wave, and his roots are in R&B and hip-hop. And his vision was, well, let's bring these two worlds of '80s music together."

    The resulting evening was "magical," Tritten said.

    'It just sounds better'

    The argument for vinyl among music heads has always been the sound quality.

    Tritten said he's had people come up to him while he's DJing to comment about songs they might have only heard digitally before. "I've had numerous people tell me, 'It just sounds better,'" he said. "When I recognize a song as a real hot track, I'll go as far as to find that song on a 12-inch vinyl record cut at 45 RPM because it will hit harder than anything else will hit. You can't hit harder than a 12-inch cut at 45."

    Safe to say that Tim Jarman, who owns Cargo District record and book store The Fuzzy Needle, concurs.

    "The sound quality, it's impossible to beat, especially if you've got a good hi-fi set-up," Jarman said.

    He opened The Fuzzy Needle in early 2021, just in time to catch a post-pandemic vinyl wave that has yet to abate. Jarman also spreads his love of vinyl at the Ibis, where he coordinates the DJs who spin there Wednesday through Saturday. (The Ibis used to be affiliated with Gravity Records, but that's no longer the case.)

    "Wilmington isn't really thought of as a music town," Jarman said, but given the Port City's vinyl obsession, not to mention its emerging status as a concert hub, that view might need to be reassessed. "Wilmington must love music. Maybe even more than other so-called music towns."

    With Wilmington lacking a dedicated mid-size concert venue, Jarman said, perhaps that's driving more people to seek out "authentic" musical experiences on vinyl.

    Robin Wood, who plays in the Wilmington punk band Tercel and works at Fuzzy Needle, said that, for some people, vinyl and other forms of physical media are reactions to the increasing digitalization of society.

    "We're drowning in this sea of digital overload," Wood said. "Vinyl is an antidote to that."

    When she DJs at Satellite on Tuesdays, Tracy Shedd said it's all about "being spontaneous. There's something about having a record on, and only having a split-second to change it."

    She can play to the vibe of the room in the moment, or play to her own vibe and hope that others pick up on it.

    "The human touch. You absolutely can't replicate it," Tritten said. "And that's (why) Tuesday nights worked out at Satellite so well. Tracy gets compliments all the time, 'I just love what you're choosing to select.' It's just, you're reading the vibe in the room. That's just something an algorithm literally can't do."

    'The record is just cooler'

    Vinyl's popularity hasn't escaped the notice of chain stores like Target, Barnes & Noble and even Walmart, all of which carry vinyl records now and sometimes partner with artists for exclusive releases, like Walmart did with Taylor Swift.

    "That kind of hurts us" at the local record store level, Rizzy said.

    Tritten literally winced when asked about people buying vinyl at big box stores.

    "Support your local record shops," he said.

    Jarman said that while he doesn't love that big box stores carry vinyl, "For some people," especially younger music fans, "it might be a gateway. Once they come to a real record store, they won't buy records at Target anymore. It's just not a cool experience."

    And it's not like you can just find everything online instead. Rizzy said it's a common fallacy that everything's on streaming now.

    "It's not at all. Especially when you get into certain genres," he said. "I find stuff all the time that's not on streaming. It's not even on YouTube, or maybe it's just on one streaming service."

    Another popular misconception, perhaps driven by vinyl's newfound popularity, is that vinyl "is kind of like a gold mine," Rizzy said. "Like, 'There's money in these records!' In reality, there isn't. We'll get people coming in trying to sell us a record that they said is going for $200 on Ebay, when we'd only sell it for like $5."

    Most shops stock non-vinyl products to make ends meet. Modern Legend sells clothing and gift items as well as new vinyl. Fuzzy sells used and collectible books along with new and used vinyl, and just added the Folkstone Slow Bar coffee shop in its space. In addition to a huge vinyl selection, Gravity Records offers the only turntable repair service in town.

    "Definitely for a town this size, there's no shortage of people selling records," Gravity owner Matt Keen said. "I'm talking to you right now staring at a turntable and trying to figure how to fix it, because nobody else is doing it."

    Margins are slim, Keen added, and "the pie is only so big. It's still a niche market. It gets hard to survive on those slivers."

    Certainly, the record store business has long been a labor of love to some extent. But when it comes to "supporting both businesses and artists," Jarman said, "buying vinyl is the best way to do both of those."

    Tuesday, May 28, 2024

    LET'S BEACH every Wednesday Night this Summer at The Sandspur in Carolina Beach NC

    Fort Lowell Records is excited to partner with The Sandspur for this Summer Season and bring a very special edition of our Vinyl DJ Nights we are calling LET'S BEACH, to be held at The Sandspur every Wednesday Night from 7:00-10:00pm starting June 5th!  Known for our LET'S DANCE nights held at various venues around Wilmington NC, as well as our weekly LET'S TUESDAY residency at the Satellite Bar & Lounge, we are looking forward to crossing over Snow's Cut once a week to share some of our favorite music on vinyl record with everyone in Carolina Beach, while you enjoy the vibes with family, friends, and neighbors.  We will see y'all on June 5th and every Wednesday this Summer at The Sandspur! Now LET'S BEACH! 🏖

    Tuesday, April 30, 2024

    80s Dance Night in Wilmington NC - Friday, May 3rd at The Underfront Co.

    LET'S DANCE is a Vinyl DJ Night hosted by Fort Lowell Records around various venues in Wilmington, North Carolina.  This coming Friday, May 3rd, we are partnering with deejay / hip-hop producer RizzyBeats to bring you a very special 80s Night edition of our LET'S DANCE event at The Underfront Co. bar on Front Street in Downtown Wilmington NC.  James Tritten, owner of Fort Lowell Records, will be swappin' joints with RizzyBeats on the ol' 1s and 2s from 8:00pm until midnight, spinnin' everything from 80s boogie, freestyle, hip-hop, new wave, pop, post-punk, R&B, rock-n-roll, synthpop,  ...you name it!  Plus, the dynamic duo is going to be rockin' it Egyptian Lover style with a real Roland 808 Analog Drum Machine from the 1980s on stage, live beat matching and remixing the vinyl records they'll be playing.  So join us at The Underfront Co. this coming Friday, May 3rd... and LET'S DANCE!

    FACEBOOK EVENT PAGE

    Wednesday, November 29, 2023

    Illumination Opening at Cameron Art Museum in Wilmington NC

    Celebrate artistry and light at Cameron Art Museum’s 9th annual artist-made lanterns exhibition, Illumination 2023. Interpreting the light that shines from within, artists from across the United States and Canada have created traditional and contemporary lanterns. This display marks the transition of the season’s change and the year’s end as we begin our return to light. The installation can be enjoyed inside the museum or outside the Studio One windows.

    Friday, December 1st is the official opening event for Illumination 2023, featuring Fort Lowell Records LET'S SHINE Vinyl DJ Set, from 6:00-9:00pm.

    CAM Members: Free
    Not-Yet Members: $15
    Students: $5

    Thursday, September 7, 2023

    LET'S DANCE at The Starling Bar in Wilmington NC on Saturday, September 9th



    Join us at The Starling Bar on Saturday, September 9th from 7:00-10:00pm as Fort Lowell Records hosts a Vinyl DJ Night of dance-centric music deejayed by label owner James Tritten

    Thursday, August 24, 2023

    LET'S BOOGIE!

    Join us tonight (Aug 24) at Satellite Bar & Lounge in Wilmington NC for LET'S BOOGIE  a night of Electro-Synth-Funk / Post-Disco  featuring FADER on the 'wheels of steel'!

    Sunday, July 30, 2023

    James Tritten - Fort Lowell Records Interview


    Tell me about growing up in Tucson, AZ before relocating to Raleigh, NC. What led to this move for you and the label? What was your childhood like? When did you first begin to fall in love with music? Were these things that were relevant around your household growing up? Do you have any siblings?

    Fort Lowell Records was born in Tucson, Arizona in December 2009, however I personally grew up in Jacksonville, Florida during the 1980s and 1990s. The majority of my youth was focused around soccer — which I started playing in 1979, as well as skateboarding — which I first took to in 1981.  During those times, Thrasher Magazine and Powell Peralta skate videos were pretty much what introduced me to new music: hip-hop, metal, and punk. Music was more of a soundtrack delivered via cassette tapes played through a portable boombox used to keep the energy up for our skateboard sessions, wherever they may be held: backyard half-pipes, launch ramps in the middle of the street, behind a grocery store, abandoned buildings, at the local school, etc.. My brother and I shared the same interests, bonding over music from Iron Maiden to Motorhead, and 7 Seconds to The Misfits. The first vinyl record I ever bought was Agent Orange's When You Least Expect It EP around 1984, purchased solely because Vision Skateboards made an Agent Orange skateboard deck with the same artwork and band logo; I had enough money for the record, but not the skate deck.  

    Meanwhile, my sister was part of a school dance group. At the time I had no idea that their performances used (a lot of) New Order's music, until about 1988 when I became a big fan of New Order myself and then realized I had been hearing their music from my sister for the past few years.  Not to mention, solely as a fan of the movie itself she also played the heck out of the Pretty In Pink soundtrack prior to my own acknowledgment of its greatness and the future-favorite bands of mine on that album. 1987 was when I truly first fell in love with music, in the way I am still in love with music today. Echo & The Bunnymen had just released their self-titled album; their last studio recording with drummer Pete de Freitas. A good friend of mine at the time was a guy named Mike Gibbs, who I played soccer with. We never spoke about music ever, barely even spoke about skateboarding; I think he tried it once. One day Mike randomly walked up to me in Shop Class, handed me a copy of that Echo & The Bunnymen album on compact disc, and said, "My Mom just bought this album, and we've been listening to it in the car every day for the past few weeks on our way to school. I thought you would like it, so she said I could let you borrow it to check it out."  

    My life with music started in that very moment. I fell in love not only with that album and Echo & The Bunnymen as a band, but I fell in love with the idea of music, becoming a musician, and living a life full of music in every way possible. I knew I wanted to be involved in the music industry from the moment I heard that album. I knew I wanted to do something — make albums / records — to possibly move someone else in the same way Echo & The Bunnymen had moved me in that very moment.   Unfortunately Mike is no longer with us, but there is not a day that goes by that I don't think about how his simple gesture affected my life.  I will always be grateful for him and his Mom, and forever cherish his serendipitous act of kindness in middle school. Fast forward to North Carolina; it was in 1993 when my then-bandmate / now-wife Tracy Shedd and I first visited our now-home state.  Immediately we knew we wanted to move to North Carolina, but it ended up taking twenty-years to make that happen, mainly because we decided try out some other areas — such as Boston, Massachusetts and Tucson, Arizona — before finally making the commitment.  Finally, on our 2011 US Tour for Tracy Shedd after playing a show at Slim's in Raleigh, NC with friends Schooner and Miami Jetski, we made the decision together to take the plunge. It took two years for the planning and logistics, but in 2013 I took a job as the General Manager of The Cat's Cradle in Carrboro, North Carolina and we moved from Arizona to NC.  Five years later we would make one last transition, in-state this time, down to the coastal city of Wilmington, NC — which is where we now call home, and where Fort Lowell Records resides. Being kids from Florida, living by the water just made more sense to us. Wilmington has truly become our home, and we are doing everything to nurture its soil, and establish our own deep roots for a long lasting, music-filled future.

    What would you and your friends do for fun growing up? Who were some of your earliest influences in your more formative years? When and where did you see your very first concert? When did you realize you wanted to spend your life pursuing music? Have you participated in groups yourself?

    The first rock-n-roll concert I can remember going to was The Beach Boys in 1985 at Metro Park in Jacksonville, Florida with my Mother; that was one of her favorite bands, along with Chuck Berry.  Then, about five years later I bought the first concert ticket of my own to see fIREHOSE at the legendary music venue Einstein A Go-Go in Jacksonville Beach, FL — because all skateboarders back then were fans of fIREHOSE, after seeing Natas Kaupas in the 1989 Santa Cruz Streets of Fire video skating to their song "Brave Captain" and delivering his infamous fire hydrant trick. Einstein A Go-Go is as important to my story as receiving that Echo & The Bunnymen CD in Shop Class. Anyone who grew up in or around Jacksonville, Florida during the 1980s or 1990s and is now involved in the music industry will tell you more-or-less the same thing: Einstein A Go-Go shaped me, in almost every way. It was home to my very own inaugural live performance in 1991 with the first band I was in, Tumbleweed; documented here on VHS Tape by my friend Jamie Newell (that's me singing, playing guitar, in the paper chef's hat; don't ask).  It was where I saw Primus the next year on their first US Tour, and The Cranberries on their first tour state-side one year later.  It was where I bought some of my most prized Echo & The Bunnymen rare vinyl records, my first Mudhoney t-shirt, and the New Order subway station poster that hung in my bedroom during high school and first few apartments to follow. It was where I learned to dance to shoegaze music, smoke my first clove cigarette, and make-out with a girl on the beach at night.

    Einstein A Go-Go is where Tracy and I cut our teeth as musicians with our first band together, Sella.  It is where we learned everything about being a live band: how to book shows, how to promote yourself, how to perform on stage, how to engage with the audience, how to build a fanbase, how to work through mistakes, how to continue improving your craft, how to support your peers, how to be a part of a scene, etc. It was an all-age music venue located in Jacksonville Beach, Florida that hosted dance nights and live concerts, plus had a record store attached on the side.  All of our earliest influences were being hand-fed to all of us by the Faircloth Family, owners of Einstein A Go-Go, and the various DJs who occupied the booth during its existence.  I personally did not start going there until the 1990s, but I remember my brother talking about sneaking out his bedroom window to go there many years before. Einsteins was equally as influential to our Floridian community in the 1980s, and provided a stage for some of our favorite artists in their early years like 10,000 Maniacs, Jane's Addiction, The Replacements, Sonic Youth; too many to name.

    How did the label initially come to be and how did you guys meet each other? What was the overall vision and dream for the label? You guys have released some great works by the likes of Neon Belly, Death Kit, Andrew Collberg, Kim Ware, Tracy Shedd and La Cerca. What have been some of the most fun you’ve had working on projects and why?

    I met my wife, Tracy, for the first time in January 1993. She was auditioning for a band called Sella that I was putting together with my friend Steven Haley. At the end of the audition, I told Steven, "I am going to marry her someday" (which I did on June 1, 2000).  After Sella disbanded a few years later, Steven and I started a duet called Audio Explorations. Tracy began to work on music of her own under the name Aerial, then Tiny Dynamite, and finally her maiden name Tracy Shedd.  For the years that followed, both Tracy Shedd and Audio Explorations were very fortunate to receive the support of various record labels such as Teen-Beat, Eskimo Kiss Records (run by Kim Ware), New Granada Records, and Devil In The Woods. We moved to Tucson, Arizona in 2006, and immediately fell in love with the music scene and community in general. This was during that odd time in the music industry when Compact Discs were beginning to lose their luster (for some people) and the idea of Digital Music was just starting to become a household consideration; however, online streaming was not quite there yet (as we know it today).  New bands trying to break into the scene (any scene) were now making their music available exclusively as a free download on MySpace, just to ensure people would listen to it.  

    Up to that point, our own personal experience with music was to make it available on a physical medium for people to buy, and they would; assuming it was something the listener liked (whatever the genre). We did not understand the idea of giving one's music away for free.  So, we decided to put our money where our mouth was, start a record label, and promote / release music for artists that we liked — providing the same 'label support' we had received ourselves for the past decade. We immediately sold our 1976 Yellow CJ5 Jeep (with a 4" Lift Kit) to fund the first few projects for Fort Lowell Records; I still remember standing beside it just before we put it on the market as I called Zach Toporek from Young Mothers to talk to him about being the first artist. We lived in the Fort Lowell neighborhood of Tucson, Arizona at the time, so the name was obvious to us from the start.  It provided an indigenous element, which we wanted, as our original vision for the label was to only work with artists from Tucson AZ.  The other original idea was to only release 7inch singles; in the early years we were basically just trying to be the Sarah Records of the Southwest USA.  That all went out the window a few years later when we succumbed to the idea of full length albums, driven by the request of the bands we were working with at the time, as well as the fact that we ended up moving to North Carolina. 

    Now, our vision is simple: to release great music that we love; glad to see you (Primitive Man Soundz) agree about the "great" part — thanks!  For the most part, everything we release (and have released) is by a friend of ours; and if not a direct friend — a friend-of-a-friend. Ultimately, this is what makes every release "fun": hearing the joy in the voice of someone you care about when they get to hear their own music on vinyl, or hold that twelve inch jacket in their hands for the first time.  For me, it is one of the greatest pleasures in life. And to share that experience with my friends keeps me going. For us, our This Water is Life project might be one of the most special things we've worked on. It is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop and indie rock music from Southeastern North Carolina together one one record, as well as to provide a platform for local non-profits Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife. There are a lot of terrible things happening here with our water supply, and people need to know more about it. This project provides the local subject matter experts an opportunity to help educate our community with what's going on. We have released two volumes so far, and are in the middle of working on the third and forth as we speak. In addition to the environmental importance of the project, North Carolina hip-hop and indie rock have always been favorites of ours so it’s wonderful to be able to include Wilmington artists of both genres together on one release; hip-hop on Side-A, and indie rock on Side-B. 

    What elements are most important to you when running a label and what exactly does it take to run FLR during these times? What have you been working on currently? Any new projects, or things you’d like to share for the spring/summer?

    Talent, trust, and respect are most important to both Tracy and me for Fort Lowell Records, as well as vinyl (of course). If we do not like the music — correction, if we are not the biggest fans of what we are considering releasing — then unfortunately there is nothing we can do for an artist. This is a characteristic everyone should look for with any partnership they encounter, let alone working with a record label to release someone's music. Without our absolute love for the music, there is no way we could do what we do for our artists, or our label in general. For us, trust and respect are an essential part of any relationship, and this is no different with business.  Fortunately, we have a lot of talented friends, so we chose to focus Fort Lowell Records' efforts on helping people who we already have trusting, respectful relationships with. This is something we learned from Mark Robinson at Teen-Beat early on in our own music career with Tracy Shedd, and came to further understand as our careers progressed. It keeps things low risk and a lot more fun, as well as rewarding. Lastly: vinyl. Vinyl is final. As stated before, there is simply nothing like hearing your music on wax, or holding your own physical record in your hands. In the end (for us), that is what we are doing all of this for: to get music that we love on vinyl, so we can put the record on the shelf of our own personal collection at home, as well as drop the needle on the record when we want to hear the music — which includes at our various DJ Nights around Wilmington, North Carolina.

    Some new releases on the horizon that we are very excited about (in no particular order of release date or favorites): 
    • Tracy Shedd has a tasty new song titled "Let It Ride" with an infectious groove coming out soon as a digital single.  It is the very first song we recorded on our new-to-us 1980's 16-Track 1-Inch tape machine (analog, baby), and also features Andrew Gardner from La Cerca delivering a sweet lead guitar part; recorded as an impromptu session while visiting us here in Wilmington NC on a US Tour for his ambient album A Nice Sweet Getaway (an album fans of Brian Eno or Cocteau Twins should definitely check out).
    • Local Wilmington NC indie rock legend James Sardone has his debut EP titled Colors coming out July 21st.  It includes remixes by Pitchfork's favorite De La Noche. The hit song on the EP "Colors of Your Brain" sounds like it could have come straight out of the recording sessions of New Order's Power, Corruption, and Lies. I can't wait to DJ this wax at one of our local Let's Dance DJ Nights.  People may remember Sardone from his 1990's band Brickbat, who used to tour with Jawbox, The Jesus Lizard, and The Jon Spencer Blues Explosion.
    • For all of you shoegazers out there... Mark my words when I say "Doggy Daycare." Their sick new mind melting digital single "(forgetting) sarah marshall" drops July 28th.  Think Swervedriver meets Feeble Little Horse meets Starflyer 59 meets Dinosaur Jr., and they all go largemouth bass fishing together here in Southeastern North Carolina on the Cape Fear River, which by the way has been polluted by The Chemours Company (assholes; Chemours, not the bands); see This Water is Life above.
    ADDITIONAL RELEASES COMING
    • La Cerca [Digital Single]
    • Soda Sun [Digital Single]
    • Summer Set - Members of De La Noche [Vinyl LP]
    • Naïm Amor [Vinyl LP]
    • Jon Rauhouse & Blaine Long [Vinyl LP]
    • Blab School - Debut Album [Vinyl LP]
    • Common Thread Fountain - 30-Year Anniversary [Vinyl LP]
    • Forest Fallows - Members of Mute Swan [Vinyl LP]
    • Female Gaze [Vinyl LP]
    • Red Dwarf Star - Members of Maserati and Failure [Vinyl LP]
    • Kicking Bird - Sophomore Album [Vinyl LP]
    Is there anything else you would like to further share with the readers?

    "Thank you!" for your interest in Fort Lowell Records, and reading this interview to learn more about what we are doing.  As a gift, I would like to introduce you to a very special album titled ambient music by our own artist infinitikiss from Albuquerque, New Mexico. We released this album just a few months ago, and with all due respect to everything we have ever released, I have to be honest in saying this album quite possibly may be one of the most important projects we have been involved with. Infinitikiss ambient music grew out of artist Nic Jenkin's own slow-growing interest in sound healing, vibrational therapy, and learning about chakra / energy systems, which helped him realize (and illuminate) that a collection of sounds from live improvisations which were recorded to cassette tapes, originally to serve as backing tracks for live solo performances, could actually be its own album. The song titles reflect the moods and colors (aka spectral wave) of the blending and bending of colors in a rainbow (ROYGBIV), as well as to the energy fields of our bodies; corresponding to the “roygbiv” sequence and play with imagery of said colors. In our opinion, every human being in the world deserves to know about infinitikiss' album ambient music and have the opportunity to experience it, which is why it is our gift to recommend Jenkin's masterpiece to you, so you too can benefit from its existence in the world as much as we already have. 

    Tuesday, June 20, 2023

    LET'S TUESDAY at Satellite Bar & Lounge

    Join us at Satellite Bar & Lounge in Wilmington, North Carolina every Tuesday after work from 6:00-8:30pm as Fort Lowell Records hosts an evening filled with an eclectic mix of music deejayed by Tracy + James Tritten from their own person vinyl record collection, while patrons enjoy time with friends, a classic movie in the back courtyard, and dinner from Block Taco!

    Sunday, June 18, 2023

    LET'S DANCE at Palate Bottle Shop

    Join us at Palate Bottle Shop in Wilmington, North Carolina on Saturday, June 24th from 7:00-10:00pm as Fort Lowell Records hosts a Vinyl DJ Night of dance-centric Alternative / Indie / Underground music deejayed by James Tritten!

    Tuesday, May 30, 2023

    How the couple behind a growing record label is putting Wilmington music on the map

    [Repost from StarNews; by John Staton, May 14, 2023]

    Over the past five years, arguably no one has done more for Wilmington's indie music scene than Tracy Shedd and James Tritten.

    A regular presence at area concerts and other happenings — they share a DJ set every Tuesday evening at the Satellite Bar & Lounge on Greenfield Street, during which they spin, on vinyl, everything from classic hits to obscure bangers — the married couple has helped highlight Wilmington music in a way few others have.

    Since moving to town in 2018 with Fort Lowell Records, the independent label they started in Tucson, Arizona, in 2009, the couple has released a steady and diverse stream of music by Wilmington acts, from indie rock and dream pop to punk and hip-hop.


    And the hits keep coming. May 12 saw the release of "The Time Space Continuum Redux," a lush remix of a 2006 album from Wilmington hip-hop group MindsOne by Port City DJ and producer RizzyBeats. (There's a listening party for the album May 18 at Flytrap Brewing.)

    May 19 marks the release of "Original Motion Picture Soundtrack," the incendiary new album from Wilmington sweat-pop rockers Kicking Bird. (Album release show is May 19 at Reggie's 42nd Street Tavern.)

    Indie rock mainstay Shedd's new single comes out in June, and July 21 will see the release of "Colors," a new EP from veteran Wilmington songwriter James Sardone. Coming later this year will be the first official album release from iconic Wilmington indie rockers Summer Set. And that's just for starters.

    Brian Weeks, the guitarist and songwriter for Summer Set and for the moody electro-pop act De La Noche, has been playing in various Wilmington bands since the '90s.

    "There's been other local labels before, but not like this," Weeks said of Fort Lowell. "One of the strengths they have, especially James, he's just relentless and he's got the business side down."

    RizzyBeats, the Wilmington DJ and producer who can often be found behind the counter at Gravity Records on Castle Street or spinning at various venues around town, said Fort Lowell has helped push artists to the next level.

    "As creators, it's nice to be able to focus on the work," Rizzy said. "James is good about getting all the things together, taking it off our plates," including getting crucial publicity for new releases by Wilmington artists.

    Both the MindsOne and Kicking Bird releases have gotten attention from national music sites, and Fort Lowell artists Lauds, who released the throwback shoegaze album "Imitation Life" in January, are featured in the current issue of national music magazine The Big Takeover.

    Tritten and Shedd say it's a labor of love for Wilmington and its music.

    "I already have a full-time day job," Tritten said, working for Kwipped, an online equipment rental marketplace.

    "Honestly, I think I'm so obsessed as a record collector, that's the only reason I run a label. I just fall in love with a band and it's like, 'All right, I'll put your music on vinyl, just because I want it,'" Tritten said recently from he and Shedd's super-sweet downtown Wilmington apartment, which comes complete with a low-ceilinged, noggin-bruising recording studio space replete with music equipment. "It just boils down to, I'm a fan of it. It's really that simple. And it's never just me, it's me and Tracy, both of us together. That's the key part."

    James Sardone, who's been part of the Wilmington scene for 30 years (aside from a decade-long stint in New York, where he earned a write-up in the Village Voice as the rockabilly act Jimmy Nations), said that "Fort Lowell is important to Wilmington ... They've given a boost to the music scene by participating and promoting, as well as providing a voice and label support for local artists."

    Tom Michels of Wilmington rockers Kicking Bird said Tritten will "send you a song or tell you about something you'd be into, and he's always right. He's got this amazing, encyclopedic musical knowledge."

    Wilmington on their minds

    Natives of Jacksonville, Florida, Shedd and Tritten have known each other since the early '90s when they played in a band called Sella. Later, Tritten would form the band Audio Explorations and back up Shedd, now his wife of 23 years, during her long career as a solo artist. The couple toured relentlessly for years, with Tritten also serving as a booking agent for dozens of acts.

    Ask most anyone in Wilmington who knows them, and you'll probably hear the word "supportive." Tritten, often clad in a trucker cap, is loquacious and has an easy smile, while Shedd has a shock of wavy gray hair and a winning laugh, with a friendly manner that immediately puts folks at ease.

    And even though they've only lived in Wilmington since 2018, they've got deep roots in the Port City.

    "In 1996 we got invested and tied into the Wilmington scene very deeply and very quickly," Tritten said. That was when Audio Explorations played its first show here, and he and Shedd met Wilmington folks that they're friends with to this day. "All through the late '90s, all through the early 2000s, we were coming here multiple times per year."

    In 2006 the couple moved to Tucson, Arizona, for what they thought would be forever. There, in 2009, they started Fort Lowell Records, named after a U.S. Army fort in Tucson that later became an artists' colony.

    Then in 2013, Tritten got a job offer to be the general manager of the legendary Cat's Cradle music venue in Carrboro, and the couple moved to Chapel Hill.

    That job didn't work out long-term, but it did lead the couple to Wilmington in 2018, where the scene here reinvigorated Fort Lowell, which had gone largely dormant in the Triangle. Shedd completed her 2019 album "The Carolinas" at their home studio downtown and they played a release party at downtown venue Bourgie Nights that same year. It's been on ever since.

    You'll often find them at local "makers" markets, with stacks of vinyl next to the apothecary concoctions Shedd makes. The couple created an even deeper connection to their new hometown with "Water Is Life," a blend of photography, music and environmental activism that adds up to an ongoing series of vinyl and digital releases split between Wilmington indie rock and hip-hop acts. The the third release in the series (with rocker cydaddy and rapper Sheme of Gold) is coming soon, with two more in the works.

    At the same time, Fort Lowell continues to work with national artists. Upcoming albums include solo projects from Coley Dennis of Athens, Georgia, psyche-rock act Maserati, and from Neko Case guitarist Jon Rauhouse.

    Fort Lowell band Lauds is starting to make some ripples nationally, and there's a rising wave of younger Wilmington acts like Pleasure Island (probably the most popular band in town), Doggy Daycare and Lawn Enforcement, all of whom regularly play at Cargo District hotspot The Place and are represented by Wilmington's newest label, the Gen-Z-centric Suck Rock Records, a label Tritten and Shedd both praise.

    "I put blinders on with that kind of stuff," Tritten said, when asked whether Wilmington music is ready to step into the national spotlight. "We're just releasing music we like. It's really that simple."
    All photos by Mary Riley; StarNews