Independent Record Label | Est. 2009
Wilmington, North Carolina

 
 

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Showing posts with label Sean Thomas Gerard. Show all posts
Showing posts with label Sean Thomas Gerard. Show all posts

Thursday, April 23, 2026

Parental Advisory: Sean Thomas Gerard on Being a Dad and ‘Stay In Your Light’

[Repost from V13; by Aaron Willschick, March 23, 2026]

Singer-songwriter Sean Thomas Gerard discusses fatherhood in our inaugural Parental Advisory interview, while also debuting his new album ‘Stay In Your Light.’

All music is personal to the person who wrote it, but artists like Sean Thomas Gerard have a more specific personal touch that really connects with their audience. It has been a long road back to music for Gerard, and he has chronicled it with his brand new album Stay In Your Light. Over the last five years, Gerard has spent a lot of time growing and expanding his life, and he has tried to pour that back into his songwriting. This has been an era of his life where he has started a family and taken on new roles and responsibilities. It’s no wonder that Stay In Your Light features a family-focused theme throughout its eight tracks. Much of it was recorded in a corner of his family garage, which is also a playroom for his two daughters. A lot of that family-centered atmosphere seeped into the recording process, which you can hear in the warmth of the songs and the lyrics.

As a whole, Stay In Your Light is an intimate look into Gerard’s current psyche and the love he has for his family. When writing the record, he thought a lot about how, when he’s gone, his music will live on for his daughters. The album comes at an interesting time. It is an era of great angst, uncertainty, and cold-heartedness. To release such a moving, heartfelt set of songs at a time like this is truly significant. We need artists now more than ever who can remind us of the good times and what’s valuable. Life’s tender moments are worth cherishing, and that’s just a small part of what Gerard would like you to take from his record.

To accompany the premiere of Stay In Your Light, Sean Thomas Gerard joins us for our inaugural Parental Advisory interview. Considering the subject matter and tone of the record, what better topic to discuss with Gerard than being a dad?

Has becoming a parent impacted the themes or direction of your creative work?

Sean Thomas Gerard: “Absolutely. I started writing songs when I was about 12 years old, before I could play an instrument. The early songs were pretty surface-level, songs about my life and experiences. As I got into high school, I went pretty deep into the world of emo. I detuned my guitar and got into the angsty things and topics a high schooler would.

“Following high school, I hit my classic rock phase. I loved Pink Floyd, and that style really started to shift how I was writing songs. I started thinking of writing songs in terms of a whole album, a whole piece of art. After that, I wrote songs that I thought sounded cool, but had very little substance. Then came the love songs… I fell deep into that hole, I’d say right up until I became a parent. Since my first child was born (Jovie), I started thinking about my legacy. What I could leave behind for my kids. That’s when I started writing songs that felt like I was telling my life story. Songs about meeting their mom, songs about my life before and after their birth, songs about our lives together and our future.

“I feel like now I’m writing our family story, our autobiography. It feels a lot heavier now, because I feel like these are the songs that will stay with them forever, but it also feels a lot more effortless. Like, I don’t need to try so hard anymore to write songs. I’m just waiting for them to manifest. I write a lot less these days, but it’s mostly because I’m busier than ever and I’m not trying to force it anymore.”

What’s your kid’s favourite song of yours (or the creative work you do)?

“This is an easy one. I have two girls, and they each have their own song. ‘Jovie’ came first. She’s my six-year-old. I started writing her song a couple of months before she was born. This sounds made up, but it’s completely true. The night before my wife gave birth, I finished the last verse of the song. We sat on the bed, and I played it for her. When we brought Jovie home from the hospital a few days later, it was the first song I played for her. She looked up at me like she knew exactly what that song was about.

“When my wife got pregnant for the second time, I knew I had to attempt to recreate that process. I was ahead of schedule on that one and actually finished the recording right before Juniper was born. It took a minute, but it’s her favourite song now. Here we are, almost three years later, and her song (‘Juniper’) is coming out on this new record.”

Do parents lose their cool points once they have kids?

“I would say, depending on how a parent is affected by having kids, they gain cool points. I think there are really two groups of parents. The ones who are constantly stressed out about their kid(s) are usually the single child parents, and then there’s the group that’s totally unfazed by the chaos of raising children. Those folks, to me, are the coolest. If you can go through life on little sleep, wake up multiple times a night for years on end, be ok with being constantly needed by your children, constantly followed around, rarely if ever have free time, asked a million questions a day, spend hours in the car driving them around, give every ounce of your energy to them, cook, clean, wipe butts, all that. If you can do all of that and still be fairly chill, you’re a god damn superhero in my opinion.

“I think I fall somewhere between the two, but I think that shifts as time goes on. As we’re moving out of the terrible twos, I can feel the weight lifting, I see the light at the end of the tunnel, there’s blue skies ahead. Or whatever…”

What’s your stance on kids attending concerts or live shows?

“I am 100 percent on board, as long as a. they have headphones on, b. they don’t mess with the band on stage, and c. they aren’t a distraction to other folks.

“I’ll share my first experience bringing my child to a concert. Spoon was playing in Wilmington at Greenfield Lake Amphitheater. They are one of my all-time favourite bands, and they never come through town. In my head, I thought, ‘How cool is it going to be that my kid’s first concert is going to be one of my favourite bands?’ Granted, her first concert was going to see me, but I’m not going to count that…

“So Jovie is almost three years old. We get to the venue, and it is, by all means, one of the most picturesque venues in the country. Small, intimate and right on the lake. There are live oak trees, Spanish moss and usually quite a sunset over the stage. However, there used to be a huge hill on the left side of the seating area, before they added more seating. I never really paid attention to it before, but that night all the kids were running up and down the hill, as kids do. Jovie decides she wants nothing to do with the show and joins in immediately as the show is beginning.

“Now, I’m trying to watch the show, but I can’t because my kid is trying to commit suicide, racing down this huge hill, there are tree roots everywhere. Momentum is taking her to speeds she’s never experienced before. Then she’s hiding in the bushes. We lose her. She ends up by the lake, and some guy goes, ‘You better watch out, I saw a ten-foot alligator in there.’

Now we’re on song three, maybe. I look at my wife, she gives me that look, and I throw Jovie over my shoulder, and we do the walk of shame back to the parking lot. How’s that for a first concert?!”

What’s your favourite part of your child’s bedtime routine?

“There are a couple. The first is the pre-bed dance party we have every night. My kids are wild, as most are, and we need to wear them down all the way up until bedtime. Right now, our routine is to throw on some Danny Go! and dance our butts off for half an hour. They love it, but I have just as much fun, and I get some cardio in!

“My youngest, Juniper, does this thing before bed that will soon end, and it’s going to crush me when it does. She’s about to move into her big girl bed, but she’s in her last days in her crib. She likes to kiss us in between the bars, between each bar (there are 13), and then she gives us a hug, and we have to pat her back when she lies down. I do this at naptime and my wife before bed. It’s the cutest thing ever.”

Do you think your child will follow in your creative footsteps? Would you want them to?

“Hell no, I don’t! I’d love for my kids to grow up and get real jobs that they love. I want them to get a good education and have a career that gives them some stability. I would like music to be their hidden talent, but I don’t necessarily believe they should try and ‘follow their dreams’ if their dream is to drive around in a van, sleep on floors and eat fast food for every meal for a decade or more. Because that’s the reality of trying to make it as a musician.

“Unless you get lucky or are living off a trust fund. You can have all the talent in the world, but that doesn’t equate to success or financial stability. We play music all the time. I teach them piano, soon guitar. We have drums, bass, keys and all that in the garage studio. But by no means would I like them to try to make a career out of it.”

If your parenting style were a music genre, what genre would it be?

“I am starting to describe my music as a genre that I don’t think has been used yet. If it hasn’t, I’m calling dibs! ‘Girl dad rock.’”

Fast-forward 20 years: What’s one thing you hope your child remembers clearly about you as a parent?

“I hope, more than anything, they remember me always being there. That they remember how much time they got to spend with me. I’ve been an SAHD (stay-at-home-dad) for the last six years. I do work from home, on top of all the musical things I’m involved with, but I have been a constant presence in my children’s lives since the day they were born. I will never forget these days, and I will never regret anything I had to put aside to be able to spend this time with them, because I will never get these days back.”

What’s something parenting taught you about yourself that nothing else could?

“Parenting has taught me patience like nothing else ever could. I do not claim to be a patient person, but I am infinitely more patient now than I was before having kids. There is nothing more humbling than being a parent. You have to swallow your pride every day, lose the battles worth losing, and give in to the ridiculousness of it all. You have to be stoic in stressful times and be a shoulder to cry on all the time. All of that requires an incredible, almost unreasonable amount of patience.

“But, as some of you will learn, the only way to get through some of the craziness, the meltdowns and tantrums, is to be still, to be calm and to patiently work with your child until you’re through to the other side.”

What’s one parenting myth you’d like to debunk?

“Gentle parenting. Doesn’t work! Look, I am all for being reasonable with your kids. I’m all about resolving conflicts and allowing them to work through their emotions. But I will tell you this, I have never seen a child stop acting like a fool while their parent was using these ‘gentle parenting’ tactics. However, you throw on your ‘dad voice,’ and that kid is going to straighten up and get it together. Hell, maybe it works for some folks, but I’ve never seen it work out in the wild.”

What was your first “holy shit, I’m a parent” moment?

“There are two that come to mind. The first was the experience we had in the hospital when Jovie was born. My wife and I stayed up for two days straight, staring at this beautiful thing we created. We were in awe. It was pure love. Then we were shipped off, and getting home that night was one of the most sobering experiences ever. Knowing that you physically could not go another second without sleep, yet also knowing that you’d be up every couple of hours for the next six months or whatever, having to feed the baby. Knowing that you needed to be ‘on it’ 24 hours a day, every day moving forward. That was truly a ‘holy shit, I’m a parent’ moment.

“The other is the wonderful tale of our first Christmas as a family. Our firstborn had pretty terrible reflux, so she threw up… a lot… On Christmas day, we get all dressed up, Jovie, and I have a sort of matching outfit thing going on. We’re at my in-laws, and it’s bottle time. I take her into the other room, trying to be the good guy and let my wife have a moment. I’m feeding her the bottle, and she projectile vomits all over herself and me. We had a change of clothes for her, but I came to the realization that the only shirt I have is the one that’s now completely covered in puke.

“We get cleaned up, I walk out into the living room shirtless and say, ‘Well, I hope someone got me a shirt for Christmas.’ And you know what, they did. It was, as they say, a Christmas Miracle.”

Tuesday, April 21, 2026

REVIEW: Sean Thomas Gerard 'Stay In Your Light'

[Repost from Here Comes the Flood; by Hans Werksman, March 20, 2026]

Singer-songwriter 
Sean Thomas Gerard's safe space is his garage, where he can record his music: Americana with a seasoning of symphonic melodic indie pop. His new album Stay In Your Light is basically a love letter to his wife and two daughters, one they can listen to for many years to come - maybe even after when he is no longer alive.

That sounds like a tall order, but he carefully sidesteps the pitfalls that would have made it overblown, rose-tinted exercise. By applying some slightly skewed keyboards and going for chord changes that haven't been be played to death the Wilmington, NC based artist created his own unique sonic textures that might sound familiar, but turn out to be far more complicated upon closer inspection.

Friday, March 20, 2026

OUT NOW: Sean Thomas Gerard 'Stay In Your Light' [New Album]

After five years of growth as a musician and father, Sean Thomas Gerard is back with Stay In Your Light. Gerard, who records in a humble corner of his family's garage that doubles as a playroom for his two daughters, shares “I think about some day when I'm gone, my kids will be able to put on my records and feel like they can spend time with me again” about his music. The artist’s take on the indie-folk sound is refreshing and personal. Stay In Your Light is a comforting symphonic hug that aims to preserve the innocence of those Gerard holds dearest.

The family focused theme of Stay In Your Light is cohesive throughout, both sonically and lyrically. Gerard blends thoughtful lyrics with beautifully hazy instrumentation. The lead single, “Bright Side,” notably exemplifies these qualities with lines such as: “I knew then we were all, all in / I couldn't plan it better than this again.” The multilayered production of the song takes the listener on a sonic cruise. In an era starved for genuine warmth and intimacy, this record feels like a luminous embrace. Profoundly moving, endlessly replayable, and destined to become a cherished soundtrack for life's most tender moments.

The second and third singles from Stay In Your Light feature emotionally authentic arrangements melded with affectionate vocals. Gerard speaks to the love he has for his wife in “Worlds Collide” by saying: “And now I see it / You are a dreamer / We are both one of a kind / And we'll go singing in the street in the summertime” Seeing as how Gerard resides in Wilmington, North Carolina, it's only natural that some of his songs feature beach town-esque sounds. At its core, this album is a heartfelt reminder of what real love sounds like, the kind that makes you pull over just to steal a few more minutes together, and it'll leave you feeling a little less alone in the world.

Every sound on this album finds a home where they play in mass harmony, tucked in with great care by Gerard himself. This creates a seamless listening experience that immerses the universe in the artist’s vision. Stay In Your Light is an intimate glance into the artist’s psyche and his absolute affection for his daughters and family. Not a second of the listeners’ time is wasted throughout the half an hour of indie bliss.

Sean Thomas Gerard's Stay In Your Light is out now and available everywhere.


Tuesday, March 10, 2026

An Interview With Wilmington, NC's Sean Thomas Gerard

[Repost from Blood Makes Noise; by Zack Fraser, March 4, 2026]

Zack Fraser sits down for a wide-ranging conversation with Sean about the intersection of music-making and family, his biggest influences, and the joys of a road trip soundtracked by good music.

Sean Thomas Gerard is a notable member of Wilmington, NC’s flourishing indie scene. The artist-turned-father is known for his ethereal and experimental full-length projects. Not only is he a singer-songwriter and multi-instrumentalist, but he is also capable of mixing and mastering his own work. A through and through “one-man band.” At the time of this article’s conception, we’re amidst the rollout of his third full-length project, 
Stay In Your Light, to be released on Fort Lowell Records on Friday, March 20th. Gerard is a family man at heart, and the upcoming record confirms that. Every strum of the guitar sounds like fatherly love perfectly distilled into dreamy indie pop. I was fortunate enough to pick his brain about fatherhood, his new album, and more:

You’ve seemingly developed the habit of a roughly four-year album cycle, with each of them containing eight tracks. What’s your thought process and logic behind the wait and track list length? The world needs more STG music!
Believe me, if I had the time and capacity to put out more music, I'd be releasing a song a month. The four-year album cycle speaks to how slow my process is. I have zero excuse for taking this long on an album pre-kids, but this album in particular took so long because it was a slow - chip away at it - process in between raising my two girls. I record in my garage, which about 3/4 of the space belongs to my kids and all my gear is jammed in the back corner. I have roughly an hour a day where I can work on music, i.e. naptime for the little one. So this album was basically recorded in hour-long sessions over the course of a couple years. If you've ever spent time recording your own music, you will know that you can literally spend an hour tweaking an EQ or messing with a new plug in, so it's a miracle I got this thing done at all! I have learned to become very efficient with my time when I sit down to record, so there were some days where I recorded all the vocals for a track, and then there were others where I spent an hour trying to get my laptop to recognize my DAW. The 8 track album seems like the perfect amount of time for someone to listen to a record from start to finish. I feel like it's really hard to keep someone's attention for too long these days, so 30 minutes seems like the sweet spot. I make records with the hope that someone listens to it as a whole piece of music. I spend a lot of time thinking about song order and flow. I'm happy if anyone listens to a song or two off the record, but my goal is to get folks to sit down and experience it as it was intended - start to finish.

To hear how involved your two daughters were in the creation of Stay In Your Light was very heartwarming. Could we please hear about some of your favorite moments with them during your sessions?
When I was tracking the album, I was doing that alone. The moments that will stay with me forever was when I started mixing the album. I spent about a month mixing and made a point to do some of that after dinner while the kids were playing in the garage. I'd be locked in and then turn around and they'd be drawing something but quietly singing along. Or I'd crank it up and we'd have a family dance party. It's hard to describe the feeling of watching your kids sing your songs, but it's absolutely the best feeling in the world for me. My new track "Bright Side" came out this morning. On the way to drop my daughter off at school, I put it on and they were both singing along in unison. After I dropped Jovie (older sis) off at school, Juniper (little sis) said "Can you play Daddy's song again"? We rode home, her singing, me driving and crying. Those moments are absolutely everything to me.

You included plenty of extras in your Finally Found A Paradise vinyl, which was nice to see. How much thought and work goes into your physical products?
I put a lot of thought into how an album is going to look. Be it on a shelf in a store, or in someone's record collection. I want the album cover to just look like something you want to listen to. I have bought records from stores because I liked the album cover without knowing the artist and have found some of my favorite bands that way. I made this album cover in my front yard. I bought flowers from the store (used some that my daughter found, too), arranged them in the yard, got on a ladder and took a picture. Much like the music itself, the album cover was a very hands-on process.

Knowing how hands-on you are with your craft makes your work even more impressive. Why did you choose the path of a musical vagabond and take so much responsibility upon yourself?
I really enjoy making records at home. I have recorded in studios a few times, and there's absolutely something to be said about recording an album in a week or two. To come out with a finished product so quickly is wonderful. But for me, I love allowing songs to evolve over time. That is the one thing that doesn't happen in a studio, at least for someone who doesn't have an unlimited budget... When you go into a studio, you're paying for studio time. You have to go in, for the most part, already knowing how the song is going to sound, what instrumentation needs to be tracked and there's a deadline. At home, I start with an acoustic guitar and a metronome. I have an idea of how I want the song to sound, but I really allow it to evolve by trying out different sounds and instrumentation. My songs almost never end up the way they sounded in my head when I originally wrote the song. I also learn so much by recording my own music. Every time I sit down at the computer, I learn something new. That process allows me to continue to evolve as a musician and a producer.

As I’m sure you’d agree, networking as a musician is necessary for one’s success. How has your relationship with Fort Lowell impacted your career as an artist?
Ah, networking. It's my least favorite part of putting out new music. I LOVE making music, but I make music mostly for myself and my family these days. I have no delusions of being some kind of a "star" or whatever. I really just want to make music that people want to listen to while they're making dinner with their family, or driving to work in the morning. I'd love to have my music in TV and film again, that would just be icing on the cake. I have been fairly slack about promoting my music over the years. I had a small team helping out when my band was touring, but I didn't put a ton of effort into the solo albums that followed. In walks Fort Lowell Records about 5 years ago. They were so enthusiastic about my music from the jump, it really inspired me to want to continue making records. They have allowed me the freedom to make the product I want to make without any interference or pressure. To have a label trust you completely with your art, that's a beautiful thing.

Everyone who loves music has essential albums, songs, or artists that they recommend to others. What are your essentials, and what importance do they hold to you?
Jackson Browne "For Everyman" - This album brings me to tears every single time. It takes me back to my childhood, it transports me to my first apartment when I was 19 and to the early days when I met my wife. I've listened to it when I was sad and I've blasted it in my car when in moments of pure happiness. It's been there throughout my entire life as the soundtrack to some of my best and worst memories. A record like that is like a best friend.

Paul McCartney "Ram" - This album is everything. It's the blueprint for a self-producer. It's an album made by two people deeply in love. Sonically, it has everything you'd need in a collection of songs. There's so much experimentation and yet almost every song sounds like a pop song that could hold its own if it were released today. It's my favorite album of all time. It too has also been the soundtrack to my life, but I specifically listen to it on days where everything is going right.

The bands who have more recently inspired me are: Wilco, Andy Shauf, Blake Mills and Benny Sings. Wilco was the band who originally inspired the sound of my band Onward, Soldiers. It took me down the americana road. It made me fall in love with pedal steel. It shaped how I wrote and arranged songs. Andy's music has really transformed the way I record. His production, keeping the rhythm sections tight and dead, allows the melodies and vocals to shine. Blake is the greatest living guitarist on earth, and he's also an unbelievably talented producer. Benny Sings album "Music" is on my Mount Rushmore, but everything he does, be it his music or the collaborations he does, his sound is simply the best and most fun.

Your music inspires a lot of mental imagery for me, as it’s very pure in its sonic identity. Where would the ideal place to listen to Stay In Your Light be, and why?
Man, that's the goal.

If I could pick anywhere to listen to this album, it would be on your favorite stretch of road, wherever that may be. Mine is the Blue Ridge Parkway, one of the most beautiful roads in the country. I have always tried to make road trip albums. I've spent a good portion of my life driving up and down the East Coast and throughout the country. I've always connected to music the most in the car. There are few greater feelings than driving on an open road with the windows down on a sunny day.

The other easy answer to that is in your kitchen making dinner. Cooking and music are inseparable for me. Cue this thing up and make your family some pasta!

Also, I just want to thank you so much for spending time with this album and for writing about it. It really means the world to me. 

Much love,
STG

Check out “Bright Side” ahead of the album's release:

Friday, February 27, 2026

Record Release Party for Sean Thomas Gerard at Bourgie Nights on Saturday, March 21

Sean Thomas Gerard + Tracy Shedd will both perform live in concert Saturday, March 21st at Bourgie Nights in Downtown Wilmington NC on Princess Street for the official Record Release Party celebrating Sean Thomas Gerard’s new album Stay In Your LightClick here for more information.


OUT NOW: Sean Thomas Gerard "Best I Can" [Digital Single]

The third Digital Single — "Best I Can" — from Sean Thomas Gerard's new album Stay In Your Light is out today on all digital music platforms.  Stay In Your Light is do be released on March 20th.


Friday, February 6, 2026

OUT NOW: Sean Thomas Gerard "Worlds Collide" [Digital Single]

After five years of growth as a musician and father, Sean Thomas Gerard is back with Stay In Your Light. Gerard, who records in a humble corner of his family's garage that doubles as a playroom for his two daughters, shares “I think about some day when I'm gone, my kids will be able to put on my records and feel like they can spend time with me again” about his music. The artist’s take on the indie-folk sound is refreshing and personal. Stay In Your Light is a comforting symphonic hug that aims to preserve the innocence of those Gerard holds dearest.

The second Digital Single from Stay In Your Light — "Worlds Collide" — by Sean Thomas Gerard is out today on all digital music platforms.


Saturday, January 31, 2026

Pre-Order Sean Thomas Gerard's new album 'Stay In Your Light' now

If you are a fan of any of these artist — Jeff Buckley, Calexico, Clairo, Hannah Cohen, Mac DeMarco, Dr. Dog, Drugdealer, Father John Misty, Fleet Foxes, Fleetwood Mac, John Grant, Richard Hawley, Iron & Wine, Damien Jurado, John Lennon, Cass McCombs, Kevin Morby, Michael Nau, Chuck Prophet, Tracy Shedd, Elliott Smith, Sufjan Stevens, Summer Set, Kurt Vile, M. Ward, Faye Webster, Paul Westerberg, or Wilcoyou are going to want to check out...


Stay In Your Light is the name of Gerard's new studio album, and it is due out March 20th.  You can reserve your copy of the vinyl record by pre-ordering it now HERE.  Be sure to listen to Gerard's song "Bright Side" — the first Digital Single from Stay In Your Light — below:

Sunday, January 25, 2026

REVIEW: Sean Thomas Gerard "Bright Side"

[Repost from If It's Too Loud; by Ken Sears, January 19, 2026]

For his upcoming album, Sean Thomas Gerard recorded in the corner of his garage which is also a playroom for his two daughters. Somehow, you can hear that vibe in his latest single, "Bright Side." The song just feels like home. It's a laid back indie folk/singer-songwriter track that is overflowing with warmth. The sing is on the mainstream side of its genres, but when you nail a sound like Gerard has, there's certainly nothing wrong with that. This is the type of song that is pleasant and enjoyable when you first start it, and then you end up liking it more and more as it goes. By the time it's over, you're going to want to listen again. By the third or fourth listen, "Bright Side" is going to end up one of your favorite songs of this young year.

Sean Thomas Gerard says of his music: “I think about some day when I'm gone, my kids will be able to put on my records and feel like they can spend time with me again."

You can listen to "Bright Side" below. Stay In Your Light is due out March 20 on Fort Lowell Records, and is available for pre-order through Bandcamp. For more on Sean Thomas Gerard, check out the artist on Facebook and Instagram.

Friday, January 16, 2026

OUT NOW: Sean Thomas Gerard "Bright Side" [Digital Single]

After five years of growth as a musician and father, Sean Thomas Gerard is back with Stay In Your Light. Gerard, who records in a humble corner of his family's garage that doubles as a playroom for his two daughters, shares “I think about some day when I'm gone, my kids will be able to put on my records and feel like they can spend time with me again” about his music. The artist’s take on the indie-folk sound is refreshing and personal. Stay In Your Light is a comforting symphonic hug that aims to preserve the innocence of those Gerard holds dearest.

The first Digital Single from Stay In Your Light — "Bright Side" — by Sean Thomas Gerard is out today on all digital music platforms.


Wednesday, March 26, 2025

Will an Amazon Prime Video show provide a needed spotlight for Wilmington music?

The Runarounds


[Repost from StarNews Online; by John Station, March 24, 2025]

For decades, Wilmington's music scene, while vibrant, has rocked out in relative obscurity.

Even as venues like Live Oak Bank Pavilion and Greenfield Lake Amphitheatre have brought more big-name touring acts to town in recent years than ever before, for the most part Wilmington bands have struggled to gain much notice outside the Port City.

It's not for lack of talent or productivity, as one could easily create an hours-long Spotify playlist using only the best songs of Wilmington artists.

But with a Wilmington-shot TV series, "The Runarounds" — about a young band with an infectiously jangly sound trying to make it big — set to hit the Amazon Prime Video streaming service later this year, many have high hopes that the Wilmington scene could soon have something it's long lacked: lots and lots of attention.

Wilmington has had hit TV shows before, from "Dawson's Creek" to "The Summer I Turned Pretty," and fans still come to town to visit the place "One Tree Hill" was made. And while no one knows for sure whether "The Runarounds," will be a hit with viewers — it hasn't yet been given a release date more specific than "2025" — the signs are encouraging.

For one, show creator Jonas Pate, who lives in Wilmington and whose daughter, Lilah Pate, is one of the stars of "The Runarounds," has a proven track record with his Netflix mega-smash "Outer Banks," which will air its fifth and final season in 2026.

Pate said "The Runarounds" will feature music by Wilmington bands in the show and on its all-important soundtrack and playlists.

Veteran Wilmington indie rock band Summer Set, along with the poppy rock act Kicking Bird, both of whom have albums out on Wilmington's Fort Lowell Records, will have multiple songs on the show, Pate said.

Other Wilmington acts with music in "The Runarounds" include Tres Altman and indie-folk band The Paper Stars, and Max Agee of Wilmington band Lawn Enforcement and Wilmington's Suck Rock Records, something Agee called "a nice bit of validation."

Also with a song in the show is former Wilmington musician Kim Ware, who records for Fort Lowell.

The Runarounds have gigged at several Wilmington venues in the past couple of years — the band consists of William Lipton, Axel Ellis, Zende Murdock, Jesse Golliher, and Jeremy Yun — and they played an event for Amazon Prime Video on March 7 at the taste-making South by Southwest festival in Austin. Lilah Pate was there cheering them on.

They have a slot at Charlotte's massive Lovin' Life Music Fest May 3, and their next Wilmington gig is May 17 at Greenfield Lake Amphitheater with another young rock band, The Stews.

Perhaps most important for Wilmington's music scene, however, not only will "The Runarounds" feature lots of Wilmington locations and some Wilmington-born songs, but its setting isn't some fictional place like Tree Hill, Capeside or Cousins Beach but Wilmington itself.

That's key, said Robin Wood of beloved Wilmington punk rock act Tercel, because "not only does it represent the Wilmington scene visually, but it puts the whole idea that there's a music scene in Wilmington out there on the screen."

With multiple talented bands packing out Wilmington rooms on a regular basis, from midtown rock club Reggie's to Fifth Avenue juke joint The Rusty Nail, "There's something to shine a light on," said Tercel singer Savannah Wood. "We have fans. There's an audience that wants music and is willing to go out and pay money to see it."

Robin Wood did some work on "The Runarounds" via Wilmington production company Lighthouse Films, whose founder, Brad Walker, is the show's director of photography. Tercel pedal steel player Chris Vinopal also works for Lighthouse (a pedal steel player in a punk band? Only in Wilmington), and Savannah Wood had worked with some of "The Runarounds" costumers on another locally shot show, "The Summer I Turned Pretty."

All those connections helped the band land one of their distinctive T-shirts — with an alligator screaming "Tercel!" — on Runarounds band member Jeremy Yun during a scene on the show's upcoming first season, Robin Wood said.

It might seem like a small thing for a band to have a T-shirt, or even a song, featured on a TV show. Then again, every little bit of attention can add up, especially if "The Runarounds" attracts an audience similar to the millions worldwide who watched Pate's show "Outer Banks."

"We're on the cusp," said Altman, of Wilmington band The Paper Stars. "Once the show hits, those playlists get a lot of views, and people are going to want to learn more about those bands."

Wilmington DJ and producer RizzyBeats is a regular presence at shows and behind the counter at Castle Street's Gravity Records, and has released music with Fort Lowell.

"Anything on a national scale that will keep Wilmington’s name in people’s minds will be helpful," he said. "The scene here is very vibrant with a ton of incredibly talented individuals that could rival any big city, in my opinion. There are a lot of creators here that are producing quality music."

Sean Thomas Gerard is a 15-year veteran of the Wilmington scene both as solo artist (he has a gorgeous 2021 album, "Finally Found a Paradise," on Fort Lowell Records) and with his previous band, Onward, Soldiers.

"It's crazy to me the scene here doesn't get more attention," Gerard said. "It's as good as anywhere. Maybe not as many bands as the bigger markets, but there's something for everybody. You just gotta look for it."

In 2012, Gerard was featured playing one of his songs on "One Tree Hill," and his band Onward, Soldiers' song "Stick to Your Guns" was used to score a key scene on the show.

"It still gets tons of streams. It's kind of been the gift that keeps on giving," he said. "It just shows the potential of what a TV show can do for a town, or for a scene."

Notes on a scene

"Potential" is probably a good word for what Wilmington's music scene possesses.

More attention could only help a young Wilmington band like the poppy rock act Fudge, which packs out Reggie's on a regular basis and scored a slot at Charlotte's Lovin' Life Music Fest in May, joining The Runarounds as the only other Wilmington act on the bill alongside such acts as The Dave Matthews Band, Weezer, Gwen Stefani and Ludacris.

"It's pretty exciting" that the show could give a boost to the Wilmington music scene, said Fudge's singer, Patrick Riesmeyer. "There are so many bands right now. The original music scene is really growing."

Fudge is an independent band, and while they've made certain inroads, Riesmeyer said, like scoring steady gigs playing college fraternity parties around the state, they spend a lot of time marketing themselves on social media and elsewhere. A hit show about a band from Wilmington could potentially make that easier for a group like Fudge, even if they're not directly involved with "The Runarounds."

It's not like no bands have ever broken out of Wilmington. Hard rock acts like ASG, He Is Legend and Weedeater have fans all over the world, while indie rock acts like The Rosebuds and The Love Language started in Wilmington before going on to sign with Merge Records. Tercel and Wilmington post-punk trio Exercise played the esteemed Hopscotch Festival in Raleigh this year.

Some say the Wilmington scene is already better than it gets credit for.

"We're spoiled. A lot of people take it for granted," said Delia Stanley, a Wilmington singer who can be found playing covers and originals at venues around town. "I'm an old punk rocker, so, the way I look at it, once everybody knows about something," the scene will inevitably change, and not necessarily for the better.

Others aren't certain that the Wilmington scene, vibrant as it is, is ready for prime time.

"There's definitely talent," said Altman, of The Paper Stars. "But something's missing."

One thing that's missing, Altman said, is a midsize indoor venue that could host both local and touring acts year-round. Right now, most Wilmington venues that host concerts are either big and/or outdoors, like Greenfield Lake (1,200) and Live Oak (7,200), or much more intimate, like Reggie's, Bourgie Nights downtown or The Palm Room at Wrightsville Beach, all of which hold 200 or less.

Notable exceptions might be the Brooklyn Arts Center, which hosts more events and weddings than it does concerts, and Bowstring Burgers & Brewyard on Princess Street, which has made inroads booking touring jam and tribute bands.

"We're lacking a serious indoor venue," said Altman, who cut his musical teeth on the scenes in Denver and Boulder, Colorado, before moving here about 15 years. "We need a Fox Theatre," like the one in Boulder, which has a capacity of about 625 and regularly hosts both local and touring acts.

Altman said he'd also like to see better promotion of Wilmington music locally; some kind of big annual music festival with a mix of local bands and touring acts; and more Wilmington bands as openers at Live Nation-run venues Greenfield Lake and Live Oak.

Local acts only rarely get to open for touring bands in Wilmington, but when they do it provides a boost. When The Paper Stars opened for St. Paul and The Broken Bones at Greenfield Lake, "We sold some records, got some social media hits," Altman said. "It lasted like two weeks, then it's over.

"There is a recognizable music thing happening in this town, but it needs some cohesion," he added. "Maybe 'The Runarounds' would be a unifying force, but if there's not a tangible brick and mortar place, that momentum will also be lost."

Wilmington DJ and producer Rizzy Beats echoed Altman's call for "more music-centric and music-focused venues for the artists to build their brand and following."

"Wilmington’s best strength has always been its tenacity, making lemonade out of lemons," he added, noting how the Wilmington scene has faced adversity in losing multiple venues over the past 10 to 15 years, including the legendary Soapbox in 2013. "But there are still so many musicians, artists and DJs here. We’ve got artists representing jazz, hip-hop, folk, rock, metal, punk and so much more. And they’re producing original material at a high level."

This time next year, if "The Runarounds" ends up being a spotlight for Wilmington music, it could be that a lot more people will be listening.

Friday, December 3, 2021

‘An eggnog’s-a-flowin’ party:’ Justin Lacy, Tracy Shedd among 12 musicians to play Bourgie Nights’ annual Christmas show

[Repost from Port City Daily; by Shea Carver, December 1, 2021]

WILMINGTON – When ILM Unplugged started a decade ago at Bourgie Nights, it welcomed numerous local musicians and singer-songwriters each month to take the mic and test-drive their original tunes in front of an audience. Then, each December, the unplugged series got the tinsel treatment. Performers would sing their fave holiday carols and one original song, while spiked eggnog and general camaraderie fueled the most celebratory concert of the season. 

“I consider this the ‘Office Holiday Party’ for singer/songwriters in the area,” Bourgie Nights manager Sean Thomas Gerard said.

After a Covid-19 hiatus, Christmas Unplugged returns. The tradition takes place Friday night, featuring 12 local musicians, each performing two holiday songs and one original tune as part of their set.

“I leave the holiday aspect of the show open to interpretation,” Gerard said. “Singers are allowed to play anything that reminds them of the holidays, and obviously it is open to the celebration of all faiths.” 

A local musician and founder of rock outfit Onward, Soldiers, Gerard said he went back to a group chat he started in 2019 to cull this year’s holiday lineup. He reached out to performers who take the stage annually, including Justin Lacy, Tres Altman, and Jason Andre. Gerard also folded in newer faces to the lineup. 

It will be Tracy Shedd’s first time joining the shindig. Though Shedd moved to Wilmington a few short years ago, she has had ties to the area since the ‘90s, as her songs were featured on “One Tree Hill” and “Dawson’s Creek,” both filmed locally. 

She and her husband, James Tritten, have recorded with local artists as well on their label, Fort Lowell Records, which started in 2009 in their then-hometown of Tucson, Arizona. The couple now lives in downtown Wilmington.

Shedd has chosen to play the holiday song “I’d Like You for Christmas” by Julie London, of whom she has been a lifelong fan. She also will pay homage to her favorite decade of sounds in “Just Like Christmas” by Low.

“James and I both adore the band,” Shedd said. “They are the definition of ‘90s music for us, and we were very fortunate to perform with them in the late ‘90s when we lived in Boston, MA.”

Joining the alt-rock musician onstage will be James Sardone (Brickbat) and Brian Weeks (De La Noche, Summer Set), who will back her as well during her original song “Holding Space.” Shedd recorded it for the “GROW” compilation released by Fort Lowell in 2020, as a fundraiser and awareness campaign for Black Lives Matter.

“The lyrics mean a lot to me,” Shedd said. “It’s about being present, listening, and holding space for others.”

The song felt apropos for the return of Bourgie’s holiday concert. The last Christmas Unplugged was held December 13, 2019 and the downtown’s venue final show took place held Feb. 28, 2019 before the Covid-19 shutdown. 

“Our first show back was August 1, 2021,” Gerard confirmed.

For artists, performing live music throughout the health crisis was heavily altered. Many deferred to livestreams and other creative ways to reach audiences. Gerard utilized his downtime to create the LP “Finally Found a Paradise” in his home studio. He will perform the song “Sail off in the Sunset” at Christmas Unplugged, as well as “The Christmas Song” and “Have Yourself A Merry Christmas.”

“As musicians, it’s always hard to catch each other playing live throughout the year,” Gerard said. “We’re always gigging or working, and rarely find the time to see our peers play. This is the one gig each year where a lot of us are in one room and can experience a show together.”

Justin Lacy has been a part of every Bourgie holiday soiree since its inception. Last year, upon the concert’s cancelation, he turned his attention to creating a lo-fi Covid Christmas album, “The Clampamp Parade,” with his favorite local indie bands all recording a track from home. 2021’s return to the stage is a touch more special, as there is a greater need to embrace a face-to-face reunion among colleagues.

“This is my very first time performing my songs in public since the pandemic,” Lacy said. “In fact, the last time I performed was the 2019 holiday showcase at Bourgie. I miss it, and I’m looking forward to getting back up there.”

Having to play only three songs instead of a full set, Lacy said, presented a feasible way to ease back into the swing of things. He also called it the most “heart-warming show of the year,” filled with vibrancy and palpable support. 

“It’s kinda like all the musician egos are (somewhat) stripped away, and everyone opens up for this playful, holly jolly, sometimes corny extravaganza,” he said. “Or maybe it’s just the eggnog.”

First performed over a decade ago at the Soapbox, Lacy’s holiday standard, “You’re a Mean One, Mr. Grinch,” has become an expected treat any time he takes a stage in December. “I am obligated to perform it every single year. Some kind of Faustian bargain with the late Dr. Seuss, I think,” he said. 

Lacy also recorded an original holiday tune in 2017, “Christmas on TV,” which he looks forward to dusting off the jingle bells for, even if it means he has to relearn it each holiday season. “Every year I’m like, ‘What the hell are these chords again and how did I come up with this?’” he quipped. 

The musician will debut a new track, “Honest Honey,” to appear on his solo album, slated for release in 2022. Lacy also just released the 11-track LP  “Hands” with his band Library Baby a few weeks ago; however, come Friday he only will perform solo — well, until he manages to pull friends onstage to join him, something he said he does every holiday showcase.

“[I’m] usually trying to incorporate some kind of odd Christmastime instrumentation,” he said. “This year it’s handbells.” 

The sounds reverberating throughout the venue usually culminate in a community singalong of some sort, though Gerard won’t “confirm or deny” such is the case for 2021.

“[B]ecause it’s the holidays, there is a whole lot of cheer going around,” Lacy promised. “Of all the shows I play and work every year, this one is the most fun to be part of. … The first year I attended, I prepared a solo set and some Christmas banter. When I got there, it was clear … it was more of an eggnog’s-a-flowin’ party atmosphere, not an audience sitting down ready for a story. So now I bring the Christmas party.”

Doors to Bourgie Nights (127 Princess St.) open at 6 p.m. and the show starts at 7 p.m. on Friday, Dec. 3. The concert is also a Toys for Tots fundraiser, with a $10 suggested donation or an unwrapped, new toy. Christmas Unplugged, presented in collaboration with Modern Legend, will feature performances by: Justin Lacy, Mike Blair, Tracy Shedd, Kicking Bird, Julia Rothenberger, Sean Thomas Gerard, Billy Heathen, Travis Shallow, Mark Jackson, Tres Altman, Kyle Lindley, and Jason Andre.