Independent Record Label | Est. 2009
Wilmington, North Carolina

 
 

EVENT CALENDAR

Saturday, November 12, 2022

Highly Recommended w/ JPW

[Repost from HI54; by Jeremy Sroka, November 3, 2022]

* Providing the A's to the 5 HIGHLY RECOMMENDED Q's today is JPW — a creator out of the Sonoran Desert who recently dropped the excellent Something Happening / Always Happening on Fort Lowell Records, the first pressing of which has already sold out, but you can now get in on the 2nd-pressing on yellow vinyl (and you can catch the track ‘Wealth of the Canyon’ on the HI54 Mix CD ‘420 ALL DAY’) // JPW photo by Sam Means

#1 - WHAT IS THE ONE ALBUM (OR EP OR SONG) THAT YOU THINK SHOULD BE THE VERY NEXT MUSICAL THING THAT EVERYONE PRESSES PLAY ON THE NEXT TIME THEY FIND THEMSELVES THINKING “WHAT SHOULD I LISTEN TO NOW”?
As a lifelong Star Trek fan, I was chuffed when psychedelic instrumentalist Frank Maston included a Trek song, “Beyond Antares,” in his recent Aquarium Drunkard Lagniappe Session.

Written by Wilbur Hatch and featuring lyrics written by Trek’s “other Gene,” showrunner Gene Coon—whose progressive beliefs majorly influenced the franchise—Maston takes the “23rd century love song” in a library music direction, evoking the synthed out sound of vintage Italian films. Here’s hoping he does a whole album of Trek tunes, I’d be way into it.

#2 - WHAT IS THE ONE MOVIE OR TV SHOW THAT YOU THINK SHOULD BE NEXT IN EVERYBODY’S NETFLIX QUEUE (OK, DOESN’T HAVE TO BE NETFLIX, WE’RE ALL INTERNET ADULTS HERE AND KNOW HOW TO FIND ANYTHING ONLINE, ONE WAY OR ANOTHER)?
Gone way before its time after only two fantastic seasons, Lodge 49 was a great show about the persistence of magic and meaning set against a backdrop of Southern California mundanity.
Part hermetic/alchemical rabbit hole, part The Big Lebowski, part Office Space, it’s ultimately a show about the power of community and the sacred nature of connectedness. It’s deeply funny but also touching, grounded in blue collar realites but given over to magical realism, and the cast is fantastic. Its golden hour vibe and surf and psych-pop soundtrack was a major influence on Something Happening/Always Happening.  
#3. I (AND BY “I” I MEAN “THE PERSON THAT IS READING THIS”) AM GOING TO THE LOCAL BOOK STORE (OK, MAYBE THE LOCAL LIBRARY FIRST) TO FIND THE VERY NEXT BOOK THAT I WILL BE PUTTING SOME EXTREMELY VALUABLE ‘ME-TIME' ASIDE FOR. WHICH BOOK WOULD YOU GET, IF YOU WERE ME (AND, I SUPPOSE, YOU HADN’T ALREADY READ WHAT YOU’RE ABOUT TO SUGGEST)?
A Manual for Cleaning Women, Lucia Berlin. This collection of short stories is tough and terse, which makes the sporadic bursts of tenderness that much more moving. Berlin’s sentences are usually short. She leaves plenty unsaid, which allows more space to wander into these semi-autobiographical tales from the deserts of Mexico, the southwestern US, and Chile.
She’s got one story included in here, “My Jockey,” about tending to a wounded jockey in an emergency room, that only takes one and a half pages to paint the most vivid, human scene. 
#4 - WHAT IS THE ONE WEBSITE (OR JUST ANY OLD INTERNET THING: APP, GIF, SERVICE, WHATEVER) THAT YOU WOULD GET REALLY DOWN IN THE DUMPS ABOUT IF IT WERE TO SUDDENLY GO AWAY?
I probably laugh at something @DRIL posts on Twitter once a day. I guess you can find out who @DRIL actually is if you look, but I’ve never had any interest in knowing the IRL person behind the account. I prefer to only engage with the disembodied prophetic and puerile digital cypher who appears in my feed.
Rather than screenshot a favorite, here’s a picture of my copy of Dril Official “Mr. Ten Years” Anniversary Collection, which is both 1) the only physical book collection of tweets that has ever needed to exist and 2) going to come in handy if the servers really do melt away someday.
#5 - AND FINALLY… PLEASE GIVE ONE COMPLETELY UNAIDED RECOMMENDATION THAT YOU THINK EVERYONE SHOULD START DOING / USING / WATCHING / EATING / THINKING / QUITTING / ETC-ING TO MAKE THEIR LIVES A LITTLE BIT MORE BETTER AND/OR BEARABLE.
I’ve been playing around with that weird state right before I wake up in the morning, when I start stirring and coming out of deep sleep. I’ll focus on feelings of universal wholeness or “imagine” the sensation of a enveloping cosmic love. These moments feel gentle and comforting in general, just kind of nice zones to float through and exist in, but a few have taken on an ecstatic quality. It makes for a nice way to begin a day.  
Of course, there are lots of mornings where I hit snooze two or three times too, which can be very nice too.
OK folks, there you have it. Things that JPW thinks you should consider incorporating into your day/life. Before you log off and go get ready to wake up different in the mornings, make sure to follow JPW on the Instagram / Twitter and then also give ‘Wealth of the Canyon’ a listen below…

…and if you like what you’re hearing, go do some further jpw-flavoured audio exploring over on the Bandcamp / Spotify.

Friday, November 11, 2022

OUT NOW: infinitikiss "in the same vibration that pothos green grows" [Digital Single]

The first track from the highly anticipated new album  ambient music  by Albuquerque, New Mexico's experimental artist  infinitikiss  is officially out today on all digital music platforms.  The track is specifically tuned to the Heart Chakra, so please enjoy.  The release date for ambient music is set for March 3, 2023 and you can reserve your copy of the album now.

Wednesday, November 9, 2022

Grooves & Cuts

[Repost from Americana Highways; by John Apice, November 2, 2022]

Kim Ware & The Good Graces – Ready

Sometimes I don’t know if I’m complimenting an artist when I say they sound popish-60s. But that was a glorious time. Hit singles were always melodic, tight, ingenious & catchy. That’s what Kim Ware & The Good Graces’ new CD Ready provides on their September release on (Potluck (CD) / Fort Lowell Records (Digital).

The opener “capital R” is soaked in an expressive pop melody. To me it’s attractive. It’s done well. The air around it is almost like many of the classic girl groups of that era: The Shangri-Las, The Toys & Dixie-Cups if not Marcie Blaine’s little classic “Bobby’s Girl,” & Robin Ward’s unforgettable “Wonderful Summer.” Its sweetness mixed with melancholy. Not easy to do. There’s a girl-group toughness to her vocalizing that’s vulnerable & charming.

It doesn’t sound retro or nostalgic – just a vintage style refreshed, filled with high-octane originality & relatable. “I don’t want to be here, but you’re so inviting…” is so cool. The clean chiming guitars& Kim’s vocal is pure adolescent glee.

The Kim Ware original songs were produced by Jerry Kee (multi-instrumentalist) & the North Carolina recording features Kim (acoustic & electric guitar/lead vocals/whistling), Wyatt Espalin (fiddle on “Palisade Peaches”) & Carrie Shull (oboe on “Ready,” & “So Many Questions”).

There are 13 cuts & that at times Kim starts to sing with a more old-timey country vocal, but she does it with such a reliable sound that it will bring a smile (“Bird In One Hand”). The variety in the tunes is solid without losing focus. I can’t criticize Kim’s moments of humor as being a novelty song, but she does lighten up the repertoire on occasion. There are enough well-developed songs to support the delicate ambiance of the set.

Highlights — “capital R,” “Bird In One Hand,” “Stopped Making Plans,” “Spider Lily Two,” “Odds & Evens,” “Nightmarish,”

Tuesday, November 8, 2022

Bandcamping :: Autumn 2022

[Repost from Aquarium Drunkard; by Tyler Wilcox, November 3, 2022]

JPWSomething Happening / Always Happening

Not only is Jason P. Woodbury a great writer/editor /podcaster/dude (you know his work on this very website as well as plenty of other spots), it seems that he’s also a great musician/songwriter. Go figure! Jason’s debut under the JPW moniker is a start-to-finish beauty, like Cass McCombs and JJ Cale meeting up in the Sonoran Desert at sunset for some hazy, sunbaked jams. Drum machines tick, guitars glisten, vocals drift, time stops. Very happening!

Monday, November 7, 2022

Stay tuned...

This Thursday, November 10th, our friends at Independent Clauses will host an exclusive premiere for infinitikiss "in the same vibration that pothos green grows the first single from the album, titled ambient music by infinitikiss, due out February 17, 2023.  For fans of William Basinski, La Cerca "A Nice Sweet Getaway", and Stars of the Lid.

CLICK HERE TO PRE-ORDER VINYL RECORD

infinitikiss; Photo by Kati Baldwinin

Sunday, November 6, 2022

Lauds, pictured here with 'Imitation Life' debut album Producer: Holt Evans II


CLICK HERE TO PRE-ORDER VINYL RECORD NOW

[L-R] Gavin Campbell, Boyce Evans, Holt Evans II, J. Holt Evans III, McKay Glasgow

Friday, November 4, 2022

OUT NOW: Haji P. "So Regular" ft. DJ MF Shalem

The Digital Single from the second release of the Fort Lowell Records' series This Water is Life is out today on all digital music platforms by hip-hop artist Haji P.; who is featured on Side-A of the record, alongside indie rockers Color Temperature on Side-B.

This Water is Life is in partnership with Cape Fear River Watch and Coastal Plain Conservation Group, made possible by Dock Street PrintingGravity RecordsPersephone's FarmSatellite Bar & Loungeand Wild Phoenix Salt Cave, and features artwork + photographs provided by Josh PutnamRoss Langdon Pageand Pufferfish Print Shop


Thursday, November 3, 2022

Geared Up: Lauds Guitarist J. Holt Evans III Discusses His ProCo Rat 2 Distortion Pedal

[Repost from V13; by Christopher Gonda, October 28, 2022]

Since we’re living in a rather introspective era of modern human history, it would make sense that much of our music is likewise somewhat reflective. Lauds are excitedly wrapping up work on their debut full-length record, Imitation Life, right now, with a release date set for January 20th, 2023, via Fort Lowell Records. Featuring ten brand new tracks, the lyrics are thoughtful and pensive, with lyrics that are anxious about finding any tiny part of contentment in life. Based in Wilmington, North Carolina, the band represents the sounds of their surroundings, combining together a post-modern surf rock sound that goes well beyond the constraints of that genre.

Formed a few years ago, band leaders and songwriters J. Holt Evans III and McKay Glasgow met by chance in the home studio of Evans’ father, Plugpoint Studios. Glasgow was working on some demos when he recorded with his folk band, and Evans quickly got involved. The two began sharing demos of material Glasgow felt would not fit in with his folk group, and soon an enriching indie rock collaboration was born.

For our latest Geared Up interview, we recently spoke with J. Holt Evans III to discuss his favourite studio and stage gear, including the ProCo Rat 2 fuzz/distortion pedal.

What one piece of gear do you use to obtain your signature sound?

J. Holt Evans III: “It’s hard to limit myself to one piece… I’m not a gearhead per se, but I’d say I know what I like and know just enough to be dangerous to get sounds I am happy with and that feel inspiring to me. McKay and I want to make wavy guitar pop like our heroes and we use a lot of the typical gear commonly associated with dream pop/shoegaze music to achieve our sound: Fender JazzmasterRoland JC AmpsElectroHarmonix Memory Man, etc.

“I think the biggest piece of gear currently inspiring me is my ProCo Rat 2 fuzz/distortion pedal. I used to use it almost exclusively for solos, but it’s so versatile and sounds so good on top of the big delay, reverb, and chorus that I always run that I keep finding new excuses to use it. It has definitely shaped our songwriting on the record and pushed us in a noisier direction as a band which is exciting for me.”

How did you come to possess this pedal? Vintage shop, regular shop, borrowed money, gifted. Give us the details…

“I’m fortunate to have a really supportive dad who dabbles as a recording engineer. He is a MAJOR gearhead, and he gave me my Rat as a Christmas gift. It’s really fun we’re always giving each other gear for birthdays, holidays, etc., and it gives us both an excuse to try out new things.”

What made you choose this pedal, and were there any close seconds or alternates?

“I had been searching for a distortion pedal for a long time and tried using tube screamers and a Xotic SL drive but was never able to get them dialed in the way I wanted. My goal with any kind of fuzz or distortion is to be able to just add it to the effects that I’m already using live without it sounding like mush. The tube screamer is a classic pedal, but it was just tough for me to get a handle on in terms of setting it up to feedback when I stepped on it but not be too much.”

What about this particular pedal makes it so important to you?

“I think the versatility and the simplicity of the RAT are just incredible. Just messing with the filter knob can get you anywhere from biting, spiky fuzz to a kind of ‘singy’ sound. Live, since our band mainly plays small clubs where my amp might not even necessarily be mic’d, it’s really easy to adjust on the fly with my feet based on what I’m hearing, which is also a huge plus. That pedal also has a pretty cool legacy as well of being used by great punk and noise bands which is cool as well. My pedalboard with my black ProCo RAT 2 (center with blue tape).”

Did you use this pedal during the recording of Imitation of Life? If so, please elaborate on how and for what parts.

“It’s all over the album. You can hear that weird kind of ‘singy’ setting that I mentioned above on the solo for ‘Misplace a Night.’ Another theme of us wanting to evolve our sound for the record was looking for ways to package noisy, distorted passages into the context of music that is essentially guitar-pop. You can hear me trying to go for a more unhinged sound on the solo of ‘CeeDee Lamb.’

“Part of my inspiration to get a RAT was that band METZ, who I think use it as their main distortion/fuzz. I love the way you can clearly hear their guitar player stepping on it, and it immediately just lets out like a squall of feedback. I don’t think we get quite that extreme on the record, but the influence is definitely there on the new songs.”

Do you have a special way that you recreate your album (guitar/vocal/bass) tones in a live setting, or is it more just plug-and-play?

“Live, I just use the same setup I do with my pedalboard as I do to record, so it is plug-in and play in a way. The guitar sound is really important to me, and in regards to wanting our band to have a cohesive sound, so when we first started playing shows, I used to get really stressed about nailing my tone perfectly but have done a complete 180 since then, thankfully. I have everything marked out how I want it on my amp and my board and now I just make sure I’m in the ballpark before we start playing and try to have fun with it.

“I’ve gotten a lot better at adjusting stuff with my feet as needed mid-song as well (laughs). My Fender Princeton Reverb II with my little setting hieroglyphics written on tape.”

We know you love this pedal, but are there any major cons? (Ok, now you can also list the pros.)

“I think just playing noisy effects heavy lead guitar can be frustrating at times due to the fact that your gear has to be working in order to get the sound you want live. There are times where I definitely wish we made Oasis-style music where you just plug into a distorted amp and play. Not to be cheesy, but I do feel like chorus, reverb, and echo are part of the building blocks of how I am able to say something authentic musically with the guitar.

“I’m not a technical player at all: I hear parts in my head with those textures already woven into them, and so it just feels natural to play them that way. I always joke that my dad played the first two U2 records too many times in the car growing up and created a monster.”

If you could or wanted to (maybe you don’t at all, and that’s cool), what would you tweak or mod on the pedal?

“Always feel like I don’t even know what I don’t know regarding gear, so modding is out of the question for me at this point (laughs).”

Time for some fun. Give us your best “gear goes wrong” story.

“There are so many. Aside from the usual bad cable completely cutting my volume mid-song, one that stands out to me was when my band and I were doing a lot of guitar switching mid-set, I always had to remember to adjust my input volume on my echo pedal to boost my overall sound, because my other guitar I played had really low volume pickups. Lauds played a set at Gravity Records once in Wilmington, where I switched guitars and completely forgot about adjusting the input. Then I spent an entire song like taking my pedal board apart onstage, gave up, and then just stood there until I remembered what I needed to do. Was brutal, but I feel like it happens to every guitar player that’s playing through a ton of effects."

Wednesday, November 2, 2022

After many years in the music industry, Jason P. Woodbury puts out 2 albums of his own

[Repost from KJZZ; by Lauren Gilger, October 27, 2022]

Jason P. Woodbury has spent years working on all sides of the music industry in Arizona. Today, he’s the creative director at Hello Merch and host of the Transmissions podcast for online music magazine Aquarium Drunkard.

But in all that time, he’s never released an album of his own. Well, this year, he’s released two: a solo record and one with his band, Kitimoto.

The solo project is called JPW, the album, “Something Happening/Always Happening.” It has echoes of everything from Western guitars to shoegaze indie rock.

And in a conversation with The Show, he said as the pandemic raged on, the songs poured out of him.


Tuesday, November 1, 2022

Kim Ware and the Good Graces “Overflowing” Strikes a Haunting Vibe (Premiere)

[Repost from PopMatters; by Jonathan Frahm, October 26, 2022]

Kim Ware and the Good Graces premiere the lyric video for their atmospheric indie folk tune, “Overflowing”.

It’s been 16 years since Kim Ware and the Good Graces made a splash in the Atlanta indie scene. The songwriter has since blossomed into an intuitive folk artist, attuned to crafting atmospheric works that have carried her around the country and back to her Georgia and now North Carolina home. Ware recently moved back to her hometown of Kings Mountain, a small town where she first picked up her musical streak through drumming. Alongside the move, Ware teed up for the September release of the Good Graces’ sixth album, Ready, produced by Jerry Kee (Superchunk, Polvo).

“Overflowing” is an ethereal rambler that plays out like an offbeat sum of parts: grungy guitar tones, a neo-western flourish, and some indie folk harmonies. Ware’s straight-shooting vocal delivery brings it all together, casting haunting reflections over the tune. The Good Graces’ accompanying lyric video for the single drives the mood further, complete with washed-out yellows and reds across a smoky landscape.

Ware tells PopMatters, “‘Overflowing’ is one of a few songs on the record that I wrote while I still lived in Atlanta before the pandemic. I was listening to a LOT of Jaimee Harris’ ‘Red Rescue’ during that time; I feel like a bit of her influence may have seeped in. The creation of the song was pretty organic, though, with the lyrics being mostly stream of consciousness, save for a line or two.”

“At the time, we were trying to get our old house ready to put on the market, which turned out to be a huge endeavor. So the line ‘we’ll never make it out of Georgia’ was reflective of how I felt at the time, with the ‘speed trap’ being all the obstacles life was throwing at us. It’s one of the first songs we finished for the album, and I really love all the atmospheric touches Jerry brought to it. Sonically, it’s probably my favorite song on the album.”

Monday, October 31, 2022

We've got a Facebook account!

For those of you who use Facebook, you can now follow Fort Lowell Records on that platform, here: https://www.facebook.com/fortlowellrecs

EXCLUSIVE PREMIERE: Haji P. "So Regular" ft. DJ MF Shalem

Happy Halloween! 🎃  Here's a very special *treat* for you: 

Fort Lowell Records is proud to share with you the first single from our next edition of the This Water is Life series: Haji P. "So Regular".  Officially being released this coming Friday, November 4th on all digital streaming platforms, you can enjoy Haji P. "So Regular" ft. DJ MF Shalem all week here on our site.

This Water is Life is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop / indie rock music from Southeastern North Carolina, as well as to provide a platform for Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife.

Haji P. (AKA: Illustrator, HP Fangs) is the hip-hop artists for This Water is Life, Vol. II, while Color Temperature (AKA: Photographer, Ross Langdon Page) is the indie rock musician.

This Water is Life is in partnership with Cape Fear River Watch and Coastal Plain Conservation Group, made possible by Dock Street PrintingGravity RecordsPersephone's Farm, Satellite Bar & Lounge, and Wild Phoenix Salt Cave, and features artwork + photographs provided by Josh PutnamRoss Langdon Page, and Pufferfish Print Shop


Haji P.

Sunday, October 30, 2022

Tonight, we dance!

LET'S DANCE at The Opera Room tonight (Oct 30) at 8pm

Saturday, October 29, 2022

Tonight, we rock!

Kicking Bird perform live in concert tonight (Oct 29) at Satellite Bar & Lounge in Wilmington NC, along with The Beehive Blondes.  Stayed tuned here to Fort Lowell Records for more information to follow (soon) regarding the release of Kicking Bird’s debut album. 🎸

Friday, October 21, 2022

OUT NOW: Lauds "24" [Digital Single]

Lauds’ debut full-length Imitation Life is a lush, aural tapestry of blissed-out guitars against a backdrop of rhythmic tension woven by the five-piece, Wilmington, NC-based band. The lyrics of the 10 tracks ping-pong between anxious introspection and the search for fleeting bits of contentment in life, like the best empathetic, reflective autumnal rock of the second Brit invasion era. On songs like "Wasted Hours", "24" and "Rust", the elegantly anguished vocals wash over the listener like the waters of Cape Fear and the Atlantic Ocean that dominate the Wilmington landscape, evoking the “post-surf stupor” that songwriters J. Holt Evans lll and Mckay Glasgow feel after a day riding its waves. 

The first single "24" from Lauds' Imitation Life is out today.


Wednesday, October 19, 2022

JPW - Wealth of the Canyon (Live from The Dirty Drummer)

JPW performing "Wealth of the Canyon" from the debut album 'Something Happening / Always Happening' at The Dirty Drummer in Phoenix, Arizona from the Album Release Concert held on Saturday, September 10, 2022. Video by Becky Bartkowski.

Tuesday, October 18, 2022

Taco Tuesday

Join Fort Lowell Records every Tuesday Night at Satellite Bar & Lounge in Wilmington, North Carolina from 6:30-9:00pm as we spin a variety of our favorite records from our own personal vinyl collection, while we all enjoy dinner at Block Taco and a beverage-of-choice or three from the bar!  See y'all tonight!

Monday, October 17, 2022

Pre-Order Now: This Water is Life, Vol. II ft. Haji P. + Color Temperature

This Water is Life is a self-sustained and ongoing series of split EPs with two express purposes: to highlight new hip-hop / indie rock music from Southeastern North Carolina, as well as to provide a platform for Cape Fear River Watch and Coastal Plain Conservation Group to deliver up-to-date authoritative reports on the health of the Cape Fear River Basin for both human beings and wildlife.

Volume II of our This Water is Life project featuring hip-hop artist Haji P., along with indie rock artist Color Temperature, and is scheduled to be released this Winter Season.

Sunday, October 16, 2022

Audio Explorations 'ActionReaction'

Hello!  James Tritten here, of Fort Lowell Records.  Audio Explorations was my own band with Steven Haley from 1996-2002.  Our sophomore album ActionReaction was originally released on Compact Disc twenty years ago.  But now, Fort Lowell Records has made Audio Exploration ActionReaction available on vinyl record for the very first time.  

There are only (50) copies of this album available on vinyl, so if you want to add this to your collection, do not wait to order it later; they are already over half-way sold out.

  • 135-gram heavyweight vinyl
  • Orange colored vinyl
  • Lyric Sheet
  • Tour + Studio Photographs
  • An original 2002 Tour Poster
Thank you in advance for the support! -- James


Saturday, October 15, 2022

Singles

[Repost from Independent Clauses; by Stephen Carradini, September 7, 2022]

Wealth of the Canyon” – JPW. This track sounds like an effortless, casual, wonderfully tossed-off take on Laurel Canyon-style West Coast folk/country. It take significant work to make it sound so easy, and so JPW’s work is your benefit, listener.