Pre-Order Doggy Daycare 'Posthumous Release' Now

Fresh from the grave, Doggy Daycare’s Posthumous Release is an all-encompassing southern shoegaze album from the now-defunct (but still kicking) North Carolina band. What started as a bedroom coping mechanism by frontman Adam Bastug morphed into a project that became known for their oversized sound and 90s-inflected guitar work. With Posthumous Release, the band makes good on singles “(forgetting) sarah marshall” and “acid walk”, crafting an album that embraces the listener with warm, fuzzy hooks and forlorn lyrics.

Recorded by Jacob Adams in Wilmington, NC and mixed & mastered by Raleigh, NC’s Max Gowan, the album is both scrappy and massive in sonic scope. Calling to mind the effervescent aggression of My Bloody Valentine and Ride, but fitting right at home with local NC darlings Wednesday and MJ Lenderman, Doggy Daycare’s sound swings from heavy, hooky alt-country (“brainworms”), to sneering, sardonic dance-punk (“now that’s what i call music vol. 1”). Rarely slowing to take a breath, save for “depression spike”, the one track that pays homage to Doggy Daycare’s solipsistic bedroom origins. 

Featuring songs penned by both Adam Bastug and lead guitarist Joshua Sullivan, the lyrics tend to contrast the energy of the music. With songs about bitter breakups (“fruit”) and pushing against suicidal ideation (“brainworms”). But there’s light in there, too. Humor finds its way throughout, whether it’s a surprising jab at Toby Keith (before he died…), or setting yourself apart from a toxic scene with “some of these dude’s have allegations, but not me, i’m fucking thriving.” “cloud moves slow” is a punchy, rollicking quickie inspired by Jordan Peele’s Nope, driven by Ethan Jenkin’s dancey bassline. While “now that’s what i call music vol. 1” is a purposefully petty retort to a facebook post about the local music scene, a dance-punk epic pushed by Connor Simpson’s bouncing drumbeat. 

Though they dissolved in 2024, the long-gestating Posthumous Release is a testament to a band that shaped their own sound out of the southeast. A walloping record that clawed its way through the dirt, a massive wall of sound that leaves the ears ringing long after. Don’t take it too seriously, it’s okay to laugh at the pain.

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Doggy Daycare's debut album titled Posthumous Release will be available everywhere and anywhere on Friday the 13th in November.  You can reserve your copy of the vinyl record now here.

TRACK LIST

SIDE-A

1. acid walk
2. cloud moves slow
3. (forgetting) sarah marshall
4. pop country bingo
5. depression spike

SIDE-B

1. i'm fucking thriving
2. unbearably bored
3. fruit
4. brainworms
5. now that's what i call music vol. 1

PRE-ORDER 'DOGGY DAYCARE' VINYL NOW

Doggy Daycare; photo by Mary Riley

REVIEW: Female Gaze "bury you"

[Repost from If It's Too Loud; by Ken Sears, August 31, 2026]

Female Gaze is back with a new single that defies what I had expected from the band. Back in 2024, I had referred to their single as "psychedelia meets shoegaze," but "bury you" doesn't have that same sound. Ok, sure... it's not a complete change of sound, and there are still plenty of psychedelic and shoegaze elements in the song, but this latest single has more of a pop driven sound. By pop, I don't mean modern Top 40 or even indie pop. This is more of a 60's girl group vibe, but through a indie rock, lo-fi prism. It's kind of like a DIY version of Psychocandy, with more raw elements and without the extreme wall of noise. Welcome back, Female Gaze! We can't wait to hear more.

Frontwoman Nelene DeGuzman says the band's upcoming album is “...a meditation on my thoughts and feelings around navigating labor, delivery, and the prospect of mothering while the world is on fire.”

You can listen to "bury you" below. linea nigra is due out October 23 on Fort Lowell Records, and is available to pre-order through Bandcamp. For more on Female Gaze, check out the band's website.

LET'S DANCE *every* Saturday Night at The Underfront Co. in Wilmington NC

Be sure you are following our LET'S DANCE account on Instagram, here: https://www.instagram.com/letsdanceilm — and then click the LINK IN BIO on our Account Profile to subscribe to our Broadcast Channel called IN THE CRATES.  We are using our IN THE CRATES Channel to give you a much more personal, in depth access to learn about the music we are (literally) putting in the crates each week for our LET'S DANCE Vinyl DJ Parties.  If you like learning about music, our IN THE CRATES Channel definitely gives you great exposure to various music that gets us excited, so possibly you might find out about some music you would not have otherwise heard about.  Check it out, and take a look at what's in the crates!

So, did you catch what I just said there a second ago: "each week"?  That's right folks...
LET'S DANCE now takes place every Saturday Night, weekly!

LET'S DANCE is a Vinyl DJ Party, hosted by Fort Lowell Records, held at The Underfront Co. in Downtown Wilmington NC on Front Street every Saturday Night of each month featuring a variety of music — Pop, Disco, Boogie, Hip-Hop, House, Indie, R&B, Latin, Electronic, etc. — including the latest hits and spanning the past six decades. Dancing starts at 8:00pm and goes all night. A $5.00 cover charge will be collected at the door upon entry paid via Cash, Credit Card, Venmo, or CashApp.

• Check out the LET'S DANCE Spotify Playlist below!
  
  

FACEBOOK EVENT PAGES:

• September 5th
• September 12th
• September 19th
• September 26th

Conversations with BBgail

[Repost from VoyagePhoenix; August 27, 2026]

Today we’d like to introduce you to BBgail.

Hi BBgail, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?

Becoming BBgail has been a journey. I grew up in a family full of musicians and have been performing on stages since I was 3 years old… but it’s taken nearly 30 years to figure out who I am as a creative. I went to college for musical theatre but quickly realized that wasn’t the avenue I wanted to go down. I love singing and dancing, but I also developed a passion for songwriting as early as elementary school. In my early 20’s I would write songs at home but didn’t know how to transfer them to playing live, so I began singing covers at restaurants and bars as a way to express myself.

In 2021, I started a band called “Proper Pet” where I finally gained the courage and tools to perform my original music live. I was in the project for 2.5 years and learned a lot about the local music scene in Phoenix. In 2024 I decided to part ways with that band and pursue my own solo career which brings us to the birth of BBgail. I loved being in a band, but finding band members you mesh with can make or break a project. I needed time and space to focus on my own music and create music at my own pace.

I became BBgail in September of 2024. I was in between places and crashing with my parents for a month. To be honest, I was overwhelmed at the idea of being a solo artist but knew it was something I need to attempt. I remember throwing out new names and ideas with my parents until I landed on BBgail. I’m super grateful to have two parents who are also musicians that encouraged this new journey, and gave me the confidence boost I needed to get started. I quickly began writing new music, and was eager to get my name out there under this new identity, but I needed to figure out how to record my music.

I’d dabbled in Garage Band in college, mostly to create demos of song ideas, but never took producing music seriously as I never really had to. After talking to a few local producers, I quickly realized just how expensive studio time can be. This encouraged me to buy a mac book, buy logic pro, and learn how to produce on my own. I watched youtube tutorials, tik toks, asked people in my community that produced.. and by October of 2024 I released my first single, “idon’tknow”. Since then, I’ve released 16 singles and recently released my debut EP, “what’s the point???” in July of this year.

Not only am I an electronic synth pop artist and music producer, but I recently started learning how to DJ this past year. It’s been really fun diving into new ways to express myself, and I look forward to any new endeavors that come my way!

Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?

In addition to starting over as a solo artist, which had a lot of obstacles of its own, I have struggled with my health since I was a teenager. I was diagnosed with Lyme disease at the age of 16 and was on and off extensive treatment until the age of 22. I actually moved from my home state Illinois to Arizona in 2019 in hopes that the warmer weather would be kinder on my body. Is struggled with hormone imbalance, thyroid issues, and chronic pain heavily and the colder weather in the midwest seemed to amplify that. There is no cure for Lyme, but I do feel that I’m in remission as the symptoms I deal with today are much more mild.

However, I was recently diagnosed with endometriosis this year. Sometimes I feel that my health holds me back from being able to really chase after my dreams the way I’d like to, but in other ways I think it makes me more motivated to find my own ways to succeed. I’m still coming to terms with the pace I need to go at that honors my body, but I’m grateful for the opportunity to learn how to take care of myself. Everyone’s paths look different, there’s no one right way to do things.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?

Recently I started to call myself a “synth pop star + fairy princess”. It’s a little silly, but that’s the energy I want to embody on and off stage. I’m leaning into a more whimsical side of myself, allowing my inner child to come out to play. It feels really, really good to let go and have fun. I’d say I specialize in fun melodies, clever lyrics, and quirky sound design when it comes to my music. I feel like I really come to life on stage vs when I’m off. I can be a bit more introverted and reserved in my day to day life, but something about being on stage in front of strangers really makes me come alive.

I’m really proud of my resilience and ability to keep chasing my dreams.

Are there any apps, books, podcasts, blogs or other resources you think our readers should check out?

Honestly, I find my biggest inspirations to be my peers. The local music scene in Phoenix is really, really special. I’m incredibly inspired by MRCH, Bogan Via, Spiritual Warfare and the Greasy Shadows, Jack Efron, Paternal…. all local artists I’ve had the privilege to share the stage with. I’m so grateful to be surrounded by some extremely talented artists!

BBgail; photo by Josue Orozco

OUT NOW: Female Gaze "bury you"

The first single "bury you" from Female Gaze's sophomore album linea nigra is out and available everywhere as of today August 28th.  “bury you,” the more pop-forward of the two lead singles from linea ligra, provides a momentary dance break before plunging into the depths of the rest of the album.  An infectious melody and perfectly balanced guitar, bass and drums make this a quintessential summer jam.   Check out Female Gaze "bury you" today!

LISTEN NOW

Pre-Order the new Female Gaze album 'linea nigra' today

Female Gaze returns with their sophomore album, linea nigra. Frontwoman, Nelene DeGuzman, describes the upcoming record as “...a meditation on my thoughts and feelings around navigating labor, delivery, and the prospect of mothering while the world is on fire.” An accurate description given how the overall energy of the album screams sexy Apocalypse. Nostalgic alt-rock still shines through the cracks of this doomier, more evolved sound.

PRE-ORDER VINYL RECORD

Female Gaze linea nigra will be released on Friday, October 23, 2026, available on 180-gram vinyl.

REVIEW: BBgail 'What's the Point???'

[Repost from Arizona Underground; August 8, 2026]

Phoenix based artist BBGail just released her debut EP "What's the Point???" about a month back, and I knew from the first time I heard her play this EP live that it wouldn't disappoint, and I'd say it has me just as hooked now as it did when I first saw her perform it!

It's so fun and quirky, while also having personal and introspective lyrics that give this album a very well rounded track list, but the biggest thing that I think will draw you in is the production of this record.

Let's make one thing clear from the get go: this EP will have you in a trance. The production is absolutely spot on, it sounds like the music is literally all around me while I'm listening, and the vibe overall is just relaxing. I kind of wish I had better words to describe it but truly this is such an easy record to replay and just get lost in I can almost just close my eyes and imagine drifting in space while listening, the vibe is just so relaxing.

The EP starts off just right with the title track "What's the Point???", which immediately puts you in the mood and mindset of this EP with introspective lyrics about love, life, friendship, and being stuck in our own heads.

From there it continues with this theme on "Past Life" where this EP shows its quirkier side, because at the end of the day it really isn't our fault in a past life 200 people died.

One of my favorite tracks though has to be "Love Bomb" this track is so so good, if any track on this EP will put you in a trance it's this one. It has this ascending and descending synth melody that repeats through the whole song, with a more lo-fi sound and lyrics as the title suggests of love bombing and wondering if any of it is even real, I love everything about this song and it's one I've had on repeat for a while now.

Another standout track is "Book of Love", this song is so peaceful and almost other worldly, this is another one that I feel I can just put on and get lost in. I don't have any words other than to say this song is beautiful.

I highly recommend if you're a fan of chill synth-pop and into bands like Men I Trust, you will get so much out of this EP. I think BBGail has made a marvelous record, and there is certainly much to be proud of here with this EP. The production is amazing, the song craft is top notch, it's one that I'm definitely going to keep on my playlist and have on repeat for a very long time.

I hope to hear a full album, or just more music from BBGail in general very soon! Definitely go check this EP out as well as the rest of her back catalogue, and whatever shows she's playing next I would highly advise going to see her, it's a set certainly worth catching!

LET'S DANCE — August 1st and August 15th — at The Underfront Co. in Wilmington NC

LET'S DANCE is a Vinyl DJ Party, hosted by Fort Lowell Records, held at The Underfront Co. in Downtown Wilmington NC on Front Street every First + Third Saturday of each month featuring a variety of music — Pop, Disco, Boogie, Indie, Hip-Hop, R&B, Electronic, etc. — including the latest hits and spanning the past five decades. Dancing starts at 8:00pm and goes all night. A $5.00 cover charge will be collected at the door upon entry paid via Cash, Credit Card, Venmo, or CashApp.

• Check out the LET'S DANCE Spotify Playlist below!
  
  

FACEBOOK EVENT PAGES:

• FIRST SATURDAY: August 1st
• THIRD SATURDAY: August 15th

REVIEW: BBgail 'what's the point???'

[Repost from If It's Too Loud; by Ken Sears, July 10, 2026]

Ethereal synth-pop artist BBgail is back with a brand new EP. what's the point??? is a collection of five songs that fit in this perfect laid back but energetic dance music space. It's synth-pop, but with a beat that could be from some 90's drum and bass, mixed with the groove and chill side of trip hop. The best part of what's the point??? is how much fun these songs are. It takes the best parts of the aforementioned genres and creates a new and familiar sound that you're going to have to actively try to dislike. Plus, just to make things more interesting, the entire EP is filled with both fun and oddly spooky vibes. Press play on this one and be prepared to groove at whatever level you're in the mood for.

You can listen to what's the point??? below. The EP is out now on Fort Lowell Records, and can be ordered through Bandcamp. For more on BBgail, check out the artist on Instagram.

Tracy Shedd... 24-Years Ago

On this very day twenty-four years ago — July 21, 2002 — Tracy Shedd, who was on the road promoting her album Blue for Teen-Beat Records, played at Modified Arts in Phoenix, Arizona along with Employee of the Moth and Matt Been.  Photos courtesy of Chrisnj and Arizona Music Scene Archive.

REVIEW: BBgail 'what's the point???'

[Repost from Here Comes the Flood; by Hans Werksman, July 9, 2026]

Phoenix, AZ electronic pop musician BBgail, stage name of Abigail Corinne, is sitting on the fence between the mainstream and left-field excursions on her debut EP what's the point???, a small batch of introspective songs people can dance to. Recording from the comfort of her own home allowed her to layer-upon-layer without worrying about the clock in a studio.

She is a searcher for the meaning of it all, who is she is and how another person might fit into her life. As a composer she does not have to worry about that. Corinne has found her niche, with infectious melodies sprinkled on top of pulsating soundscapes, a spot-on pairing of radio-friendly phrasing and "blink-and-you-miss-it" musical inventiveness.

Pre-Order Female Gaze's new album 'linea nigra' now!

Tucson, Arizona's own Female Gaze have a brand new album coming out this October — their sophomore record, titled linea nigra — and we've made the pre-order link available now for the vinyl version of this album, which we are pressing on 180-gram black vinyl — the first 180-gram vinyl record we've ever released before; pretty exciting! 🖤 Reserve your copy today:

PRE-ORDER VINYL NOW

Female Gaze linea nigra [October 23, 2026]

OUT NOW: BBgail 'what's the point???' [Digital EP]

Today is the day... BBgail's first collection of recordings produced entirely on her own — her debut Digital EP, titled what's the point??? — is out now and available everywhere and anywhere your heart desires to download / stream / whatever your music on the ol' world wide webs.  Enjoy!

LISTEN HERE

LET'S DANCE — July 4th and July 18th — at The Underfront Co. in Wilmington NC

LET'S DANCE is a Vinyl DJ Party, hosted by Fort Lowell Records, held at The Underfront Co. in Downtown Wilmington NC on Front Street every First + Third Saturday of each month featuring a variety of music — Pop, Disco, Boogie, Indie, Hip-Hop, R&B, Electronic, etc. — including the latest hits and spanning the past five decades. Dancing starts at 8:00pm and goes all night. A $5.00 cover charge will be collected at the door upon entry paid via Cash, Credit Card, Venmo, or CashApp.

• Check out the LET'S DANCE Spotify Playlist below!
  
  

FACEBOOK EVENT PAGES:

• FIRST SATURDAY: July 4th
• THIRD SATURDAY: July 18th

New BBgail 'what's the point???' Digital EP drops July 9th — Pre-Save Now!

BBgail is an ethereal synth-pop artist residing in the desert of Phoenix, Arizona. She started producing her own music over the last year and has been on a journey to discover and shape her personal sound. Although her style is ever-changing and evolving, you can be sure to hear celestial soundscapes, hypnotic melodies, and a constant push toward the unknown.

• "fun and highly vibey indie dance pop" ~ If It's Too Loud
• "BBgail’s vocals feel calming and reassuring" ~ V13
  
• "Smooth and richly layered vocals serve as the paint used to draw beautiful works on arpeggiated synth canvases" ~ Blood Makes Noise

BBgail's new Digital EP titled 'what's the point???' drops on Thursday, July 9th!

PRE-SAVE NOW

For fans of Biig Piig, Rebecca Black, George Clanton, Tiffany Day, Eurythmics, Alison Goldfrapp, Rose Gray, Gelli Haha, Grimes, Human League, Jane Remover, Joy Electric, LCD Soundsystem, Magdalena Bay, The Marías, Mechatok, Neggy Gemmy, Ninajirachi, Ora the Molecule, PinkPantheress, Planningtorock, Postal Service, Robyn, Tatyana, Tei Shi, TOKiMONSTA, TV Girl, underscores, Jessica Winter, or Yazoo

BBgail; photo by Josue Orozco

REVIEW: Vulture Twin - s/t

[Repost from If It's Too Loud; by Ken Sears, June 4, 2026]

Vulture Twin are a duo out of Chapel Hill, NC featuring Elizabeth Vallero (vocals, guitar) and Eddie Sanchez (drums, bass, synthesizer), who used to be in The Love Language and Fing Fang Foom. They recently released a three song self-titled EP that's going to be loved by fans of 90's indie rock, particularly the North Carolina scene. The songs have a noisy and drone-y quality to them, with a lo-fi element that is decidedly a feature of the songs. Plus, all three tracks are heavy on psychedelia, which is only aided by the use of synthesizers. Maybe it's because I've been listening to a lot of Fiery Furnaces in anticipation of their show in Somerville, but I'm getting vibes of a trippier version of that band. Vulture Twin knocked it out of the park on their debut release, and we can't wait to hear more from them.

You can listen to Vulture Twin's new EP below. It's out now on Fort Lowell Records, and is available via Bandcamp. For more on Vulture Twin, check out the band on Instagram.

REVIEW: Blase 'Somewhere Out There'

[Repost from Daily Vault; by Tom Haugen, May 5, 2026]

Chicago native and Wilmington, North Carolina resident Blase returns with this sophomore album, where 11 tracks of dream-pop might bring to mind Beach Fossils, Cigarettes After Sex, The Flaming Lips or The Radio Dept.

The extremely warm and hazy “Middle Of Nowhere” begins the record with dense waves of synth that complement Blase’s striking and smooth voice, as punchy drumming and floating melodies enter. “Finding Myself In You” then follows with a soft approach of introspection and pop ideas which enter the cautious climate.

Up next is the lush acoustic guitars and scrappy drumming of the beat friendly “Under The Same Stars,” as well as the swirling dynamics of the dreamy “Directions.” “Dirt Into Gold” then showcases the depth of Blase’s really lovely singing voice alongside rich waves of synth that unfold with timeless, colorful, ambience.

The back half continues the meticulous nature of the album with more sugary sweet songwriting. “My Mind Set On You” is highly drum focused and even invites dancing, but it’s the bare and intimate “Where Only We Know” that stakes its claim as the best on Side B.

Getting close to the end, the retro alt-rock fun of “No Other Place” comes with nostalgia, and “Don’t Want This To End” embraces a charming jangle that invites singing-along immediately. “Reflecting Time” finishes, a blur of ambience and ear candy song craft that we won’t soon forget.

With a body of work that’s rooted in traveling across the country, Blase cut his teeth playing drums in Chicago, but these days he’s a one-man band who wrote, performed and recorded every song here. Residing somewhere in and around indie-pop, bedroom-pop, shoegaze, and the early days of alt-rock, every moment of Somewhere Out There is heartfelt and balances vulnerability with occasional bouts of animated gestures.

Rating: A-

REVIEW: Vulture Twin 'Vulture Twin'

[Repost from Here Comes the Flood; by Hans Werksman, May 31, 2026]

Psych garage rock Duo Elizabeth Vallero and Eddie Sanchez used a hell of a lot fuzz on the self-titled EP by their Vulture Twin project, three dusty sounding songs wherein guitars and muffled synths are trying to commandeer the spotlights. The push and pull between the instruments has spilt over to the songs, ensuring that melodies that are pretty as such don't get a chance to become sugarcoated or, even worse, boring.

The pair set out to create a bunch of tracks that they would love to hear themselves and offer them as a take-it-or-leave-it statement. They may sing about wanting to connect (Signals) and the need for healing after going through a rough patch (Messorem), but those things will need to happen on their own terms, a very rock 'n' roll outlook on life indeed.

LET'S DANCE — June 6th, Jun 13th, and Jun 20th — at The Underfront Co. in Wilmington NC

LET'S DANCE is a Vinyl DJ Night, hosted by Fort Lowell Records, held at The Underfront Co. in Downtown Wilmington NC on Front Street every First + Third Saturday of each month featuring a variety of music — Pop, Disco, Boogie, Indie, Hip-Hop, R&B, Electronic, etc. — including the latest hits and spanning the past five decades. Dancing starts at 8:00pm and goes all night. A $5.00 cover charge will be collected at the door upon entry paid via Cash, Credit Card, Venmo, or CashApp.

• Check out the LET'S DANCE Spotify Playlist below!
  

Plus, the month of June features a bonus night on the Second Saturday:

• LET'S DANCE + RizzyBeats are teaming up one again to bring you the best 80s Night / Vinyl DJ Party on Saturday, June 13th at The Underfront Co. in Downtown Wilmington NC on Front Street.
  
  
• James Tritten of Fort Lowell Records, resident DJ for LET'S DANCE, and RizzyBeats will be going back-to-back, song-for-song, spinning all of your favorite music on vinyl records from the 1980s all night long. Dancing starts at 8:00pm and goes until 1:00am. Tickets are available to buy in advance here: https://kindtix.com/tix/event/22; otherwise a $10.00 cover charge will be collected at the door upon entry paid via Cash, Credit Card, Venmo, or CashApp.
  
  

FACEBOOK EVENT PAGES:

• FIRST SATURDAY: June 6th
• 80s NIGHT w/ RizzyBeats: June 13th
• THIRD SATURDAY: June 20th

OUT NOW: Vulture Twin 'Vulture Twin' [Debut EP]

Vulture Twin’s self-titled debut EP is a three-song transmission—“Signal,” “Tides,” and “Messorem”—cut from hypnotic grooves, blistering, fuzzed-out guitars, hazy and haunting synth, and low-burning, entrancing vocals. Rooted in garage rock but reverberating into a more darkly ethereal atmosphere, the songs feel like a dark Baroque hymnal echoing off cathedral walls. Nothing is overworked or too clean. It’s more immediate, slightly unsettled, and intentionally left with a raw edge— like something unearthed. Vulture Twin– Elizabeth Vallero (vocals, guitar) and Eddie Sanchez (drums, bass, synthesizer)-- formed out of a desire to create and share something earnest and cathartic. Recorded during the first snow of a North Carolina winter 2026, the EP lives in that contrast– stillness and movement– something breaking open from the inside, heat and color pushed through sound against a cold, quiet monochrome. “Signal” sits with the silent panic of disconnection, reaching out into nothing and hoping someone or something answers back. “Tides” pushes against inherited harm, pulling at cycles of patriarchal oppression with a sense of resistance and the power of reclaiming the self. “Messorem” turns inward, exploring death, rebirth, and the long arc of healing stretching beyond a single lifetime. “We didn’t want to over-explain ourselves,” they said. “If it feels open to interpretation, that’s probably the point.” Vulture Twin doesn’t want to define itself as much as mark a beginning. “Nothing about this is conclusive– it’s a beginning, and it could unfold in any direction.” This EP sits in the space between isolation and connection, damage and repair, ending and return– and embraces the tension that remains.

Vulture Twin Vulture Twin [Debut EP] is out now and available everywhere as of today.

LISTEN NOW

Vulture Twin is Eddie Sanchez + Elizabeth Vallero