[Repost from Fuzzy Logic; by Megan Petty, October 9, 2020]
Back in 2015, John Staton of the Wilmington Star News described Life of Saturdays as "the best Wilmington band no one's ever heard of." Five years down the road, and that's not so much the case anymore - even non-Wilmingtonians might already know/love Life of Saturdays; if not by name, perhaps by note, thanks to the band's song "If U R Alive" being featured in an episode of Vice Principals (please allow me to save you some searching - season 2, episode 7).
For the uninitiated, I'm thrilled to be able to introduce you to Life of Saturdays through this here video premiere. The video you're watching, for the unreleased "That Kind of Love," is special - not only because it's a gem in its own right, but because it's part of the Fort Lowell Records GROW compilation (full name of the record being GROW: A Compilation in Solidarity with Black Lives Matter). The record is officially released on October 30, and features songs from Wilmington/Wilmington-adjacent artists. 100% of sales from the album will be donated to the New Hanover County NAACP, so your purchase will go to an extremely worthwhile cause.
You'll be hearing more from me about GROW in the very near future, but let's get back to Life of Saturdays.
"That Kind of Love" is all sorts of intriguing. The beguiling beat hints at the early 2000s slink of Ladytron, the sort of sound that makes for a glorious good time, underpinned by an acute sense of unflinching resignation. The vocal interplay between John Jeremiah Sullivan and Jessie Williams is both warmly complementary and far out free-wheeling. Sullivan, the band's ringleader, and Williams both have the kind of rambling, offbeat vocal styles made for storytelling, and both imbue Sullivan's lyrics with a poignancy that hits hard.
The more I listen to "That Kind of Love," the more I keep thinking to myself, "Magnetic Fields." Sullivan seems to have a knack for spinning yarns, but there's something sardonic about the lyrical realism mixed in with his vibrant, poetic tendencies. At times diverging from one another, Sullivan and Williams consistently find their own ways to yank the heartstrings, while also doing plenty of damage together. The song's video certainly hits the spot, a collection of grainy moments pulled from vintage movies, with plenty of Hollywood kisses adding dramatic effect to the cinematic feel of the song.
