Independent Record Label | Est. 2009
Wilmington, North Carolina

 
 

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Showing posts with label Kicking Bird. Show all posts
Showing posts with label Kicking Bird. Show all posts

Friday, April 21, 2023

OUT NOW: Kicking Bird "Just to Be Here with You" [Digital Single]

The third and final single from Wilmington, North Carolina's own Kicking Bird, titled "Just to Be Here with You", from their debut album Original Motion Picture Soundtrack is available now on all music platforms.

  • "A four minute dreamy pop track, packed with infectious guitar melodies and vocal harmonies" ~ 3hive, Todd Simmons

LISTEN TO DIGITAL SINGLE // PRE-ORDER VINYL RECORD

Sunday, April 9, 2023

An Interview with Kicking Bird (And a premier of "238!")

[Repost from If It's Too Loud; by Ken Sears, March 31, 2023]

When you have a music blog, you sometimes get to hear new music early. I got to hear Original Motion Picture Soundtrack, the upcoming new album from Wilmington, NC's Kicking Bird, and was instantly smitten. Some albums just seem perfectly made for my specific tastes, and that's how this one feels. The songs on Original Motion Picture Soundtrack have that perfect mid-90's power pop sound with a little retro 60's cool. It's like a less ironic version of Fountains of Wayne and Weezer. I got the chance to interview three members of Kicking Bird (Shaun and Shaylah Paul as well as Robin Cooksley) over email, so we discussed North Carolina, their upcoming album, and the song we're premiering, "238."

Original Motion Picture Soundtrack is due out May 19 on Fort Lowell Records, and can be pre-ordered here. For more on Kicking Bird, check out the band on Facebook and Instagram. You can listen to "238" below the interview.

Your sound seems to invoke the early 60's and late 90's/early 00's. What are your favorite bands from those time periods?
  • Shaun: I definitely think we take a lot of inspiration from garage rock. The Kinks are one band specifically that has been a major influence on our songwriting energy. They are also a band that made it ok to write any type of a song, and not be limited by any one "sound". I know that for me personally, Bob Dylan is the mountaintop for lyrical work so that is definitely a mile marker for quality. I also love his ability to only have a flirtatious relationship with melody, he can cram three extra words in any time he needs and no one is the wiser. When Shaylah and I first started playing together Arcade Fire was making really amazing records, so I think that kind of vocal interplay over really fun instrumentation became something we always worked towards. One of the most life changing concerts I ever went to was when some friends took me to see The Walkmen and I was able to watch Hamilton Leithauser sing in person.

  • ShaylahThe Beatles and Weezer. The two greatest bands ever!

  • Robin: I'm glad you can hear that, as my go-to music is 60's garage music and mid 90's indie. I love Bends/OK Computer era Radiohead, their guitarist, Jonny Greenwood is a genius, I lay awake at night dreaming of being able to make the insane sounds that he makes on the guitar ha! I used to play in a 60's mod band, so my love of 60's garage rock bands is strong, the Kinks probably most influenced me from that period. I can only imagine what it must have been like to first hear the rawness of the guitar sound and vocal swagger of You've Really Got Me, when most everyone else was doing bubble-gum pop in 1964. I love Ray Davies' storytelling, he can really set a scene and take you there, I think Shaun can pull that off in his lyrics, but instead of a 1960's rural England village scene, he's trying to take you to the moon on a rocket ship or riding on the shoulders of a bear, or some other crazy shit.
A lot of bands with your sound seem to cloak their songs in irony, but as fun as your songs are, they sound completely earnest. Is it tough playing songs that are so heartfelt?
  • Shaun: We do feel it. At the end of the day we write fiction. We get to tell fun stories over jangly pop music and I truly love it. I really do connect with every member of the audience when we play live. It's great to feel like we are all at a party just dancing together. If something we've written resonates then that's amazing but I really want those narratives to be the soundtrack to someone's night, not something for reflective introspection.

  • ShaylahThat's really interesting that that's the impression the songs give off, because literally not a word in any of Shaun's songs is true. Except maybe the distance to the moon. I think that's at least an accurate estimation. All of my songs are very specific and it is tough sometimes because people figure things out. All I can about Tom is he's a hopeless romantic.
What's the Wilmington, NC music scene like these days?
  • Shaun: Building constantly. Post covid there was a real explosion of rock bands in this town. Up until that, it was starting to feel like if you weren't a punk band or alt-country there was no place for you. That has totally changed. A ton of different sounds are coming from the bands in this town now. There is some really great heavy garage stuff from bands like Narah and Cancel. Pleasure Island is consistently one of the best bands I've seen recently. I think the songwriters are getting better too. Mark Jackson of morning news is a phenomenal lyricist and has the best voice. The greatest part is the DIY feel that the music community has embraced. James at Fort Lowell records is a perfect example of that. He's totally been a really important part of the support structure that's allowed local music to get so good.

  • Shaylah:  It's great and you know what would make it better? More venues with bigger stages and full sound!

  • Robin: It's really cool, there's a decent number of venues and more keep coming up. I love being able to play outside shows at Tiki Bar at the beach and downtown at Satellite/Palate. There's a ton of bands, and they're all really good, which means everyone keeps striving to be better, it's a very healthy scene.
Any plans to tour for this album?
  • Shaun: Not yet, but we'd love to find ourselves at some of the awesome street festivals that happen this summer.  We're also open to trying to make it up to Raleigh and or the mountains, do some long weekends.

  • Shaylah: No. We would love to do a mini regional tour out to Asheville and back or something, but it's hard because we have kids and jobs and whatnot. It would be so great though. Maybe one day.
Your songs invoke a joy that sounds like it's a blast to hear live. What's the Kicking Bird live show like?
  • Shaun: Loud. Sweaty, Lots of eye contact.

  • Shaylah: Chaotic and barely held together. Shaun has always been anti-senseless banter. Like, he hates when songwriters do the thing where they tell you what the song's about instead of letting the song speak for itself. I agree. His sense of pacing drives a lot of the momentum of each set, and the rest of us try to keep up. It's exciting. It's definitely a dance party.

  • Robin: I think everyone's main reason for being in the band is to play shows, that's definitely where the band are at their happiest. It sounds a bit corny but we really do try and make our shows a bit of a party, there's always good energy that typically gets people up and dancing. Shaun and Tom are always giving it all they have, Tom can usually be found dancing in the audience playing his bass. 
What's the first album you bought?
  • Shaun: Weird Al-Even Worse.

  • Shaylah: With my own money? Probably something off one of the listening stations at Borders.

  • Robin: I think when I was about 9 or 10 I bought Run DMC's "Raising Hell" with my own money. Shortly after, my brother played me the "Help" album by the Beatles, and then I immediately started to buy every Beatles album. I bought them pretty much in order of release date and I just remember being blown away every time I got a new one, and the feeling of really discovering and falling in love with great music, that was such a great time.
How do songwriting duties work with having three vocalists?
  • ShaunThere are some occasions when one of us will show up with a completed song, beginning to end, all the parts, ready to go. More frequently one of us will show up something that is incomplete to some degree and we will work it out all together. Each of the five of us have different tendencies and skills that make for a really wonderful outcome. Lauren is a really great example of that. Robin showed up to practice with this really fun riff, Shaylah and I banged out the basic chords and words, and then once Greg and Tom threw in the rhythm dynamics the whole thing turned into a complete jam. We are very collective and I really couldn't feel luckier that I get to be part of a team that works together so well.

  • Shaylah: Historically: Shaun will write most of a song, and then show it to me and I'll help write a hook or a bridge if I'm singing on it. If not, I'll come up with something on the piano. When I write, I'll knock it all out and then Shaun takes over on guitar. A few times, I've written the progression and turns out it was better suited for him to sing. When it's one of those great times where we all collaborate on a skeleton in the practice spot, I feel like it's usually Shaun, Robin, and Tom working out the chords, structure, and dynamic. We'll argue about whether a certain chord should be minor or major. Robin will often lead the process with a cool guitar riff.

  • Robin: Pretty much everyone comes up with their own ideas and brings them to practice and we just jam around on the idea/song, sometimes it's a fully formed song and sometimes it's just a bit that we all try to add too to make something cool. I love playing in a band with three very distinct songwriters, Shaun's lyrics are abstract and often weird in a fantastic way, Shaylah's are heartfelt or beautifully melancholy, and Tom's are about young love and just having fun, it gives us a well-rounded mix!  
We're premiering the song "238." What's the story behind the song?
  • Shaun: I was watching a skate video at work and a song by Joel Alme that just floored me. I went home and just straight up started ripping off the chords and melody. The words came pretty quickly one night just thinking about how far away and beautiful the moon is. The sounds of words together is the first thing I start working with, and then any narrative or meaning kind of gets discovered after the thing is done. 

  • Shaylah: I guess it's a love song to the moon. Or our dog, whose name is Moon. It's one of my favorite songs to play.

CLICK HERE TO LISTEN TO "238" EXCLUSIVELY at IfIt'sTooLoud.com

Thursday, April 6, 2023

New music from Wilmington artists includes work with Grammy-winning star

[Repost from StarNews; by John Staton, March 31, 2023]

Lots of new music coming out of Wilmington these days, and Port City artists have been embracing collaboration, sometimes with big names.

New singles from folk/Americana artist Travis Shallow and pop/R&B singer Annie Tracy drop Friday, and there's an epic collaboration between two Wilmington hip-hop acts, one old school, the other new school.

RizzyBeats & MindsOne
Old-school meets new-school hip-hop on an upcoming album release from Wilmington's Fort Lowell Records, which dropped its first single earlier this month.

The Wilmington DJ and producer RizzyBeats, a member of the Beats & Coffee hip-hop collective who can often be seen around town at one venue or another, recently decided to rework "The Time Space Continuum," a 2006 album from veteran Wilmington hip-hop combo MindsOne.

The first reworked track, "Exit Velocity (End of the Line)," dropped March 10 and the full album, dubbed "The Time Space Continuum Redux," comes out May 12 on Fort Lowell.

At once an homage to the verbal dexterity of MindsOne MCs KON Sci and Tronic, which still holds up 17 years later, the "Redux" album also pays tribute to the traditional "boom bap" style of hip-hop by offering a fresh take on the genre.

 

Kicking Bird
Another band on Wilmington's Fort Lowell Records, Wilmington power-pop act Kicking Bird,has been releasing singles from its upcoming album "Original Motion Picture Soundtrack" out May 19. "Stuck," which dropped on March 17, is a delicious, manic-romantic slice of summer-vibe energy, and the band's new single, "238," dropped today. A Wilmington gem for sure.


[L-R] KON Sci & Tronic of MindsOne, and RizzyBeats; photo by RYAN ELLiS

Tuesday, March 21, 2023

High Huddle: Shaun Paul of Kicking Bird Deliberates on His Fave Dope

[Repost from V13; by Christopher Gonda, March 14, 2023]

Most artists go to great lengths to seem original and distinctive, but Kicking Bird aren’t afraid to admit it: “Everything’s a rip-off.” This is made apparent on the band’s debut record Original Motion Picture Soundtrack (Fort Lowell Records), a collection of upbeat, bouncy indie rock goodness.

Even if everything in music is derivative, it doesn’t take anything away from the finished product, and according to Kicking Bird, that’s the most essential aspect. Stolen chords and melodies are unavoidable, but it all depends on how we interpret the work that came before us that we have been exposed to and, in some instances, idolized. Each track on Original Motion Picture Soundtrack sets out to satisfy our innate need and desire to dance. They can be both fiery and intimate, urgent and tense, but also charming and delicate. Not too bad for five guys who formed a band in a shed beside a river in Southeast North Carolina.

Just for today, we put all the music talk aside and chat about the joys of cannabis with singer Shaun Paul for our latest edition of High Huddle.

When did you first smoke marijuana? What was your first experience like?

Shaun Paul: “In twelfth grade, I played in a punk rock band named Dale. The other two guys were more experienced than me when it came to pot, and I had generally taken a pass at partaking with them. My parents had left me alone for the weekend, and I invited both of them over to hang out and finally smoke. We built a bowl out of tinfoil and stuffed an emptied cigarette wrapper with weed, and despite the amateur attempts at consumption, we smoked enough to get extremely high.

“We went down to the basement and played music for what seemed like an eternity (even though it was probably only an hour), and I remember thinking I’d never heard sounds in that way before. Everything was fun; everything was peaceful; I felt like I was helping create something amazing right there in that moment. I think that was my initial attraction, the way I felt pulled into the notes and chords we were playing. I was very present and aware of what was happening all around me in a way I had never experienced before.”

What’s the biggest misconception about weed?

“People think weed makes you dumb. It does not. My life with weed has been extremely productive. There have definitely been times when I melted through the floor and couldn’t stand up even if the earth tilted with me, but generally, there is nothing I can’t do stoned. There are, however, half a million things I don’t want to do when I’m not stoned.”

You get to smoke with anyone, alive or dead; who is it?

“I would love to get high with Elvis Presley. Not cool, young Elvis, but late-stage paranoid Elvis. Then we could use all his connections to go fly a plane or drop 30,000 in a Vegas casino. I would want to just keep smoking joints until he was chilled out in the Jungle Room, then we would sing some gospel songs and Hank Williams tunes.

“After a good laugh and walk on the grassy fields of Graceland, we would settle into the kitchen for some fried bacon-peanut butter banana sandwiches. We’d talk about how he just needs to get away from everyone for a while, the colonel, the entourage, all his business partners. Then I would try to convince him to fly us both down to Jamaica for a few months to start writing some new tunes and building up the mystery before a worldwide tour, a-la Rolling Thunder Review. Then Elvis would be cool again.”

If you could pick one person who you would like to see smoke up, who would it be?

“I’d really like to see Neil Armstrong get baked. I don’t know for sure that he saw things on the moon that he’s never been able to speak about, but I do believe he thinks he has. I think a stoned Neil Armstong would tell the best stories. They would be a mix between reality, ’60s anti-communist propaganda, and an Ed Wood-style look at space culture. I’d ask him loads of questions like, ‘What do you think is at the bottom of the sea?,’ and ‘Is Doctor Who a real guy?’”

What’s your favourite thing about weed?

“I love the warm feeling of relaxation that creeps over me when I get high. I like the way it slows down time and brings minutia into focus. I like the flavour in my mouth of a clean piney hit. I love how it can sink you fully into an experience by removing barriers to sensation. Going for a walk on the beach and feeling wind hit your body is such a simple sensation, but when you have the chance to heighten a moment like that, it really becomes so much easier to appreciate how little it takes to feel good.”

Smoke or edibles, which one do you prefer overall?

“Definitely smoke. Edibles can be fun occasionally, but it’s unpredictable. I love that feeling 30 seconds after a hit when everything feels warm and cozy. It’s also a more enjoyable group occasion when you can pass a joint or bowl and all share in the moment together. Also, you really can’t beat that smell.

“However, I once went to the circus after two gummies that Tom gave me. It wasn’t one with animals, just acrobats and clowns, and I remember feeling like there was no one on the planet who could do the things those people did. When the gymnast leapt from the trapeze, I audibly gasped so loud, the family beside us got scared with me.”

Do you have a preferred time of day to smoke, and if so, when and why?

“It has to be the morning. I love breakfast, I love sunrise, I love coffee, and I love being high first thing in the day. It’s when I’m most productive creatively and just around the house in general, so I love to get stoned, then go sit with a guitar at 7 am or clean the bathroom and go for a bike ride. It’s fun to smoke at the end of the day, too though. Shaylah and I will normally enjoy a bowl together, then play cards or listen to records, so honestly, there’s no bad time.”

How do you get your ganja; Dispensary, bud-buddy, government (yes, some countries sell it direct), self-grown? Maybe you have a range of options? Share!

“Unfortunately, weed is not yet legal in North Carolina. I have a friend based out west who usually can get really great buds sent to me on this coast. I’ve been fortunate to try a bunch of new strains in the past few years, but still, to this day, my favorite leaf is Bubba Fett.”

How do marijuana and your form of music jive for you?

“Our band makes fun music to dance to and have parties with. Being stoned makes it more fun dancing with everyone. It’s not some deep cerebral joining of minds or diving into the subconscious; it’s literally shaking ass and getting sweaty in a group. I love to see people passing a joint before we play; it means they are ready to cut loose and just be carried in the music together. I wouldn’t say I need weed to enjoy music, just enhance it.”

Apples, homemade water bongs, pop cans… What’s the strangest or most creative way in which you’ve ingested pot?

“We once built a gravity bong out of a ten-gallon water bottle, and we used it in my neighbour’s swimming pool. It took two people to hit and operate it, but the best part was after taking the biggest hit of your life, you could just jump right in the pool. In high school, there were multiple times when we would roll joints with blank pages from the back of hymnals from church.”

Shaun Paul of Kicking Bird

Friday, March 17, 2023

OUT NOW: Kicking Bird "Stuck" [Digital Single]

The second single from Wilmington, North Carolina's own Kicking Bird, titled "Stuck", from their debut album Original Motion Picture Soundtrack is available now on all music platforms.

LISTEN TO DIGITAL SINGLE // PRE-ORDER VINYL RECORD

Friday, February 24, 2023

Meet Wilmington North Carolina Indie Pop Band Kicking Bird

[Repost by Blood Makes Noise; February 16, 2023]

"Everything's a rip off." Kicking Bird states that clearly but without irony or apology on their debut album *Original Motion Picture Soundtrack*. The twist however is that while stolen chords or melodies are an inevitability in all music, it's impossible to not filter the work of those who came first through our own cracked and unique lenses. This is where the *Original Motion Picture Soundtrack* shines. We caught up with the band and have an exclusive premiere of the track "Impermanent Assistant" Today!


How did the band form and what does the band name mean?

The very first incarnation of Kicking Bird played in Chicago Illinois at the Cobra Club. Our first guitar player Dylan Kloska, also Shaylah's brother, came up with the name based on a movie that had moved them both as kids. When Shaun and Shaylah moved to Wilmington we met Robin and started all playing together. Greg came in next on drums, and eventually I was able to move back to guitar when we found Tom playing in a few local bands and he showed interest in joining us on bass. 

Previous musical projects? How'd you first get into music?

Everyone has different roots but pretty much the same story. From Ohio, London, Chicago, and North Carolina all of us started playing music and performing live in various ways very early on. Shaylah and Shaun met in Chicago while both writing individually until eventually collaborating on the indie rock band Chaperone. Finding the rest of the band in the Wilmington music scene was a blessing and a continuation of the pop rock direction everyone had been moving towards individually. Tom was playing in the Frondeurs when we first met him and I instantly knew he was on the same wavelength. The Wilmington music scene has grown a lot in the past few years, evolving past the punk/metal and alt-country bands that have been a staple for years into a lot of really unique rock bands.  We love Pleasure Island, Narah, Morning News, Sean & Her Dilemma, and a lot of the rock acts that are popping up in town. 

First concert that you ever went to? 

When I was 12 my dad took me to see Neil Young. The next day he bought both    
of us guitars. 

What's your writing process like?

Songwriting normally happens one of three ways. Occasionally one of us writes something from start to finish, music and lyrics. Even then, everyone is left to their own creative style to figure out what they are going to do that fills out the bones. Most often, one of us will come up with a part, a chorus or hook or maybe verse and turn around but still something is missing, and the rest of the band will finish the song. Those are always the best because you'll end up with something unexpected and perfect. Last, there's the rare occasion that a full on warm up jam turns into something we love and can flush out together in the moment. No matter how the main form is acquired, lyrics seem to always be a component that is fine tuned last second. 

What other artists or songs inspire your music?



This record has some pretty direct inspirations and some more roundabout ones as well. Liam Kazar's* Shoes Too Tight* was a song I heard while walking around the neighborhood one morning and I instantly was caught by the jagged guitar. I went home and started just trying to get that same vibe and eventually landed on the main chords for *Impermanent Assistant,* which gets its name as a nod to Robin's least favorite Paul Mccartney song *Temporary Secretary*. When bands started touring again after 2020 one of the first shows that Shaylah and I went to was Kevin Morby and Hamilton Leithauser. It was amazing and both of those artists have been major influences. I've been chasing Hamilton's ability to control a scream my whole life and his sound definitely can be heard on *Hickory River.* When Shaylah was writing the chords for that song we definitely had Morby's album *Oh My God* in heavy rotation. Robin came up for the initial riff part of *Lauren* and we had jammed it a few times at practice but I wasn't able to get lyrics I liked beyond "Lauren" until I was reading the hobbit one day and the phrase "unexpected party" struck me as fun and quirky. It was easy from there. *238* is a song that popped out almost entirely at once. I was at work and my friend Paul was playing a skate video in the shop and one of the parts featured Joel Alme's *The Way We Used To Beg. *I became obsessed with that song and pretty much ripped it off verbatim and turned it into a song about  my beautiful dog. 

What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing? 

Our band is explosive live. It's the most fun and rewarding part of being in a band for me. It's sweaty, we dance, we yell at each other on stage, we crack jokes with the audience. It's communal and I think we've become such a strong family unit that our bond really comes across. We are genuinely blown away when people come out and have a good time and smile at us and we get to meet them. We really just want to have a party with everyone. Mimicking a recording isn't really interesting to me. I want to have it be special every time we play a song. I think that's the hardest part of recording, capturing that same energy. Tom did a great job of getting us recorded in a way that feels really true to that live performance. 

Has the band toured? What has the touring experience been, best shows? worst shows?

We have not been on any tours yet. We've had some really fun times at Satellite here in Wilmington. Our halloween show there was such a crazy party and everybody had so much fun. When people really start moving to the music we feed on that. We'd love to get out and do jaunts in other parts of the southeast or maybe get back to Chicago sometime soon. 

What's up next for the band?

We hope to immediately start working on album two. We have a handful of new songs already that we really love and we are super excited to spend some  time on the creative side of things. We love having new jams to play for  everyone. It keeps us interested and that makes the live performances so  much better. 

Friday, January 27, 2023

OUT NOW: Kicking Bird "Lauren" [Digital Single]

The first single from Wilmington, North Carolina's own Kicking Bird, titled "Lauren", from their debut album Original Motion Picture Soundtrack is available now on all music platforms. 

"It’s got everything anyone could possibly want all wrapped up in three minutes of boundless energy." ~ Music. Defined.


Wednesday, January 25, 2023

Exclusive: Kicking Bird-“Lauren”

[Repost from Music. Defined., by Josh Terzino, January 17, 2023]

It is impossible to relay just how excited I am to be bringing you this exclusive listen to the first single from Kicking Bird’s debut album, Original Motion Picture Soundtrack. Years in the making, these eleven tracks will likely make up my entire vibe for the summer. After getting an early listen a while back, I instantly knew that “Lauren” would be the song to get people dancing in the streets. It’s got everything anyone could possibly want all wrapped up in three minutes of boundless energy.

Rarely does a song so easily intertwine diametrically opposed genres-“Lauren” goes from a pop confection one second to a punk anthem the next. It features a pristine combo of guitar and vocals, screaming harmonies, blistering drums, and enough dynamic shifts to make your head spin with delight. This tune acts as a perfect introduction to Kicking Bird and the kind of music you’ll find on the album.


The band put together a Spotify playlist to give listeners an idea of where their inspiration comes from, and there are some great tracks included. Obvious stuff like Springsteen and Vampire Weekend, but also some surprises-Olivia Rodrigo? Howard Shore? In the end it all makes sense, even the Friday Night Lights theme song.


Original Motion Picture Soundtrack isn’t out until the spring, so you have plenty of time to get your vinyl pre-order sorted and pre-save on Spotify. Check out the band’s page to follow along and get updates on the next single and, who knows, maybe a tour sometime in the near future.
Kicking Bird

Thursday, December 22, 2022

New Year's Eve

Join us Saturday, December 31st at Satellite Bar & Lounge in Wilmington, North Carolina for our New Year's Eve celebration, featuring a live concert performance by Kicking Bird — who's debut album Original Motion Picture Soundtrack will be released in the new year (more to come on that) — followed by a Let's Dance DJ Set by Fort Lowell Records!

Saturday, October 29, 2022

Tonight, we rock!

Kicking Bird perform live in concert tonight (Oct 29) at Satellite Bar & Lounge in Wilmington NC, along with The Beehive Blondes.  Stayed tuned here to Fort Lowell Records for more information to follow (soon) regarding the release of Kicking Bird’s debut album. 🎸