Independent Record Label | Est. 2009
Wilmington, North Carolina

 
 

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Showing posts with label This Water is Life. Show all posts
Showing posts with label This Water is Life. Show all posts

Monday, December 4, 2023

'This Water is Life': Wilmington record label uses music to do good

CLICK PHOTO TO WATCH VIDEO


[Repost from Spectrum News 1; by Natalie Mooney, November, 30, 2023]

An independent record label in the Cape Fear region is using music for good.

Fort Lowell Records is releasing its third record in the series "This Water is Life," something that not only highlights local musicians’ work but also gives a platform to organizations promoting clean water.

Fort Lowell Records was started in 2009 by James Tritten. Since then, he’s released an impressive collection of records, highlighting both local artists and artists from all over the country. Now, he’s using records to raise awareness of important issues in his community.

“In 2020, we did a compilation called 'Grow,' which featured all Wilmington Indie Rock bands,” Tritten said. “And we used that as a fundraiser to raise money for the New Hanover County’s chapter of the NAACP.”

Since then, he’s started a series called "This Water is Life," which not only highlights new music from the region but also gives a platform for environmental organizations — like Cape Fear River Watch and the Coastal Plain Conservation Group — to speak on the health of the Cape Fear River Basin.

“The water problem is an ongoing thing, it has been for decades as well, but we don’t see it going away, of course, it’s not a one-time fix it and be done,” Tritten said. “So we thought by creating a series that would help bring awareness to that through music, it would help educate more people.”

The Cape Fear River is the main drinking water supply for 500,000 people, and it is contaminated with forever chemicals like GenX, which can be harmful if consumed. That’s why Dana Sargent, the executive director of Cape Fear River Watch, is happy to use "This Water is Life" to help spread the word about the contamination and the fight for clean water.

“Everything that we’re relying on in this community especially is built on the water, either on the river or the ocean or both,” Sargent said. “So this is so huge and so great that James and Fort Lowell have kind of brought these two beautiful things together.”

It’s not just the music on the album, Tritten uses every part of the record to get the message across.

“The liner note portion of the record itself here is what we refer to is written by Cape Fear River Watch where they speak to how the water is affecting us as humans,” Tritten explained. “Meanwhile on this side, the Coastal Plain Conservation Group is speaking to the wildlife and how the wildlife is being affected.”

Sargent has been writing liner notes on behalf of her organization for all three records in the series.

“James was like, 'just write what you’re thinking,' and I was thinking about the heaviness of the world, and I wrote, ‘Unless we take the time sit with the heaviness of the world, we become heavy with it, and that’s when apathy bleeds in,'” Sargent said. “And what can we do? For me, the answer has always been to immerse myself in music and nature, and so that’s kind of what this project does.”

That’s also why cydaddy, one of the two musicians on the record, says he wanted to be involved.

“Growing up in the area, you spend a lot of time growing up in wildlife, outdoor habitats,” cydaddy said. “So to be part of an intersectionalist piece of art that can bring both awareness to the local art scene and kind of bring awareness to the health of the wildlife around the community was super special to me.”

Sheme of Gold is the other musician on featured on the record. You can check out more of his work here.

Tritten is excited for the record to be released and hopes that this collaboration can help lead to change.

“The most rewarding part for me is simply bringing awareness to the community and just helping drive more projects in the community with like-minded people for a positive effort,” Tritten said. “And of course, if they can help Coastal Plain Conservation Group and Cape Fear River Watch get their agenda across to a new audience then that’s the greatest success of all.”

Click here if you would like to buy a digital download of the album or purchase a copy of the vinyl record.

You can also find a copy at Gravity Records in Wilmington.

If you would like to volunteer with Cape Fear River Watch, you can click here.

If you would like to get involved with the Coastal Plain Conservation Group, you can click here.

Friday, December 1, 2023

OUT NOW: This Water is Life, Vol. III ft. Sheme of Gold + cydaddy



This Water is Life is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop / indie rock music from Southeastern North Carolina, as well as to provide a platform for Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife.


Ever since our forebears crawled up out of the water and drew their first breath, our – which is to say human and animal (and for that matter, plant) – experience has never strayed too far from its life-sustaining force. This water IS life. It will continue to be. But what kind of life? Threats to that water are, in turn, threats to the very life it supports. 


Inspired by photography focused on water in urban landscapes against a backdrop of the evolving GenX (PFAS) water pollution problem in the Wilmington, NC / Cape Fear region, This Water is Life is a local multimedia, multi-platform project. It takes what Fort Lowell Records does best – put out and promote killer indie music of varied stripes – and fuses it with photography and other visual arts alongside river and wildlife advocacy. The goal is a virtuous circle contained within an intended series of records. Packaged together, musical and visual artists from the Port City combined with a separate, serialized and locally-specific environmental message gives rise to the future promotion of other local music acts and further advocacy.


Volume III features Sheme of Gold and cydaddy.


Hip-Hop: Sheme of Gold

Sheme of Gold is an artist born and raised in Goldsboro, North Carolina, who relocated to Wilmington to attend culinary school in 2019, six months before the COVID-19 pandemic hit. His unique style of hip hop is nostalgic and psychedelic, which grabs the listeners attention right away. His stories shed light on the struggles he’s endured and the confidence and braggadocio it takes to make a man of this stature. 


Indie Rock: cydaddy

cydaddy is a solo recording project for singer-songwriter / multi-instrumentalist Cyrus Goudarzi. Cyrus’s musical journey started in high school exploring home recording and sneaking around local shows in Wilmington, North Carolina. After an album release in 2010, his musical journey continued to Chicago, Illinois, where he would fill in rotating lineups for the next several years. Following, cydaddy was a leading member of local salt rock outfit Reef Blower.  Unquestionably, cydaddy is a product of his environment in the wildlife of the southeastern coast and has a heavy heart for the natural habitats that have shaped his years.


Just as clean water helps sustain life on Earth and here in the ILM, your purchase of this record fosters the work of not only hip hop, indie rock and visual artists in Wilmington but advances the advocacy of groups seeking to protect and preserve water and wildlife in the region. This water is life.


LISTEN TO FULL EP // ORDER VINYL RECORD

Thursday, November 23, 2023

15 great new songs by Wilmington-area artists that you need to listen to right now

[Repost from StarNews Online; by John Staton, November 22, 2023]

It's been a banner year for new music in Wilmington, a corncucopia overflowing with good songs, if you're feeling the Thanksgiving vibes.

It helps that we've got two tiny but mighty labels punching above their weight and cranking out new tunes — sonic veterans Fort Lowell Records and indie upstarts Suck Rock Records — but there's been plenty of good self-released stuff, as well as a couple of former Wilmingtonians shining from afar. From rock and pop to folk and hip-hop, it's not just one scene, either.

Take a listen, and keep in mind there's plenty more where this came from. Keeping the list to 15 was a challenge, which is a good problem to have.

Cydaddy "CHEERS (WATER MIX)"


New single from Wilmington-based Fort Lowell Records' "This Water Is Life: Vol. III," a series of albums split between local rappers and indie rockers designed to draw attention to our area's significant water quality issues. Cydaddy's "Cheers (Water Mix)" is a sweet piece of lo-fi indie pop, suffused in melancholy and regret but also tinged with hopefulness.


Doggy Daycare "ACID WALK"


That intro, man oh man. Doggy Daycare's new single is big and bold and fuzzy and psychedelic, like a slice of the coolest grunge that somehow escaped your notice back in the '90s. According to a social media post by the band, "acid walk" is "an ode to being in love and definitely not (about) doing drugs while hiking."


Sheme of Gold "RAP GAME TAN SANDERS (REMIX)"


New single from Wilmington-based Fort Lowell Records' "This Water Is Life: Vol. III," a series of albums split between local rappers and indie rockers designed to draw attention to our area's significant water quality issues. Sheme's laid-back delivery and raw subject matter about the things we do to get by are set to some soulful samples, with a guest spot from D$5.


Summer Set "THE JETTY"


Longtime Wilmington indie rock band wrote this song some years ago, but it's new to us, as it just came out Nov. 3 on their new, self-titled album for Fort Lowell Records. Definitely has the beachy sheen of classic Summer Set, with some boom-bap drums and hazy vocals about not losing your grip on the jetty, or on life for that matter.


Tracy Shedd "LET IT RIDE"


Wilmington singer Shedd's latest single, a groovy, moody meditation on patience and trust, came out in August on Fort Lowell. Shedd's vocals are pristine here, sweet and understated.

Friday, November 10, 2023

OUT NOW: New Singles from both Sheme of Gold + cydaddy



This Water is Life is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop / indie rock music from Southeastern North Carolina, as well as to provide a platform for Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife.


Volume III features Sheme of Gold and cydaddy. Today, November 10th, one song from each artists has been released into the world as a digital single for your enjoyment ahead of the full EP's release, which is set for December 1st. Click the links below to listen to Sheme of Gold "Rap Game Tan Sanders (Remix)", ft. D$5, as well as cydaddy "Cheers (Water Mix)".



LISTEN TO DIGITAL SINGLES:




Hip-Hop: Sheme of Gold

Sheme of Gold is an artist born and raised in Goldsboro, North Carolina, who relocated to Wilmington to attend culinary school in 2019, six months before the COVID-19 pandemic hit. His unique style of hip hop is nostalgic and psychedelic, which grabs the listeners attention right away. His stories shed light on the struggles he’s endured and the confidence and braggadocio it takes to make a man of this stature. 


Indie Rock: cydaddy

cydaddy is a solo recording project for singer-songwriter / multi-instrumentalist Cyrus Goudarzi. Cyrus’s musical journey started in high school exploring home recording and sneaking around local shows in Wilmington, North Carolina. After an album release in 2010, his musical journey continued to Chicago, Illinois, where he would fill in rotating lineups for the next several years. Following, cydaddy was a leading member of local salt rock outfit Reef Blower.  Unquestionably, cydaddy is a product of his environment in the wildlife of the southeastern coast and has a heavy heart for the natural habitats that have shaped his years.

Saturday, September 30, 2023

Three New Vinyl Records For You!



Okay, so technically we have four new records being released before the end of the year:
  1. Summer Set Summer Set — Release Date: November 3rd
  2. Jon Rauhouse & Blaine Long One Day Will Never Come Back — Release Date: November 17th
  3. This Water is Life, Vol. III ft. Sheme of Gold + cydaddy — Release Date: December 1st
  4. Common Thread Fountain | 30th Anniversary Vinyl Edition — Release Date: December 8th

However, our Jon Rauhouse & Blaine Long LP sold out before we even launched our first press release for the album. 😁

So, officially we have three new vinyl records to offer you this Fall / Winter / Holiday Season ahead that you can pre-order right now: 
  1. Summer Set — PRE-ORDER VINYL RECORD
  2. This Water is Life, Vol. III — PRE-ORDER VINYL RECORD
  3. Common Thread — PRE-ORDER VINYL RECORD

Reserve your copy of each record today before these sell-out as well!  You've been warned!
Summer Set Summer Set
*SOLD OUT* — Jon Rauhouse & Blaine Long One Day Will Never Come Back *SOLD OUT*
This Water is Life, Vol. III ft. Sheme of Gold + cydaddy
Common Thread Fountain | 30th Anniversary Vinyl Edition

Thursday, February 2, 2023

Artist Interview: Color Temperature


Ross Page is a sort of wunderkind. He juggles five different projects, including his solo endeavor Color Temperature, and double as many styles of music between them all. As Color Temperature he’s just released his fourth full-length, Me Talk Pretty, as well as an experimental single titled “The River” for Fort Lowell Record’s This Water Is Life split series. Me Talk Pretty is the apex of Page’s work to this point, an indie kaleidoscope that takes in elements of Americana, heartland rock, folk, and dream pop and spits out something entirely unique. We sat down with Page to discuss his latest record.

How’d you start writing and playing music in the first place?

I’ve been writing ever since maybe eighth grade. I never did it seriously until college, but I’ve always played in bands. After I got into it a little more near the end of college I just couldn’t stop. I moved to California for a bit after college and was lucky enough to have a whole room to set up my drums and it was this online music blog that did this ‘make an album in a month challenge.’ I’d never done anything cohesive or real, but I did that and I thought it was sweet.

You’re in Seeking Madras, Lauds, and Azza on top of Color Temperature.

There’s an indie folk band called Tumbleweed I play with too.

How did you get involved with all of them, and how do you balance all these bands?

I play drums in all of them, which really helps. I don’t have to learn all these chord progressions. But it’s neat discipline myself to just play that one genre. I’ll try to play intentionally–and sometimes even take parts of my set out of the equation. For Tumbleweed I play with a smaller kit. It’s a fun challenge, and it helps that I play other instruments, so I can hear where drums need to lay back more. A lot of the bands have shared members too.

Each of these bands has a different vibe. Tumbleweed is folk, Azza is post-punk, Lauds is dream pop, and Color Temperature’s sort of a little of all of that. Which project would you say is closest to what you listen to in your day-to-day?

I go through seasons of it, but there’s a couple I come back to. I listen to Kurt Vile a lot, especially lately. Probably mostly I listen to indie rock stuff, Alex G, that kinda stuff. I’ve been into egg punk lately. [laughs]

What is egg punk?

I didn’t know it had a name. It’s like this newer subgenre of punk that’s kinda goofy with a lot of chorus on the guitars. If you know the band Prison Affair. They’re all short songs. I love a sub-two-minute song.

I wanted to talk a bit about that Azza EP–how’d that band start? Most of the other bands you’re in have been around for a while. 

I literally–probably mid-2020–was listening to a lot of punk, that Illuminati Hotties album Free I.H. I listened to it obsessively, four times a day. I was like, “I need heavier music. I’m over relaxing, I’m over Brian Eno and Aphex Twin.” I posted on Instagram like, “Who wants to form a punk band?” My buddy Jeff in Seeking Madras hit me up and said let’s do it, so when COVID calmed down we got a practice studio downtown. We both wanted to get someone on the mic to sing and write that had something to say. We write our own stuff but wanted to intentionally be political. I asked around and someone at the coffee shop I go to, Luna, told me to ask Janice. She joined and we tried it out. We immediately clicked. Janice’s husband, who’s in Nice Derek, is a really good guitar player, so we tried it out. He brought a weird Devo energy, Coneheads–oh, and they’re a really good egg punk band. The person who mixed it said it sounds like we’re all trying to be the lead instrument in a cool way.

You also just dropped your fourth Color Temperature full-length in June. I always appreciate that your stuff’s always got a consistent art direction from the albums to the singles. How’d you get the art for Me Talk Pretty?

I also do film photography, which is kinda where the name came from. Color temperature is a way to measure light–if you’re in a doctor’s office, the light’ll be blue and sterile, so that’s got a cold color temperature, but candles will have a warm one. It’s a way to portray mood in moviemaking and photography through lighting. The artwork–I do film photography, so all the photos for the record were photos I took, except for the drawing. The first two were random, but with Me Talk Pretty and the singles, I thought it had an overall theme. It’s mainly about a new relationship, and all the photos I used were taken without the intention of using them for a record. I cropped them to fit the songs.

The title is very striking too, and I’m curious why you chose to title the record Me Talk Pretty. What is it about that that captures this record?

That’s one of the two oldest songs on the record. “Me Talk Pretty” and “Your Math” are five years old, maybe. They’re from a different time but fit this positive theme of support for a loved one and viewing yourself in a positive light in a new relationship. Me Talk Pretty One Day is a collection by David Sedaris, and I listed that for the song when I wrote it, and then I shortened it and thought it made the song feel a little more present. This is the first album I’ve written that’s not super depressing. [laughs] I write therapeutically a lot, and the first three are sad. This one’s not. It felt fitting to repurpose something old and spin it positively.

How has the reception been to the record?

Pretty good, man. My manager and I, when I released the first single, were toying with the idea of shopping it around, but I got kinda antsy. All the songs are written in the moment, and I didn’t wanna get bored of them. I said, “I gotta get this out,” so we did it. I reached out to Small Albums on Twitter, who I’d been following online for years, because they just happened to say, “Who’s releasing music today?” They latched onto it.

That was “Open Carry,” right?

“Stunner” was the first single, and it’s one of my favorites. That kinda felt like a copout, though, because it’s a minute long, but I figured I’d put it out and that counts as doing something. It just synced up so well. I released a single every couple weeks, and they liked them. It’s the most successful my music’s been since I started doing it. That’s affirming, too, because it’s the best music I’ve written.

What others are some of your favorites?

I love singing “One Year Lease.” I think it’s one of my favorites to sing, even just me on my couch. “Open Carry” and “Long Fall” are two of my favorites I’ve written. I think the driving energy without being intense is what I’ve been pushing the project towards. I wanted to write songs that have the attitude of punk music but recorded really small. It works well with my voice singing quietly, so recording everything quietly just made sense. “Me Talk Pretty” was written to be a loud emo song. I was listening to a lot of Krill and Kal Marks when I wrote it. All the songs I wrote in that time were all geared towards that sound, but I didn’t like the demos. When I recorded it this way it clicked. I have a well of songs I wrote years ago that I can draw on if I think it fits thematically.

So we can get noise rock Color Temperature eventually. 

It’s a possibility. I have a new song that’s out, a concept song about the Cape Fear River, and it’s 13 minutes long. It’s a one-off–I don’t write songs above three minutes usually. But I’m excited about it.

Friday, December 16, 2022

OUT NOW: 'This Water is Life, Vol. II' ft. Haji P. + Color Temperature

This Water is Life is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop / indie rock music from Southeastern North Carolina, as well as to provide a platform for Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife.


Volume II features Haji P. and Color Temperature.


Haji P. (short for Pajamas) is a North Carolina based multi-talented artist, who is heavily influenced by 80s / 90s pop culture.  As the illustrator 'HP Fangs', he is known for drawing big teeth on things. Haji is also a Middle / High School Art Teacher at the Glow Academy, has always been in youth advocacy and development, and uses the word “dope” – a lot.  Haji P.'s last musical release was his album, 'Neighborhood Kid', and he is sometimes found rapping with the San Francisco based collective, Rec League.


Color Temperature is the moniker for multi-talented multi-instrumentalist Ross Langdon Page; known for his musical contributions to AZZA, Lauds, Seeking Madras, and Tumbleweed, as well as his work as a professional photographer. "The River" was written from the perspective of a leaf traveling through the Cape Fear River in North Carolina, beginning at the mouth and passing through the polluted waters of the Chemours chemical plant—the company responsible for dumping Gen X into the drinking water of residents—before passing through Wilmington, NC and floating out into the vast ocean.


CLICK HERE TO LISTEN NOW


NOTE: The vinyl release of This Water is Life, Vol. II sold out during pre-orders.  You can enjoy This Water is Life, Vol. II, along with Volume I, on Fort Lowell Records' Bandcamp page, as well as all Digital Music Platforms.

Wednesday, December 7, 2022

HCTF premiere - Color Temperature: The River

[Repost from Here Comes the Flood; by Hans Werksman, November 30, 2022]

Ross Langdon Page, who goes by the stage name Color Temperature takes part in the second installment of This Water is Life series. Each EP has one side of hiphop and one side of indie music. The release supports a good cause: keeping tabs on Cape Fear River Basin in North Carolina by Cape Fear River Watch and Coastal Plain Conservation Group. He contributed the sprawling track The River, a piece that speeds up and slows down like its title suggests. Part ambient, part left-field danceable indie rock, and sprinkled with synths and spoken word, he created a journey that you don't want to end.

Langdon Page explains: "The Cape Fear River in North Carolina is 191 miles long. About 2/3 of the way to the ocean lies the Fayetteville Works Chemours manufacturing plant, which has been poisoning the drinking water of hundreds of thousands of NC residents since the mid-1980s. “The River” is a 13 minute 48 second journey down the Cape Fear, through the eyes of a leaf - first falling from its tree at the mouth of the river in Raven Rock State Park, traveling through the toxic waters near the plant, past the town of Wilmington, NC, then eventually floating out into the ocean."

The River will be released via Fort Lowell Records. This Water is Life, Vol. II is available for pre-order here (vinyl - 100 handnumbered copies, digital). Hiphop artist Haji P. contributed four tracks that take up the A-side of the EP. Release date: December 16.

Monday, December 5, 2022

'This Water is Life, Vol. II' Listening Party

Join us tomorrow night Tuesday, December 6th — at Satellite Bar & Lounge here in Wilmington NC to hear the latest This Water is Life EP Volume II — featuring Haji P. + Color Temperature!  The needle drops on the record at 6:00pm, and we will be spinning This Water is Life, Vol. II until 8:30pm, mixing it in along with some other fun music!  And don't forget, Block Taco is right there to make it a Taco Tuesday night, so we will see y'all then!

Wednesday, November 30, 2022

Brand New Music by Lauds + Color Temperature

Visit these websites  Rock & Roll GlobeBig Takeover, and Here Comes the Flood  to hear the latest music by both Lauds and Color Temperature, only available through these websites for the next few weeks until the official release dates for each record:

Lauds "Somewhere"

Color Temperature "The River"

Friday, November 4, 2022

OUT NOW: Haji P. "So Regular" ft. DJ MF Shalem

The Digital Single from the second release of the Fort Lowell Records' series This Water is Life is out today on all digital music platforms by hip-hop artist Haji P.; who is featured on Side-A of the record, alongside indie rockers Color Temperature on Side-B.

This Water is Life is in partnership with Cape Fear River Watch and Coastal Plain Conservation Group, made possible by Dock Street PrintingGravity RecordsPersephone's FarmSatellite Bar & Loungeand Wild Phoenix Salt Cave, and features artwork + photographs provided by Josh PutnamRoss Langdon Pageand Pufferfish Print Shop


Monday, October 31, 2022

EXCLUSIVE PREMIERE: Haji P. "So Regular" ft. DJ MF Shalem

Happy Halloween! 🎃  Here's a very special *treat* for you: 

Fort Lowell Records is proud to share with you the first single from our next edition of the This Water is Life series: Haji P. "So Regular".  Officially being released this coming Friday, November 4th on all digital streaming platforms, you can enjoy Haji P. "So Regular" ft. DJ MF Shalem all week here on our site.

This Water is Life is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop / indie rock music from Southeastern North Carolina, as well as to provide a platform for Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife.

Haji P. (AKA: Illustrator, HP Fangs) is the hip-hop artists for This Water is Life, Vol. II, while Color Temperature (AKA: Photographer, Ross Langdon Page) is the indie rock musician.

This Water is Life is in partnership with Cape Fear River Watch and Coastal Plain Conservation Group, made possible by Dock Street PrintingGravity RecordsPersephone's Farm, Satellite Bar & Lounge, and Wild Phoenix Salt Cave, and features artwork + photographs provided by Josh PutnamRoss Langdon Page, and Pufferfish Print Shop


Haji P.

Monday, October 17, 2022

Pre-Order Now: This Water is Life, Vol. II ft. Haji P. + Color Temperature

This Water is Life is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop / indie rock music from Southeastern North Carolina, as well as to provide a platform for Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife.

Volume II of our This Water is Life project featuring hip-hop artist Haji P., along with indie rock artist Color Temperature, and is scheduled to be released this Winter Season.

Tuesday, August 9, 2022

James Sardone of 'This Water is Life, Vol. I'

[L-R] Ian Millard of Dogwood Lane Studio, James Sardone himself, and Lincoln Morris

Monday, June 27, 2022

Color Temperature at Reggie's, June 16, 2022, Wilmington NC; photographs by Tanner Lackey

Fort Lowell Records is excited to announce that Color Temperature will be the 'Indie Rock' artist featured on our next edition of This Water is Life, Vol. II.  They have a very special project lined up for the release that we can't wait to tell you about.  For now, check out Color Temperature's latest album me talk pretty, self-released June 17, 2022.  Enjoy!

Thursday, May 5, 2022

Explore the magic mind behind the 'Black Lives Do Matter' art installation: Greyson Davis

[Repost from StarNews Online; by John Staton, May 4, 2022]

He's a man of many names, not to mention games.

As a visual artist, he goes by HP Fangs, which is short for Happy Fangs. His rapper name, if you will, for his past and future life as a hip-hop musician, is Haji P, short for Haji Pajamas.

His students call him Mr. Greyson, kind of like his personal Facebook page, which is "Regular Greyson." 

For boring and vaguely legal reasons we'll call him Greyson Davis. But whichever name you know him by, he's a Wilmington artist like none other whose eye-catching work runs the gamut from playful to profound.

"Me and my therapist are working through all of my names," Haji P said with a laugh during an interview in the classroom where he works teaching art to middle-school girls at Girls Leadership Academy of Wilmington, or GLOW, where he's been employed since 2016. 

"Middle-schoolers are still down to be weird," Davis said, which is why he prefers teaching students of that age. 

He looks like the coolest teacher you ever had — long braids, black ball cap with "Santa Cruz" in Gothic lettering, a form-fitting black T-shirt with his own illustrations and the slogan "make art" — and Davis is always down to get a little weird, as evidenced by some of his work on the classroom walls, like one of a bright pink brain emitting a noxious green cloud that spells out the words, "Brain fart!"

It's the kind of irreverent sentiment that endears him to his students, whose work Davis promotes on his social media channels and encourages during regular meetings of a school-wide art club. 

"Anything I do I try to make them a part of it," he said. 

Keep smiling

If you live in Wilmington, you've probably seen the work of HP Fangs whether you know it or not.

If you've driven down North Third Street in downtown Wilmington where it turns into the Martin Luther King Jr. Parkway, you've seen Davis' large-scale installation spelling out the words" Black Lives Do Matter" in giant letters decorated by everything from the visages of Black luminaries to the work of iconic Wilmington artist Minnie Evans to his own trademark logo, turning up as a gap-toothed grin punctuating an exclamation mark.

The Wilmington City Council recently approved the installation, which first went up in 2020, to stand for another year. 

The HP Fangs hallmark is an illustration of a toothy, cartoonish grin that shows up in many forms, from little stickers for local ice cream shop Boombalatti's to a recent billboard asking people to "smile," just to cite two examples.

The visual is an HP Fangs original, but there's something so comfortable and familiar about it that it feels like it's always been part of your consciousness, whether it's a smiling rainbow heart or just that grin, sometimes capped with a gold tooth, coming out of and obliterating the darkness.

Troubled times

Before he became a teacher and an artist, Haji P — the name was inspired by the character Hadji from the old Johnny Quest cartoons — was best-known in Wilmington as a hip-hop artist, performing with such groups as Brown Co. and Rec League. He also released an excellent solo album, "Neighborhood Kid," back in 2010.

But back to art for a second: Davis currently has a piece in the "State of the Art/Art of the State" exhibit at the Cameron Art Museum, where he's a teaching artist. He also recently had an exhibit of his '80s-inspired illustrations at the second Princess Street location of the Memory Lane comic book shop, which has been featuring Davis' work on its walls for years. 

A huge comic book fan, as well as a devotee of '80s and '90s pop culture — "I don't do anything besides read comics and watch cartoons," Davis said, "I'm like a 12-year-old" — Memory Lane is where you can find him most every Wednesday when new comic books are released. Memory Lane, he said, is also "one of the reasons HP Fangs is a thing."

In addition to caricatures of '80s favs like Alf, Calvin & Hobbes and Pac-Man, Davis makes plenty of original work as well. 

Some of it is for Davis' daughter, a "beautiful monster" who's 6, and whose picture Davis keeps hanging above his desk. He started drawing and writing for her not long after she was born, and he still makes coloring books for her, mostly pictures of "dumb animals being goofballs."

Doubling down on his creativity, Davis said, helped him get through a major rough patch by providing him a new path forward.

Within a year in the middle of last decade, he said, a split with his ex-fiancee led to a custody battle over their daughter. Then, the father he never really knew reached out to him, dredging up all sorts of emotions made even more complicated by the fact that Davis' father was extremely ill (he ultimately recovered).

Also around that time, Davis, who is Black, was the victim of what he calls "a racially motivated attack" in Leland. 

It was a lot for Davis, who'd been dealing with depression since moving from Hawaii to Fayetteville as a teenager, to handle all at once. A suicide attempt landed him in the hospital, where he was forced to take a long, hard look at his mental health. 

It was difficult at the time, but "I'm so glad I went," he said.

He wasn't supposed to have any sharp objects, but a hospital employee snuck him in a pencil set. He began making cartoons of the staff, little "comical blurbs of whatever our relationship was."

"That's when drawing really started to be it for me," he said. "I was like, 'This is going to be my anchor.'"

'It's just a butt'

For many years, even after graduating from the University of North Carolina Wilmington with a degree in Communications in the early 2000s, music was Haji P's main focus. Still, he'd always done art to some degree, and now he reconnected with the artists who first inspired him, including Keith Haring, Charles Schulz and Jim Henson. ("I can probably quote the entire 'Muppet Movie' from start to finish.")

The music he made in the 2000s and 2010s was often goofy and fun while simultaneously speaking to more serious topics, an aesthetic that often, but not always, shows up in his art. 

Not long after he started posting pictures of his work on Instagram about six years ago, Davis got a couple of offers to illustrate children's books. One, "But Daddy, I Don't Like That," by Terrence Lovett, about a kid who didn't want to eat his veggies, proved moderately successful. It also inspired him to change his Instagram handle to HP Fangs from its original and less family-friendly name, Butt Biters, a name he chose because "it made me laugh."

Sometimes, though, a butt just needs to be a butt, even if he's showing his work to the curator of a nationally known museum. When he submitted a painting to the CAM's "State of the Art/Art of the State" exhibit, Haji P found himself in front of Dr. Maia Nuku of The Metropolitan Museum of Art in New York, one of three curators of the show.

When deciding which work he wanted to submit — each artist got just one — he thought, "This might be the only opportunity I ever have to have my work in a museum. What if I just draw a butt?"

And so, Davis submitted a painting of a cartoonish derriere passing a big green cloud of gas. It made him laugh, so he drew it. Nuku loved it, and even posed smiling for a picture next to Davis with the work. 

"She asked me, 'Is this some kind of comment on COVID-19?' Nah, it's just a butt. Then she was like, 'Oh, thank God.'"

Then, she said "the illest thing that anyone's ever said about my work. She goes, '22 lines.' She had counted my strokes. 'You did more with those 22 lines than most people could.' I was so hyped up."

If there is often a light-heartedness to Davis' work, he said, it's partly because "I have to remind myself to smile."

He worries, though, about crossing the line from positive to Pollyanna.

"I wonder where that line is," he said. "I get where it can be wild irritating" when someone is relentlessly, mindless positive.

Perhaps one reason Davis' work comes across as carefree and cool rather than cheesy is because it's ultimately rooted in a darkness he's always fighting against. His work is at once serious and not, which he says is a "complete manifestation of being bipolar."

Then there's the work that could be considered Davis' magnum opus to date, the "Black Lives Do Matter" installation. Located on city-owned property, the installation was approved by the Wilmington City Council in 2020 after encountering a fair amount of opposition. Originally intended as a "Black Lives Matter" installation, the council only approved the project after the word "do" was added, something that drew the ire of BLM activists, who saw it as watering down the message.

Looking back, Davis recalls the whole saga as something of "a yikes event." It still pains him to talk about it to some degree, even though he has largely made peace with it. 

"At first, I hated it. I fully understand and agree with why (the activists) were mad," he said. "I felt like a race traitor. I was getting hate mail from both sides" — those who didn't want the installation at all, and those who didn't want it with what they saw as an "extra," diluting word. 

Ultimately, Davis said, he decided to do it, mainly because "it felt arrogant not to do," he said. "It still means Black Lives Matter."

More pictures of dumb things

It's not like he hasn't faced racism in his life, like every other Black person. His old hip-hop duo, Brown Co., which he formed with a friend from high school, got its name after they decided to take ownership of a racist taunt they encountered at a party.

Even as he's become known as a visual artist, Haji P still has music in the back of his mind. 

"I am craving doing one more album," he said. "I love writing and I still write."

In fact, he's currently working with Wilmington label Fort Lowell Records on releasing new music, although the details aren't quite ready to publicize.

"Haji is super talented," said Fort Lowell's James Tritten. "His music is amazing. I had no idea (he made music) all this time, just knowing him as an illustrator."

Likewise, Tritten said, when he brought up Haji P's artwork to the Wilmington rappers in MindsOne, who did shows with Davis back in the 2000s, they had no idea that he also did visual art.

Moving forward, it could be that Davis does work in both genres. For now, you can see his art adorning new labels from Wilmington's New Anthem Beer Project, and he'll be at Memory Lanwith his work for Free Comic Book Day on May 7. 

One of his dreams is to create a student art gallery where kids can sell their work, a spot where he can teach, work, play, learn and help kids.

Davis said he's often asked, "'What's your end goal?' I dunno, draw more pictures of dumb things."

But as a kid who grew up reading the funny papers and admiring the work he saw, "I feel like I want to give 8-year-old me a high five," Davis said. "'We did it!'"
Wilmington artist HP Fangs/Haji Pajamas/Greyson Davis at Memory Lane Comics, in downtown Wilmington, N.C. April 27, 2022. Davis is a regular and has displayed his work there for years.
"Black Lives Do Matter" installation by Wilmington artist Greyson Davis/Haji P/HP Fangs, along North Third Street by the Isabel Holmes Bridge.
A billboard featuring the work of Wilmington artist HP Fangs, aka Haji P, aka Greyson Davis.
Wilmington artist HP Fangs/Haji Pajamas/Greyson Davis at Memory Lane Comics, in downtown Wilmington, N.C. April 27, 2022. Davis is a regular and has displayed his work there for years.
Caricature of Calvin and Hobbes by Wilmington artist Greyson Davis/Haji P/HP Fangs, who's a big fan of '80 and '90s pop culture.
Painting by Wilmington artist Greyson Davis/Haji P/HP Fangs.