Independent Record Label | Est. 2009
Wilmington, North Carolina

 
 

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Thursday, April 23, 2026

Parental Advisory: Sean Thomas Gerard on Being a Dad and ‘Stay In Your Light’

[Repost from V13; by Aaron Willschick, March 23, 2026]

Singer-songwriter Sean Thomas Gerard discusses fatherhood in our inaugural Parental Advisory interview, while also debuting his new album ‘Stay In Your Light.’

All music is personal to the person who wrote it, but artists like Sean Thomas Gerard have a more specific personal touch that really connects with their audience. It has been a long road back to music for Gerard, and he has chronicled it with his brand new album Stay In Your Light. Over the last five years, Gerard has spent a lot of time growing and expanding his life, and he has tried to pour that back into his songwriting. This has been an era of his life where he has started a family and taken on new roles and responsibilities. It’s no wonder that Stay In Your Light features a family-focused theme throughout its eight tracks. Much of it was recorded in a corner of his family garage, which is also a playroom for his two daughters. A lot of that family-centered atmosphere seeped into the recording process, which you can hear in the warmth of the songs and the lyrics.

As a whole, Stay In Your Light is an intimate look into Gerard’s current psyche and the love he has for his family. When writing the record, he thought a lot about how, when he’s gone, his music will live on for his daughters. The album comes at an interesting time. It is an era of great angst, uncertainty, and cold-heartedness. To release such a moving, heartfelt set of songs at a time like this is truly significant. We need artists now more than ever who can remind us of the good times and what’s valuable. Life’s tender moments are worth cherishing, and that’s just a small part of what Gerard would like you to take from his record.

To accompany the premiere of Stay In Your Light, Sean Thomas Gerard joins us for our inaugural Parental Advisory interview. Considering the subject matter and tone of the record, what better topic to discuss with Gerard than being a dad?

Has becoming a parent impacted the themes or direction of your creative work?

Sean Thomas Gerard: “Absolutely. I started writing songs when I was about 12 years old, before I could play an instrument. The early songs were pretty surface-level, songs about my life and experiences. As I got into high school, I went pretty deep into the world of emo. I detuned my guitar and got into the angsty things and topics a high schooler would.

“Following high school, I hit my classic rock phase. I loved Pink Floyd, and that style really started to shift how I was writing songs. I started thinking of writing songs in terms of a whole album, a whole piece of art. After that, I wrote songs that I thought sounded cool, but had very little substance. Then came the love songs… I fell deep into that hole, I’d say right up until I became a parent. Since my first child was born (Jovie), I started thinking about my legacy. What I could leave behind for my kids. That’s when I started writing songs that felt like I was telling my life story. Songs about meeting their mom, songs about my life before and after their birth, songs about our lives together and our future.

“I feel like now I’m writing our family story, our autobiography. It feels a lot heavier now, because I feel like these are the songs that will stay with them forever, but it also feels a lot more effortless. Like, I don’t need to try so hard anymore to write songs. I’m just waiting for them to manifest. I write a lot less these days, but it’s mostly because I’m busier than ever and I’m not trying to force it anymore.”

What’s your kid’s favourite song of yours (or the creative work you do)?

“This is an easy one. I have two girls, and they each have their own song. ‘Jovie’ came first. She’s my six-year-old. I started writing her song a couple of months before she was born. This sounds made up, but it’s completely true. The night before my wife gave birth, I finished the last verse of the song. We sat on the bed, and I played it for her. When we brought Jovie home from the hospital a few days later, it was the first song I played for her. She looked up at me like she knew exactly what that song was about.

“When my wife got pregnant for the second time, I knew I had to attempt to recreate that process. I was ahead of schedule on that one and actually finished the recording right before Juniper was born. It took a minute, but it’s her favourite song now. Here we are, almost three years later, and her song (‘Juniper’) is coming out on this new record.”

Do parents lose their cool points once they have kids?

“I would say, depending on how a parent is affected by having kids, they gain cool points. I think there are really two groups of parents. The ones who are constantly stressed out about their kid(s) are usually the single child parents, and then there’s the group that’s totally unfazed by the chaos of raising children. Those folks, to me, are the coolest. If you can go through life on little sleep, wake up multiple times a night for years on end, be ok with being constantly needed by your children, constantly followed around, rarely if ever have free time, asked a million questions a day, spend hours in the car driving them around, give every ounce of your energy to them, cook, clean, wipe butts, all that. If you can do all of that and still be fairly chill, you’re a god damn superhero in my opinion.

“I think I fall somewhere between the two, but I think that shifts as time goes on. As we’re moving out of the terrible twos, I can feel the weight lifting, I see the light at the end of the tunnel, there’s blue skies ahead. Or whatever…”

What’s your stance on kids attending concerts or live shows?

“I am 100 percent on board, as long as a. they have headphones on, b. they don’t mess with the band on stage, and c. they aren’t a distraction to other folks.

“I’ll share my first experience bringing my child to a concert. Spoon was playing in Wilmington at Greenfield Lake Amphitheater. They are one of my all-time favourite bands, and they never come through town. In my head, I thought, ‘How cool is it going to be that my kid’s first concert is going to be one of my favourite bands?’ Granted, her first concert was going to see me, but I’m not going to count that…

“So Jovie is almost three years old. We get to the venue, and it is, by all means, one of the most picturesque venues in the country. Small, intimate and right on the lake. There are live oak trees, Spanish moss and usually quite a sunset over the stage. However, there used to be a huge hill on the left side of the seating area, before they added more seating. I never really paid attention to it before, but that night all the kids were running up and down the hill, as kids do. Jovie decides she wants nothing to do with the show and joins in immediately as the show is beginning.

“Now, I’m trying to watch the show, but I can’t because my kid is trying to commit suicide, racing down this huge hill, there are tree roots everywhere. Momentum is taking her to speeds she’s never experienced before. Then she’s hiding in the bushes. We lose her. She ends up by the lake, and some guy goes, ‘You better watch out, I saw a ten-foot alligator in there.’

Now we’re on song three, maybe. I look at my wife, she gives me that look, and I throw Jovie over my shoulder, and we do the walk of shame back to the parking lot. How’s that for a first concert?!”

What’s your favourite part of your child’s bedtime routine?

“There are a couple. The first is the pre-bed dance party we have every night. My kids are wild, as most are, and we need to wear them down all the way up until bedtime. Right now, our routine is to throw on some Danny Go! and dance our butts off for half an hour. They love it, but I have just as much fun, and I get some cardio in!

“My youngest, Juniper, does this thing before bed that will soon end, and it’s going to crush me when it does. She’s about to move into her big girl bed, but she’s in her last days in her crib. She likes to kiss us in between the bars, between each bar (there are 13), and then she gives us a hug, and we have to pat her back when she lies down. I do this at naptime and my wife before bed. It’s the cutest thing ever.”

Do you think your child will follow in your creative footsteps? Would you want them to?

“Hell no, I don’t! I’d love for my kids to grow up and get real jobs that they love. I want them to get a good education and have a career that gives them some stability. I would like music to be their hidden talent, but I don’t necessarily believe they should try and ‘follow their dreams’ if their dream is to drive around in a van, sleep on floors and eat fast food for every meal for a decade or more. Because that’s the reality of trying to make it as a musician.

“Unless you get lucky or are living off a trust fund. You can have all the talent in the world, but that doesn’t equate to success or financial stability. We play music all the time. I teach them piano, soon guitar. We have drums, bass, keys and all that in the garage studio. But by no means would I like them to try to make a career out of it.”

If your parenting style were a music genre, what genre would it be?

“I am starting to describe my music as a genre that I don’t think has been used yet. If it hasn’t, I’m calling dibs! ‘Girl dad rock.’”

Fast-forward 20 years: What’s one thing you hope your child remembers clearly about you as a parent?

“I hope, more than anything, they remember me always being there. That they remember how much time they got to spend with me. I’ve been an SAHD (stay-at-home-dad) for the last six years. I do work from home, on top of all the musical things I’m involved with, but I have been a constant presence in my children’s lives since the day they were born. I will never forget these days, and I will never regret anything I had to put aside to be able to spend this time with them, because I will never get these days back.”

What’s something parenting taught you about yourself that nothing else could?

“Parenting has taught me patience like nothing else ever could. I do not claim to be a patient person, but I am infinitely more patient now than I was before having kids. There is nothing more humbling than being a parent. You have to swallow your pride every day, lose the battles worth losing, and give in to the ridiculousness of it all. You have to be stoic in stressful times and be a shoulder to cry on all the time. All of that requires an incredible, almost unreasonable amount of patience.

“But, as some of you will learn, the only way to get through some of the craziness, the meltdowns and tantrums, is to be still, to be calm and to patiently work with your child until you’re through to the other side.”

What’s one parenting myth you’d like to debunk?

“Gentle parenting. Doesn’t work! Look, I am all for being reasonable with your kids. I’m all about resolving conflicts and allowing them to work through their emotions. But I will tell you this, I have never seen a child stop acting like a fool while their parent was using these ‘gentle parenting’ tactics. However, you throw on your ‘dad voice,’ and that kid is going to straighten up and get it together. Hell, maybe it works for some folks, but I’ve never seen it work out in the wild.”

What was your first “holy shit, I’m a parent” moment?

“There are two that come to mind. The first was the experience we had in the hospital when Jovie was born. My wife and I stayed up for two days straight, staring at this beautiful thing we created. We were in awe. It was pure love. Then we were shipped off, and getting home that night was one of the most sobering experiences ever. Knowing that you physically could not go another second without sleep, yet also knowing that you’d be up every couple of hours for the next six months or whatever, having to feed the baby. Knowing that you needed to be ‘on it’ 24 hours a day, every day moving forward. That was truly a ‘holy shit, I’m a parent’ moment.

“The other is the wonderful tale of our first Christmas as a family. Our firstborn had pretty terrible reflux, so she threw up… a lot… On Christmas day, we get all dressed up, Jovie, and I have a sort of matching outfit thing going on. We’re at my in-laws, and it’s bottle time. I take her into the other room, trying to be the good guy and let my wife have a moment. I’m feeding her the bottle, and she projectile vomits all over herself and me. We had a change of clothes for her, but I came to the realization that the only shirt I have is the one that’s now completely covered in puke.

“We get cleaned up, I walk out into the living room shirtless and say, ‘Well, I hope someone got me a shirt for Christmas.’ And you know what, they did. It was, as they say, a Christmas Miracle.”

Wednesday, April 22, 2026

OUT NOW: This Water is Life, Vol. V ft. MoeSOS DC + Tracy Shedd

This Water is Life is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop / indie rock music from Southeastern North Carolina, as well as to provide a platform for Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife.


Ever since our forebears crawled up out of the water and drew their first breath, our – which is to say human and animal (and for that matter, plant) – experience has never strayed too far from its life-sustaining force. This water IS life. It will continue to be. But what kind of life? Threats to that water are, in turn, threats to the very life it supports. 


Inspired by photography focused on water in urban landscapes against a backdrop of the evolving GenX (PFAS) water pollution problem in the Wilmington, NC / Cape Fear region, This Water is Life is a local multimedia, multi-platform project. It takes what Fort Lowell Records does best – put out and promote killer indie music of varied stripes – and fuses it with photography and other visual arts alongside river and wildlife advocacy. The goal is a virtuous circle contained within an intended series of records. Packaged together, musical and visual artists from the Port City combined with a separate, serialized and locally-specific environmental message gives rise to the future promotion of other local music acts and further advocacy.


Volume V features MoeSOS DC and Tracy Shedd.


Hip-Hop: MoeSOS DC

MoeSOS DC, originally hailing from Washington DC, is a hip‑hop artist known for his laid‑back, introspective flow and emotionally driven storytelling. Often collaborating with his brother DAMM!TMITCH, he delivers moody, reflective tracks like “So Far Gone” that unpack personal relationships over sparse, atmospheric beats. His sound balances vulnerability and vibe, weaving lyrical candor into the hustle of East Coast hip‑hop.


Indie Rock: Tracy Shedd

Tracy Shedd is an indie rock musician who has released six studio albums with Teen-Beat, New Granada Records, Devil In The Woods, Science Project Records, and Fort Lowell Records, licensed music to Dawson’s Creek, One Tree Hill, The Fosters, and “The Rebound” (ft. Catherine Zeta-Jones), performed at CBGB, The Florida Theatre, plus festivals such as CMJ and SXSW, and has shared the stage with Cyndi Lauper, Cat Power, Iron & Wine, The Magnetic Fields, and David J (Bauhaus, Love & Rockets); not to mention Steve Shelley of Sonic Youth sat in on drums for her during a US tour.


Just as clean water helps sustain life on Earth and here in the ILM, your purchase of this record fosters the work of not only hip hop, indie rock and visual artists in Wilmington but advances the advocacy of groups seeking to protect and preserve water and wildlife in the region. This water is life.



Tuesday, April 21, 2026

REVIEW: Sean Thomas Gerard 'Stay In Your Light'

[Repost from Here Comes the Flood; by Hans Werksman, March 20, 2026]

Singer-songwriter 
Sean Thomas Gerard's safe space is his garage, where he can record his music: Americana with a seasoning of symphonic melodic indie pop. His new album Stay In Your Light is basically a love letter to his wife and two daughters, one they can listen to for many years to come - maybe even after when he is no longer alive.

That sounds like a tall order, but he carefully sidesteps the pitfalls that would have made it overblown, rose-tinted exercise. By applying some slightly skewed keyboards and going for chord changes that haven't been be played to death the Wilmington, NC based artist created his own unique sonic textures that might sound familiar, but turn out to be far more complicated upon closer inspection.

Tuesday, March 31, 2026

LET'S DANCE — April 4th and April 18th — at The Underfront Co. in Wilmington NC

LET'S DANCE is a Vinyl DJ Night, hosted by Fort Lowell Records, held at The Underfront Co. in Downtown Wilmington NC on Front Street every First + Third Saturday of each month featuring a variety of music — Pop, Disco, Boogie, Indie, Hip-Hop, R&B, Electronic, etc. — including the latest hits and spanning the past five decades. Dancing starts at 8:00pm and goes all night. A $5.00 cover charge will be collected at the door upon entry paid via Cash, Credit Card, Venmo, or CashApp.

FACEBOOK EVENT PAGES:


Monday, March 30, 2026

Saturday, April 11th — Alt-Zalea Music Festival: Fort Lowell Records Showcase

Fort Lowell Records brings its roster to Avenue B in Wilmington, North Carolina on Saturday, April 11, for a full-day label showcase as part of the Alt-Zalea Music Festival — a gathering of artists whose work moves comfortably across the boundaries of indie rock, progressive pop, hip-hop, and underground songwriting.

The label has become known for its careful curation and artist-centered approach, building a catalog that favors individuality over genre boundaries. This showcase offers a rare opportunity to experience the label’s breadth in a single setting — from intimate songwriting to beat-driven performances and experimental textures.

MEET THE LINE-UP:
1:00 — Blase
1:45 — Sheme of Gold
2:30 — Tercel
3:15 — Fuzz Jaxx
4:00 — Sean Thomas Gerard
4:45 — MoeSOS DC
5:30 — Tracy Shedd
6:15 — Haji P.
7:00 — Blab School

*RizzyBeats DJing throughout the day and supporting performances

Sunday, March 29, 2026

Friday, April 24th - 'This Water is Life' Record Release Party w/ MoeSOS DC + Tracy Shedd

In celebration of the release for the Fifth Edition of Fort Lowell Records' series This Water is Life, both artists MoeSOS DC + Tracy Shedd will be performing live in concert on Friday, April 24th at Satellite Bar & Lounge in Wilmington NC for the official Record Release Party.

In partnership with:
- Cape Fear River Watch
- Coastal Plain Conservation Group

This Water is Life is brought to you by:
- Dock Street Printing
- Fortis Builders
- Gravity Records
- Persephone's Farm
- Satellite Bar & Lounge

Friday, March 27, 2026

OUT NOW: MoeSOS DC + Tracy Shedd [Digital Singles]

Both Digital Singles "UPS" by MoeSOS DC and "Jimmy's Jam" by Tracy Shedd – from each of the artists featured on the Fifth Edition of Fort Lowell Records' This Water is Life series are now available on all music streaming platforms everywhere.

This Water is Life is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop / indie rock music from Southeastern North Carolina, as well as to provide a platform for Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife.


Ever since our forebears crawled up out of the water and drew their first breath, our – which is to say human and animal (and for that matter, plant) – experience has never strayed too far from its life-sustaining force. This water IS life. It will continue to be. But what kind of life? Threats to that water are, in turn, threats to the very life it supports. 


Inspired by photography focused on water in urban landscapes against a backdrop of the evolving GenX (PFAS) water pollution problem in the Wilmington, NC / Cape Fear region, This Water is Life is a local multimedia, multi-platform project. It takes what Fort Lowell Records does best – put out and promote killer indie music of varied stripes – and fuses it with photography and other visual arts alongside river and wildlife advocacy. The goal is a virtuous circle contained within an intended series of records. Packaged together, musical and visual artists from the Port City combined with a separate, serialized and locally-specific environmental message gives rise to the future promotion of other local music acts and further advocacy.


Volume V features MoeSOS DC and Tracy Shedd.


Hip-Hop: MoeSOS DC

MoeSOS DC, originally hailing from Washington DC, is a hip‑hop artist known for his laid‑back, introspective flow and emotionally driven storytelling. Often collaborating with his brother DAMM!TMITCH, he delivers moody, reflective tracks like “So Far Gone” that unpack personal relationships over sparse, atmospheric beats. His sound balances vulnerability and vibe, weaving lyrical candor into the hustle of East Coast hip‑hop.


Indie Rock: Tracy Shedd

Tracy Shedd is an indie rock musician who has released six studio albums with Teen-Beat, New Granada Records, Devil In The Woods, Science Project Records, and Fort Lowell Records, licensed music to Dawson’s Creek, One Tree Hill, The Fosters, and “The Rebound” (ft. Catherine Zeta-Jones), performed at CBGB, The Florida Theatre, plus festivals such as CMJ and SXSW, and has shared the stage with Cyndi Lauper, Cat Power, Iron & Wine, The Magnetic Fields, and David J (Bauhaus, Love & Rockets); not to mention Steve Shelley of Sonic Youth sat in on drums for her during a US tour.


Check out "UPS" by MoeSOS DC and "Jimmy's Jam" by Tracy Shedd now, and then be sure to reserve your copy of This Water is Life, Vol. V on vinyl record today.

Friday, March 20, 2026

OUT NOW: Sean Thomas Gerard 'Stay In Your Light' [New Album]

After five years of growth as a musician and father, Sean Thomas Gerard is back with Stay In Your Light. Gerard, who records in a humble corner of his family's garage that doubles as a playroom for his two daughters, shares “I think about some day when I'm gone, my kids will be able to put on my records and feel like they can spend time with me again” about his music. The artist’s take on the indie-folk sound is refreshing and personal. Stay In Your Light is a comforting symphonic hug that aims to preserve the innocence of those Gerard holds dearest.

The family focused theme of Stay In Your Light is cohesive throughout, both sonically and lyrically. Gerard blends thoughtful lyrics with beautifully hazy instrumentation. The lead single, “Bright Side,” notably exemplifies these qualities with lines such as: “I knew then we were all, all in / I couldn't plan it better than this again.” The multilayered production of the song takes the listener on a sonic cruise. In an era starved for genuine warmth and intimacy, this record feels like a luminous embrace. Profoundly moving, endlessly replayable, and destined to become a cherished soundtrack for life's most tender moments.

The second and third singles from Stay In Your Light feature emotionally authentic arrangements melded with affectionate vocals. Gerard speaks to the love he has for his wife in “Worlds Collide” by saying: “And now I see it / You are a dreamer / We are both one of a kind / And we'll go singing in the street in the summertime” Seeing as how Gerard resides in Wilmington, North Carolina, it's only natural that some of his songs feature beach town-esque sounds. At its core, this album is a heartfelt reminder of what real love sounds like, the kind that makes you pull over just to steal a few more minutes together, and it'll leave you feeling a little less alone in the world.

Every sound on this album finds a home where they play in mass harmony, tucked in with great care by Gerard himself. This creates a seamless listening experience that immerses the universe in the artist’s vision. Stay In Your Light is an intimate glance into the artist’s psyche and his absolute affection for his daughters and family. Not a second of the listeners’ time is wasted throughout the half an hour of indie bliss.

Sean Thomas Gerard's Stay In Your Light is out now and available everywhere.


Tuesday, March 10, 2026

An Interview With Wilmington, NC's Sean Thomas Gerard

[Repost from Blood Makes Noise; by Zack Fraser, March 4, 2026]

Zack Fraser sits down for a wide-ranging conversation with Sean about the intersection of music-making and family, his biggest influences, and the joys of a road trip soundtracked by good music.

Sean Thomas Gerard is a notable member of Wilmington, NC’s flourishing indie scene. The artist-turned-father is known for his ethereal and experimental full-length projects. Not only is he a singer-songwriter and multi-instrumentalist, but he is also capable of mixing and mastering his own work. A through and through “one-man band.” At the time of this article’s conception, we’re amidst the rollout of his third full-length project, 
Stay In Your Light, to be released on Fort Lowell Records on Friday, March 20th. Gerard is a family man at heart, and the upcoming record confirms that. Every strum of the guitar sounds like fatherly love perfectly distilled into dreamy indie pop. I was fortunate enough to pick his brain about fatherhood, his new album, and more:

You’ve seemingly developed the habit of a roughly four-year album cycle, with each of them containing eight tracks. What’s your thought process and logic behind the wait and track list length? The world needs more STG music!
Believe me, if I had the time and capacity to put out more music, I'd be releasing a song a month. The four-year album cycle speaks to how slow my process is. I have zero excuse for taking this long on an album pre-kids, but this album in particular took so long because it was a slow - chip away at it - process in between raising my two girls. I record in my garage, which about 3/4 of the space belongs to my kids and all my gear is jammed in the back corner. I have roughly an hour a day where I can work on music, i.e. naptime for the little one. So this album was basically recorded in hour-long sessions over the course of a couple years. If you've ever spent time recording your own music, you will know that you can literally spend an hour tweaking an EQ or messing with a new plug in, so it's a miracle I got this thing done at all! I have learned to become very efficient with my time when I sit down to record, so there were some days where I recorded all the vocals for a track, and then there were others where I spent an hour trying to get my laptop to recognize my DAW. The 8 track album seems like the perfect amount of time for someone to listen to a record from start to finish. I feel like it's really hard to keep someone's attention for too long these days, so 30 minutes seems like the sweet spot. I make records with the hope that someone listens to it as a whole piece of music. I spend a lot of time thinking about song order and flow. I'm happy if anyone listens to a song or two off the record, but my goal is to get folks to sit down and experience it as it was intended - start to finish.

To hear how involved your two daughters were in the creation of Stay In Your Light was very heartwarming. Could we please hear about some of your favorite moments with them during your sessions?
When I was tracking the album, I was doing that alone. The moments that will stay with me forever was when I started mixing the album. I spent about a month mixing and made a point to do some of that after dinner while the kids were playing in the garage. I'd be locked in and then turn around and they'd be drawing something but quietly singing along. Or I'd crank it up and we'd have a family dance party. It's hard to describe the feeling of watching your kids sing your songs, but it's absolutely the best feeling in the world for me. My new track "Bright Side" came out this morning. On the way to drop my daughter off at school, I put it on and they were both singing along in unison. After I dropped Jovie (older sis) off at school, Juniper (little sis) said "Can you play Daddy's song again"? We rode home, her singing, me driving and crying. Those moments are absolutely everything to me.

You included plenty of extras in your Finally Found A Paradise vinyl, which was nice to see. How much thought and work goes into your physical products?
I put a lot of thought into how an album is going to look. Be it on a shelf in a store, or in someone's record collection. I want the album cover to just look like something you want to listen to. I have bought records from stores because I liked the album cover without knowing the artist and have found some of my favorite bands that way. I made this album cover in my front yard. I bought flowers from the store (used some that my daughter found, too), arranged them in the yard, got on a ladder and took a picture. Much like the music itself, the album cover was a very hands-on process.

Knowing how hands-on you are with your craft makes your work even more impressive. Why did you choose the path of a musical vagabond and take so much responsibility upon yourself?
I really enjoy making records at home. I have recorded in studios a few times, and there's absolutely something to be said about recording an album in a week or two. To come out with a finished product so quickly is wonderful. But for me, I love allowing songs to evolve over time. That is the one thing that doesn't happen in a studio, at least for someone who doesn't have an unlimited budget... When you go into a studio, you're paying for studio time. You have to go in, for the most part, already knowing how the song is going to sound, what instrumentation needs to be tracked and there's a deadline. At home, I start with an acoustic guitar and a metronome. I have an idea of how I want the song to sound, but I really allow it to evolve by trying out different sounds and instrumentation. My songs almost never end up the way they sounded in my head when I originally wrote the song. I also learn so much by recording my own music. Every time I sit down at the computer, I learn something new. That process allows me to continue to evolve as a musician and a producer.

As I’m sure you’d agree, networking as a musician is necessary for one’s success. How has your relationship with Fort Lowell impacted your career as an artist?
Ah, networking. It's my least favorite part of putting out new music. I LOVE making music, but I make music mostly for myself and my family these days. I have no delusions of being some kind of a "star" or whatever. I really just want to make music that people want to listen to while they're making dinner with their family, or driving to work in the morning. I'd love to have my music in TV and film again, that would just be icing on the cake. I have been fairly slack about promoting my music over the years. I had a small team helping out when my band was touring, but I didn't put a ton of effort into the solo albums that followed. In walks Fort Lowell Records about 5 years ago. They were so enthusiastic about my music from the jump, it really inspired me to want to continue making records. They have allowed me the freedom to make the product I want to make without any interference or pressure. To have a label trust you completely with your art, that's a beautiful thing.

Everyone who loves music has essential albums, songs, or artists that they recommend to others. What are your essentials, and what importance do they hold to you?
Jackson Browne "For Everyman" - This album brings me to tears every single time. It takes me back to my childhood, it transports me to my first apartment when I was 19 and to the early days when I met my wife. I've listened to it when I was sad and I've blasted it in my car when in moments of pure happiness. It's been there throughout my entire life as the soundtrack to some of my best and worst memories. A record like that is like a best friend.

Paul McCartney "Ram" - This album is everything. It's the blueprint for a self-producer. It's an album made by two people deeply in love. Sonically, it has everything you'd need in a collection of songs. There's so much experimentation and yet almost every song sounds like a pop song that could hold its own if it were released today. It's my favorite album of all time. It too has also been the soundtrack to my life, but I specifically listen to it on days where everything is going right.

The bands who have more recently inspired me are: Wilco, Andy Shauf, Blake Mills and Benny Sings. Wilco was the band who originally inspired the sound of my band Onward, Soldiers. It took me down the americana road. It made me fall in love with pedal steel. It shaped how I wrote and arranged songs. Andy's music has really transformed the way I record. His production, keeping the rhythm sections tight and dead, allows the melodies and vocals to shine. Blake is the greatest living guitarist on earth, and he's also an unbelievably talented producer. Benny Sings album "Music" is on my Mount Rushmore, but everything he does, be it his music or the collaborations he does, his sound is simply the best and most fun.

Your music inspires a lot of mental imagery for me, as it’s very pure in its sonic identity. Where would the ideal place to listen to Stay In Your Light be, and why?
Man, that's the goal.

If I could pick anywhere to listen to this album, it would be on your favorite stretch of road, wherever that may be. Mine is the Blue Ridge Parkway, one of the most beautiful roads in the country. I have always tried to make road trip albums. I've spent a good portion of my life driving up and down the East Coast and throughout the country. I've always connected to music the most in the car. There are few greater feelings than driving on an open road with the windows down on a sunny day.

The other easy answer to that is in your kitchen making dinner. Cooking and music are inseparable for me. Cue this thing up and make your family some pasta!

Also, I just want to thank you so much for spending time with this album and for writing about it. It really means the world to me. 

Much love,
STG

Check out “Bright Side” ahead of the album's release:

Saturday, February 28, 2026

LET'S DANCE every First + Third Saturday at The Underfront Co. in Wilmington NC

LET'S DANCE is a Vinyl DJ Night, hosted by Fort Lowell Records, held at The Underfront Co. in Downtown Wilmington NC on Front Street every First + Third Saturday of each month featuring a variety of music — Pop, Disco, Boogie, Indie, Hip-Hop, R&B, Electronic, etc. — including the latest hits and spanning the past five decades. Dancing starts at 8:00pm and goes all night. A $5.00 cover charge will be collected at the door upon entry paid via Cash, Credit Card, Venmo, or CashApp.

FACEBOOK EVENT PAGES:


Friday, February 27, 2026

Record Release Party for Sean Thomas Gerard at Bourgie Nights on Saturday, March 21

Sean Thomas Gerard + Tracy Shedd will both perform live in concert Saturday, March 21st at Bourgie Nights in Downtown Wilmington NC on Princess Street for the official Record Release Party celebrating Sean Thomas Gerard’s new album Stay In Your LightClick here for more information.


OUT NOW: Sean Thomas Gerard "Best I Can" [Digital Single]

The third Digital Single — "Best I Can" — from Sean Thomas Gerard's new album Stay In Your Light is out today on all digital music platforms.  Stay In Your Light is do be released on March 20th.


Thursday, February 26, 2026

An Interview With Phoenix, AZ's BBgail

[Repost from Blood Make Noise; by Zack Fraser, February 16, 2026]

Zack Fraser sits down with Phoenix's own BBgail for a conversation about artistic vision, transparency as an artist and dream collaborations.

BBgail is a free-spirited electronic artist hailing from Phoenix, Arizona. Her sound hovers within the realms of ambient, synthwave, and downtempo, with a splash of techno and soul influence via her collaborations with Weston Smith. Smooth and richly layered vocals serve as the paint used to draw beautiful works on arpeggiated synth canvases. The songs she creates work wonderfully as Y2K-esque bops to add to dance playlists. They can also be viewed as time capsules that capture meaningful moments in her life, such as her trip to Europe. I got a chance to catch up with BBgail since her most recent shift to Fort Lowell Records, and here’s what I learned:

Can fans expect a longer project such as an EP or album this year? If so, do you have any details you could share with us?
It’s on my goal list to create an EP or album in 2026….I have severe adhd so I constantly struggle with wanting to release a song as soon as it feels finished, but there’s a beauty in waiting. I’m currently working on a handful of new songs that I plan to release as an EP….but I could also make it a whole album…I’m definitely conflicted! I feel like I’m still exploring my voice as an artist, so it can feel tricky to try and piece together songs that all feel a bit different. It can also be hard when you’re the only one holding yourself accountable, but something is definitely coming. My loose goal is to have something out within 6 months. I’ll most likely release a single or two on the way. 

Your music video for “if you let it” was a fun and authentic glance into your creative vision. If you were on top of the world and had every resource necessary, what would your dream video look like?
Oh man. I’d get so dramatic with it! I’d love to have a dance team, beautiful cinematography, a whole production crew on some beautiful mountain at sunset… I don’t even think I’d want to be in it. I’d like to create almost a short film for each song, capturing a glimpse of another world. If I had the means, I’d get really over the top with it. 

Weston Smith is a frequent collaborator of yours. How integral are they to your career?
Weston has been a wonderful collaborator and supporter of me over the last year. They’ve created a safe space for me to explore musically and that’s all you can ask for in a collaborator and friend. I absolutely love working with them to create a song I normally wouldn’t create on my own. We both have our own solo projects that we continue to work on, but they do feel like a constant in my creative process. Although we see ourselves as individual artists, they’re extremely important to me in my career, as community is what it’s all about! 

Has performing your work live affected how you now make new material?
Absolutely. As a solo artist, or performing with Weston, I want to make sure my live set is just as exciting as watching a full band. Maybe it can’t be exactly the same type of energy, but I can do my best to keep it moving. I try not to put too much pressure on myself to play live rather than sprinkle in a synth part here and there. I identify as a singer more than anything else, so showcasing my vocal performance skills is my top priority. In the new songs I’m working on that is something I’ve been more conscious of. 

In an age where mysteriousness is a very strong factor in artists’ success, you’ve fearlessly taken a left turn and chosen to lay your cards out on the table. What led you to take this approach?
I don’t know how to be anything other than blunt when it comes to how I’m feeling. With 5 planets in pisces (shoutout to my astrology nerds), it’s almost impossible to hide my emotions. Expressing myself through music and art is the only way I can work through my thoughts. I could try to be cool and mysterious, but I’d be dishonest with myself. The older I get, the more I want to be unapologetically myself, even if that means I’m showing anyone and everyone my open wounds.

Do you have a bucket list of dream collaborations? Whether that be with artists dead or alive, producers, brands, etc. If so, we’d love to see it.

My dream collaborators that first come to mind are Regina Spektor, Radiohead, and Sylvan Esso. These artists really got me through my high school years and still encourage me as an artist. Collaborating, or even meeting them would make me melt.  I’d also love to harmonize with Andrew Bird one day, as folk music was the first style of music I ever really wrote. You wouldn’t think that after listening to my current sound, but I appreciate all types of music.

What’s been your hardest challenge to overcome during your time in the music industry?
I definitely struggle with balancing day jobs and trying to pursue a career as an artist. I’m currently a barista and bartender on top of writing, producing, promoting, and performing my own music. I always wonder if I could just focus on music, what life could look like for me. I know I’m talented and driven, but I fear I’ll miss opportunities because I have to pay my bills on time just like everyone else. Even though artists are needed and wanted, they’re severely underpaid for the amount of work they put into their craft.

Check out the official video for “if you let it” below:

Wednesday, February 18, 2026

An Interview with Wilmington NC's Tercel

[Repost from Blood Makes Noise; by Zack Fraser, February 9, 2026]

Zack Fraser sits down for another interview with a promising Wilmington act, Tercel, who roll into 2026 with a new EP and even more music on the horizon!

Tercel is an indie rock band native to Wilmington, NC. Taylor Salvetti, the band’s drummer, aptly described their sound as “When talking to people, I always say wall-of-sound indie guitar rock with an alt-country influence.” The group also cites nature as a large influence on their work. Savannah Wood (bass/vocals), Robin Wood (guitar/vocals), and Chris Vinopal (pedal steel & six-string guitar/vocals) have struck a unique dichotomy with their music. Their live shows are high-energy and enjoyable, yet the meaning behind the music itself is deep and has a bigger message than meets the eye. To learn more about Tercel, I spoke with the group about their work and creative processes:

Back in August of last year, you made an Instagram post teasing an album. How is the record coming along and are there any details you could share with the fans?
The album is coming along nicely! We released a 5 song EP, recorded by Ian Millard, back in December. Now we are playing shows in support of that EP while writing new songs to, hopefully, get recorded in the next few months! 

What mistake(s) taught you the most as a group or led to the most artistic growth?
One “mistake” would be going into recording with a “fast” mentality. Record it fast! Then it will get mixed fast, mastered fast, and released fast! But instead now going into recording with a methodical and diligent attitude. Slowing down to get the best sound. 

Can you please walk me through the band’s creative process when making material?
Most songs start in the Wood’s (Robin and Savannah) living room. Robin messing around on guitar, Savannah finding a melody, then bringing it to the practice space. There, Taylor deciphers Robin’s weird time signatures, Chris pulls his cosmic guitar parts out of the ether, and sometimes words come straight from the living room or are found all together in that space. 

Which song was emotionally hardest for the band to agree on releasing, and why?
We didn’t necessarily struggle emotionally on a song release. We struggled more with which songs to release on the EP that came out in December, and which songs to hold for the full length album. When you record something you want to get it out! But it takes a lot of restraint to hold it and wait for the right moment, not immediate satisfaction but a slow burn. 

How intentional is Tercel with their work?
Very. Everything goes under the scalpel, everything is scrutinized, worked on, worked through, slowed down, sped up, and if it doesn’t cut it, it goes into “the vault”. Maybe to be worked on again, made anew, or maybe to rest forever. 

As mentioned on the Digital Drip episode, Robin talked about how current events and nature influence the group’s lyrics. What specific events in nature and the modern climate were you referring to?
We, as humans, are currently living in a mass extinction event. We, as a band, are living on a frontier of climate change on the NC coast. Technological obsession separating us from nature occupies a lot of our thoughts and conversations as a band and that all comes out lyrically.

I’d like to hear more about your experience with Jerry Kee. How were you able to connect with him, and was the experience everything you hoped it would be?
James at Fort Lowell was entirely responsible for connecting us with Jerry! The experience helped shape us as a band. Traveling to play a show, then recording two songs the next day showed us that we were able to handle that much fun and work in the same weekend! Jerry’s straightforward techniques and mastery of the board allowed us to start hearing our sound more clearly.

Check out a wonderful live performance by Tercel below: