Independent Record Label | Est. 2009
Wilmington, North Carolina

 
 

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Showing posts with label RizzyBeats. Show all posts
Showing posts with label RizzyBeats. Show all posts

Wednesday, March 26, 2025

Will an Amazon Prime Video show provide a needed spotlight for Wilmington music?

The Runarounds


[Repost from StarNews Online; by John Station, March 24, 2025]

For decades, Wilmington's music scene, while vibrant, has rocked out in relative obscurity.

Even as venues like Live Oak Bank Pavilion and Greenfield Lake Amphitheatre have brought more big-name touring acts to town in recent years than ever before, for the most part Wilmington bands have struggled to gain much notice outside the Port City.

It's not for lack of talent or productivity, as one could easily create an hours-long Spotify playlist using only the best songs of Wilmington artists.

But with a Wilmington-shot TV series, "The Runarounds" — about a young band with an infectiously jangly sound trying to make it big — set to hit the Amazon Prime Video streaming service later this year, many have high hopes that the Wilmington scene could soon have something it's long lacked: lots and lots of attention.

Wilmington has had hit TV shows before, from "Dawson's Creek" to "The Summer I Turned Pretty," and fans still come to town to visit the place "One Tree Hill" was made. And while no one knows for sure whether "The Runarounds," will be a hit with viewers — it hasn't yet been given a release date more specific than "2025" — the signs are encouraging.

For one, show creator Jonas Pate, who lives in Wilmington and whose daughter, Lilah Pate, is one of the stars of "The Runarounds," has a proven track record with his Netflix mega-smash "Outer Banks," which will air its fifth and final season in 2026.

Pate said "The Runarounds" will feature music by Wilmington bands in the show and on its all-important soundtrack and playlists.

Veteran Wilmington indie rock band Summer Set, along with the poppy rock act Kicking Bird, both of whom have albums out on Wilmington's Fort Lowell Records, will have multiple songs on the show, Pate said.

Other Wilmington acts with music in "The Runarounds" include Tres Altman and indie-folk band The Paper Stars, and Max Agee of Wilmington band Lawn Enforcement and Wilmington's Suck Rock Records, something Agee called "a nice bit of validation."

Also with a song in the show is former Wilmington musician Kim Ware, who records for Fort Lowell.

The Runarounds have gigged at several Wilmington venues in the past couple of years — the band consists of William Lipton, Axel Ellis, Zende Murdock, Jesse Golliher, and Jeremy Yun — and they played an event for Amazon Prime Video on March 7 at the taste-making South by Southwest festival in Austin. Lilah Pate was there cheering them on.

They have a slot at Charlotte's massive Lovin' Life Music Fest May 3, and their next Wilmington gig is May 17 at Greenfield Lake Amphitheater with another young rock band, The Stews.

Perhaps most important for Wilmington's music scene, however, not only will "The Runarounds" feature lots of Wilmington locations and some Wilmington-born songs, but its setting isn't some fictional place like Tree Hill, Capeside or Cousins Beach but Wilmington itself.

That's key, said Robin Wood of beloved Wilmington punk rock act Tercel, because "not only does it represent the Wilmington scene visually, but it puts the whole idea that there's a music scene in Wilmington out there on the screen."

With multiple talented bands packing out Wilmington rooms on a regular basis, from midtown rock club Reggie's to Fifth Avenue juke joint The Rusty Nail, "There's something to shine a light on," said Tercel singer Savannah Wood. "We have fans. There's an audience that wants music and is willing to go out and pay money to see it."

Robin Wood did some work on "The Runarounds" via Wilmington production company Lighthouse Films, whose founder, Brad Walker, is the show's director of photography. Tercel pedal steel player Chris Vinopal also works for Lighthouse (a pedal steel player in a punk band? Only in Wilmington), and Savannah Wood had worked with some of "The Runarounds" costumers on another locally shot show, "The Summer I Turned Pretty."

All those connections helped the band land one of their distinctive T-shirts — with an alligator screaming "Tercel!" — on Runarounds band member Jeremy Yun during a scene on the show's upcoming first season, Robin Wood said.

It might seem like a small thing for a band to have a T-shirt, or even a song, featured on a TV show. Then again, every little bit of attention can add up, especially if "The Runarounds" attracts an audience similar to the millions worldwide who watched Pate's show "Outer Banks."

"We're on the cusp," said Altman, of Wilmington band The Paper Stars. "Once the show hits, those playlists get a lot of views, and people are going to want to learn more about those bands."

Wilmington DJ and producer RizzyBeats is a regular presence at shows and behind the counter at Castle Street's Gravity Records, and has released music with Fort Lowell.

"Anything on a national scale that will keep Wilmington’s name in people’s minds will be helpful," he said. "The scene here is very vibrant with a ton of incredibly talented individuals that could rival any big city, in my opinion. There are a lot of creators here that are producing quality music."

Sean Thomas Gerard is a 15-year veteran of the Wilmington scene both as solo artist (he has a gorgeous 2021 album, "Finally Found a Paradise," on Fort Lowell Records) and with his previous band, Onward, Soldiers.

"It's crazy to me the scene here doesn't get more attention," Gerard said. "It's as good as anywhere. Maybe not as many bands as the bigger markets, but there's something for everybody. You just gotta look for it."

In 2012, Gerard was featured playing one of his songs on "One Tree Hill," and his band Onward, Soldiers' song "Stick to Your Guns" was used to score a key scene on the show.

"It still gets tons of streams. It's kind of been the gift that keeps on giving," he said. "It just shows the potential of what a TV show can do for a town, or for a scene."

Notes on a scene

"Potential" is probably a good word for what Wilmington's music scene possesses.

More attention could only help a young Wilmington band like the poppy rock act Fudge, which packs out Reggie's on a regular basis and scored a slot at Charlotte's Lovin' Life Music Fest in May, joining The Runarounds as the only other Wilmington act on the bill alongside such acts as The Dave Matthews Band, Weezer, Gwen Stefani and Ludacris.

"It's pretty exciting" that the show could give a boost to the Wilmington music scene, said Fudge's singer, Patrick Riesmeyer. "There are so many bands right now. The original music scene is really growing."

Fudge is an independent band, and while they've made certain inroads, Riesmeyer said, like scoring steady gigs playing college fraternity parties around the state, they spend a lot of time marketing themselves on social media and elsewhere. A hit show about a band from Wilmington could potentially make that easier for a group like Fudge, even if they're not directly involved with "The Runarounds."

It's not like no bands have ever broken out of Wilmington. Hard rock acts like ASG, He Is Legend and Weedeater have fans all over the world, while indie rock acts like The Rosebuds and The Love Language started in Wilmington before going on to sign with Merge Records. Tercel and Wilmington post-punk trio Exercise played the esteemed Hopscotch Festival in Raleigh this year.

Some say the Wilmington scene is already better than it gets credit for.

"We're spoiled. A lot of people take it for granted," said Delia Stanley, a Wilmington singer who can be found playing covers and originals at venues around town. "I'm an old punk rocker, so, the way I look at it, once everybody knows about something," the scene will inevitably change, and not necessarily for the better.

Others aren't certain that the Wilmington scene, vibrant as it is, is ready for prime time.

"There's definitely talent," said Altman, of The Paper Stars. "But something's missing."

One thing that's missing, Altman said, is a midsize indoor venue that could host both local and touring acts year-round. Right now, most Wilmington venues that host concerts are either big and/or outdoors, like Greenfield Lake (1,200) and Live Oak (7,200), or much more intimate, like Reggie's, Bourgie Nights downtown or The Palm Room at Wrightsville Beach, all of which hold 200 or less.

Notable exceptions might be the Brooklyn Arts Center, which hosts more events and weddings than it does concerts, and Bowstring Burgers & Brewyard on Princess Street, which has made inroads booking touring jam and tribute bands.

"We're lacking a serious indoor venue," said Altman, who cut his musical teeth on the scenes in Denver and Boulder, Colorado, before moving here about 15 years. "We need a Fox Theatre," like the one in Boulder, which has a capacity of about 625 and regularly hosts both local and touring acts.

Altman said he'd also like to see better promotion of Wilmington music locally; some kind of big annual music festival with a mix of local bands and touring acts; and more Wilmington bands as openers at Live Nation-run venues Greenfield Lake and Live Oak.

Local acts only rarely get to open for touring bands in Wilmington, but when they do it provides a boost. When The Paper Stars opened for St. Paul and The Broken Bones at Greenfield Lake, "We sold some records, got some social media hits," Altman said. "It lasted like two weeks, then it's over.

"There is a recognizable music thing happening in this town, but it needs some cohesion," he added. "Maybe 'The Runarounds' would be a unifying force, but if there's not a tangible brick and mortar place, that momentum will also be lost."

Wilmington DJ and producer Rizzy Beats echoed Altman's call for "more music-centric and music-focused venues for the artists to build their brand and following."

"Wilmington’s best strength has always been its tenacity, making lemonade out of lemons," he added, noting how the Wilmington scene has faced adversity in losing multiple venues over the past 10 to 15 years, including the legendary Soapbox in 2013. "But there are still so many musicians, artists and DJs here. We’ve got artists representing jazz, hip-hop, folk, rock, metal, punk and so much more. And they’re producing original material at a high level."

This time next year, if "The Runarounds" ends up being a spotlight for Wilmington music, it could be that a lot more people will be listening.

Tuesday, April 30, 2024

80s Dance Night in Wilmington NC - Friday, May 3rd at The Underfront Co.

LET'S DANCE is a Vinyl DJ Night hosted by Fort Lowell Records around various venues in Wilmington, North Carolina.  This coming Friday, May 3rd, we are partnering with deejay / hip-hop producer RizzyBeats to bring you a very special 80s Night edition of our LET'S DANCE event at The Underfront Co. bar on Front Street in Downtown Wilmington NC.  James Tritten, owner of Fort Lowell Records, will be swappin' joints with RizzyBeats on the ol' 1s and 2s from 8:00pm until midnight, spinnin' everything from 80s boogie, freestyle, hip-hop, new wave, pop, post-punk, R&B, rock-n-roll, synthpop,  ...you name it!  Plus, the dynamic duo is going to be rockin' it Egyptian Lover style with a real Roland 808 Analog Drum Machine from the 1980s on stage, live beat matching and remixing the vinyl records they'll be playing.  So join us at The Underfront Co. this coming Friday, May 3rd... and LET'S DANCE!

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Friday, May 12, 2023

OUT NOW: MindsOne / RizzyBeats 'The Time Space Continuum Redux' [12inch LP]

The Time Space Continuum Redux is not only RizzyBeats's revival of MindsOne's debut album, but it's his own personal gift for MindsOne to celebrate the two emcees, KON Sci and Tronic, as they both embark on their fourth decade around the sun and embrace the seventeenth anniversary of their first official release. For the Redux, RizzyBeats used the original vocal tracks from 2006's The Time Space Continuum and produced an up-to-date version reflective of the Golden Age of Hip-Hop.

MindsOne has been offering their listeners innovative lyrics, heart pounding instrumentals, precise cuts, and intense live shows since 2002. Their music embodies the spirit of independent hip hop culture and pays homage to those boom bap masters and others who came before. MindsOne have consistently delivered powerful and inspirational music over the years, and have continued to perfect their sound with each project.

RizzyBeats is an American hip-hop producer whose style employs sampled-based production, often direct from vinyl, as a means of conveying his sonic messages. He began making beats at the age of seventeen while in high school. RizzyBeats has released many instrumental projects of his own, as well as produced artists such as Coastal Connection, RYAN ELLiS. Louis., and Sheme OG. In addition, RizzyBeats is a member of Beats & Coffee, a Wilmington, North Carolinas-based hip-hop producer collective.

With The Time Space Continuum Redux, MindsOne and RizzyBeats evoke the sound of hip-hop's golden era, while keeping it fresh for a new generation of fans.


[L-R] Tronic + KON Sci of MindsOneRizzyBeats

Friday, April 14, 2023

OUT NOW: MindsOne / RizzyBeats "Overlord (Thoughts of a Madman)" [Digital Signal]

The second single from the brand new album The Time Space Continuum Redux, by MindsOne / RizzyBeats, titled "Overlord (Thoughts of a Madman)" is available now on all music platforms.

The Time Space Continuum Redux is not only RizzyBeats's revival of MindsOne's debut album, but it's his own personal gift for MindsOne to celebrate the two emcees, KON Sci and Tronic, as they both embark on their fourth decade around the sun and embrace the seventeenth anniversary of their first official release. For the Redux, RizzyBeats used the original vocal tracks from 2006's The Time Space Continuum and produced an up-to-date version reflective of the Golden Age of Hip-Hop.

PS: Happy Birthday, RizzyBeats!

Thursday, April 6, 2023

New music from Wilmington artists includes work with Grammy-winning star

[Repost from StarNews; by John Staton, March 31, 2023]

Lots of new music coming out of Wilmington these days, and Port City artists have been embracing collaboration, sometimes with big names.

New singles from folk/Americana artist Travis Shallow and pop/R&B singer Annie Tracy drop Friday, and there's an epic collaboration between two Wilmington hip-hop acts, one old school, the other new school.

RizzyBeats & MindsOne
Old-school meets new-school hip-hop on an upcoming album release from Wilmington's Fort Lowell Records, which dropped its first single earlier this month.

The Wilmington DJ and producer RizzyBeats, a member of the Beats & Coffee hip-hop collective who can often be seen around town at one venue or another, recently decided to rework "The Time Space Continuum," a 2006 album from veteran Wilmington hip-hop combo MindsOne.

The first reworked track, "Exit Velocity (End of the Line)," dropped March 10 and the full album, dubbed "The Time Space Continuum Redux," comes out May 12 on Fort Lowell.

At once an homage to the verbal dexterity of MindsOne MCs KON Sci and Tronic, which still holds up 17 years later, the "Redux" album also pays tribute to the traditional "boom bap" style of hip-hop by offering a fresh take on the genre.

 

Kicking Bird
Another band on Wilmington's Fort Lowell Records, Wilmington power-pop act Kicking Bird,has been releasing singles from its upcoming album "Original Motion Picture Soundtrack" out May 19. "Stuck," which dropped on March 17, is a delicious, manic-romantic slice of summer-vibe energy, and the band's new single, "238," dropped today. A Wilmington gem for sure.


[L-R] KON Sci & Tronic of MindsOne, and RizzyBeats; photo by RYAN ELLiS

Tuesday, March 14, 2023

An Interview with RizzyBeats (and a premier of "Exit Velocity (End of the Line)")

[Repost from If It's Too Loud; by Ken Sears, March 6, 2023]

North Carolina based producer recently chose to rework MindsOne's 2006 debut album Time Space Continuum. The chance to talk to RizzyBeats came up, and seeing how much I'm enjoying The Time Space Continuum Redux, I jumped at the chance. I asked about the upcoming album, the North Carolina hip hop scene, and he even was nice enough to put together a monster seventy-eight track playlist featuring NC hip hop! 

MindsOne/RizzyBeats' The Time Space Continuum Redux is due out May 12 via Fort Lowell Records. You can pre-order the vinyl here. The single is due out March 10 digitally, and can be pre-ordered here. For more on RizzyBeats, check out his website. For more on MindsOne, check them out on Instagram. The original version of Time Space Continuum can be found here.

 

The new album (The Space Time Continuum Redux) is a reworking of MindsOne's 2006 debut album. What made you decide to make a new version of the album?

It basically started with some conversations I had with Tronic (of MindsOne) about how there aren’t more remix albums out in the world. Tronic mentioned he still had a lot of his a cappellas from their previous albums and I made sure to take note of that. I had previously remixed Aesop Rock’s “None Shall Pass” album and had a ton of fun with that so the prospect of giving MindsOne that same treatment was super appealing.

About a week later, I was listening to their Time Space Continuum CD and I remembered that conversation we had about the a cappellas, so I hit up Tron and asked if he had those too. He did, sent them to me right away, and I got busy.

What was the process of reworking an existing album? What did you decide to keep?

For me, the process always starts with finding the right BPM so everything matches up correctly. I use FL Studio for producing so I usually layer the original track over the a cappella and make sure things are lined up on the grid before I start adding drums and other samples. Then I go song by song, seeing what inspires me from each record. I always want to give any song I remix a new flavor that I think better serves the artist and highlights them in a way they weren’t in the original. With this project, I wanted to keep it super hip-hop so I intentionally used a lot of famous drum breaks so it would give this project that golden era sound.

Being from the Boston area, I'm hearing a ton of Gang Starr influences in this album. Is that more your style or MindsOne?

I think both myself and MindsOne are big Gang Starr fans. I’m hugely influenced by DJ Premier so I know I’ve subconsciously adopted some of his sample chopping techniques over the years. Preemo is the GOAT.

On the RizzyBeats Loves NC playlist, the tracks are incredibly diverse, but I'm hearing kind of a regional overall vibe that's laid back and embracing classic hip hop without sounding like a throwback. Do you think that's accurate, and what do you think leads to that sound? (If not, what would you say is the regional sound, if any?)

I think that’s very accurate. I think, universally, there is a deep love for hip-hop in North Carolina. Every artist I’ve been a fan of, or even known personally, has been very conscious of their responsibility as a hip-hop artist in North Carolina and has sought to make a meaningful contribution to the NC sound. We’ve got a lot of range here but it seems that most folks respect the history of hip-hop.

In Boston, it was basically impossible to see live hip hop for decades, and it's just recently becoming an established scene for live shows. How's the live scene in NC?

The live hip-hop scene here in Wilmington has been steadily growing for the last decade. There is a great acceptance among fellow hip-hop artists to stick together and work alongside each other so we can all succeed. The shows aren’t as plentiful here as they once were about 20 years ago but myself and a few others like Louis., Sheme OG, MoeSOS DC, and Shuron Maurice are trying to usher in a new generation of live performances to keep things vibrant and thriving. And I have to mention all of the hard work put in by MindsOne, Fuzz Jackson and the whole Monumental Music crew. They welcomed us with open arms and gave us the support we needed to carry on the torch.

What are the best/hottest cities for hip hop in NC right now?

Lots of excellent music coming out of Durham, Raleigh, Fayetteville, Wilmington, Goldsboro, Greenville, and Greensboro. 

When I heard you were putting together a North Carolina hip hop playlist, I did not expect it to be 78 tracks and 4 1/2 hours. If someone is short on time and wants to dabble before jumping fully in, what are the key tracks?

That’s incredibly tough to narrow down but a few of my favorites are:

- “Whatever You Say” - Little Brother
- “Gmots” - Miko X
- “Carolina Too” - Louis. ft Rob: Earth-One
- “Legion of Doom” - MindsOne
- “Mah Shiii” - Defacto Thezpian

We're premiering "Exit Velocity (End of the Line)" today. Tell us about that particular song.

“Exit Velocity” is the first track I worked on and what gave me the confidence to move forward with the whole project. It features both KON Sci and Tronic and is a really strong opener (in my opinion). I wanted to set the tone for the album and come in guns blazing.

Rizzy Beats; photo by Justin Giles

Friday, March 10, 2023

OUT NOW: MindsOne / RizzyBeats "Exit Velocity (End of the Line)" [Digital Single]

The first single from the brand new album The Time Space Continuum Redux, by MindsOne / RizzyBeats, titled "Exit Velocity (End of the Line)" is available now on all music platforms.

The Time Space Continuum Redux is not only RizzyBeats's revival of MindsOne's debut album, but it's his own personal gift for MindsOne to celebrate the two emcees, KON Sci and Tronic, as they both embark on their fourth decade around the sun and embrace the seventeenth anniversary of their first official release. For the Redux, RizzyBeats used the original vocal tracks from 2006's The Time Space Continuum and produced an up-to-date version reflective of the Golden Age of Hip-Hop.

Friday, February 17, 2023

For fans of 9th Wonder, EPMD, and Gang Starr

MindsOne’s first record The Time Space Continuum was released seventeen years ago. This year, hip-hop producer — RizzyBeats — brings you his own up-to-date version of their debut, reflective of the Golden Age of Hip-Hop — The Time Space Continuum Redux — due out on Fort Lowell Records May 12th.