Independent Record Label | Est. 2009
Wilmington, North Carolina

 
 

EVENT CALENDAR

Showing posts with label Female Gaze. Show all posts
Showing posts with label Female Gaze. Show all posts

Friday, October 23, 2026

OUT NOW: Female Gaze 'linea nigra' [Sophomore Album]

Songwriter and guitarist Nelene DeGuzman and bassist Kevin Conklin met drummer Nicky David Cobham-Morgese in Tucson, Arizona where Female Gaze is based.  The three found power in the simplicity of the trio and quickly gained a reputation for their electrifying live performance.

Their 2024 release, Tender Futures, was an experimental concept album meant to be experienced on a loop, starting from any song but then listening until reaching your starting point. Female Gaze returns with their sophomore album, linea nigra. 

linea nigra, a dizzying and immersive journey of an album, was made while frontwoman Nelene DeGuzman was heavily pregnant. DeGuzman describes the upcoming record as “a hormonal feverdream of sorting through fears of labor and birth while staring down the seemingly impossible task of mothering while the world is on fire.” 

linea nigra is out now and available everywhere!

Tuesday, October 20, 2026

PREMIERE Female Gaze, "Today, Satan"

[Repost from Week In Pop; October 8, 2026]

The journey and corresponding experiences take us to wild places on the planet and along the roadmaps that dot the paths within our own minds. The inner observations and dialogues we have in attempts to tether and anchor ourselves to the grounding of stabilization, assertation, and the full realization surrounding the gestalt of who we are, what we are, what we want and everything we sure as hell don’t want. These, and many more, are all elements in the chronicles of Tucson’s revered trio Female Gaze.

On the follow-up to 2024’s Tender Futures: Nelene DeGuzman, Kevin Conklin, and Nicky David Cobham-Morgese deliver their heaviest and biggest record to date. Nelene recorded the album during her third trimester of pregnancy where the compounded pains and anxieties of the known and unknown challenges of bringing a little one into a world in ruin loomed large in the artist’s mind, body, and spirit. All of this and more factors into the album’s tenebrous textures and moods. Whereas the previous cycle offered an opportunity to observe life through the arbitrary and evocative approach to entertaining a multitude of varying conceptual directions —Linea Nigra moves beyond the drawn and defined lines that serve as a barrier to our most natural, raw, vulnerable and totally activated self.

On the debut of “Today, Satan”, DeGuzman sends out a smoldering slow burner where heavy sentiments are mulled about inside the safety and sanctuary of the inner chambers devoted to deep, serious introspection. Echoes of proto-doom metal mavens and dusted 90s provocateurs can be detected in the smoky and blinding haze. Nelene, along with Kevin and Nicky soldier together through the fog machine of mental quandaries, galloping into the dense fade of clouds and the ensuing maelstrom of miasma and muddled misery.

“Today, Satan” takes the listener to the breaking point that teeters on the edge of reason. Nelene expresses the fight, flight, or flagrant fouls that are found when contending with insufferable situations, and suspect individuals. Female Gaze conveys that overwhelming sense of striving to contain the true feelings and correlating incendiary semantics that simmer and stew, like a pressure cooker pushed past the limit of its holding capacity. DeGuzman allows those feelings to tumble, ferment, and fester into the channels where caustic confrontations feel all but inevitable. “Today, Satan is the instigating moment where the limits of tolerance are pushed to their most illogical extremes. The song begs the question of whether or not this is the day and/or moment to unleash the torrents of verbal hellfire that lie in wait from within even the most mild manner presenting of personalities.

Nelene DeGuzman of Female Gaze shared thoughts on the song “Today, Satan” and the inspirations that impacted the new album Linea Nigra:

As an eternal pushover I am often daydreaming about moments where I really might speak my mind and say or do something absolutely devastating. Personally, I basically never actually do or say the thing but it feels so good to imagine digging your heels into some incredibly deserved cruelty.

“Today Satan” is that internal dialogue between the urge to feed that rage but then maybe having some small, empathetic sensible voice laying out a PowerPoint about why you should definitely Not Do That but then the rage creeps back in and it’s just so delicious and tempting you can’t help but fantasize about giving in.

We were making Linea Nigra in the last trimester of my pregnancy. I think we started recording at the beginning of my last trimester and finished up mastering just a week before I gave birth. I was processing so many feelings in my transition to motherhood and while there were definitely some of the kind of tender, gentle feelings everyone tells you that you’ll feel, I also felt visceral, raw and alive in the most animalistic way. A hormonal fever dream of sorting through fears of labor and birth while staring down the seemingly impossible task of mothering while the world is on fire.

Pregnancy and motherhood was and continues to be, for me, a deeply primal experience, the most connected to my instinctive, inner primordial self that I’ve ever felt. I felt everything tenfold. The experience of becoming a mother was staggering, beautiful and connected me to my most elemental experience of existing. It’s intense. So I made an album about that experience– the transitional experience leading up to birth. The fear, the dread, the awe, the physical transformation.

Female Gaze’s new album Linea Nigra arrives Ocotober 23 via Fort Lowell Records.

Friday, October 9, 2026

OUT NOW: Female Gaze "today, satan" [Digital Single]

The third single "today, satan" from Female Gaze's sophomore album linea nigra is out and available everywhere as of today.

Monday, September 28, 2026

Single Premiere: Female Gaze - "What Remains"

[Repost from The Big Takeover; September 24, 2026]

I hear it’s hot in Tuscon, Arizona. I’ve never lived in the desert, but I imagine that the constant, agonizing heat becomes a way of life. Maybe, people begin to see the world as a mirage – barely discernible through the dust and haze. For Arizona natives Female Gaze, the rising temperatures have pushed them to new sonic heights. Their newest single “What Remains,” tackles the visceral feelings of new motherhood through a dripping, sweaty haze of psychedelia-infused rock

Female Gaze are no strangers to experimentation. Since songwriter Nelene DeGuzman and bassist Kevin Conklin joined forces with drummer Nicky David Cobham-Morgese, the band has tested the limits of rock and roll. In 2024, they released Tender Futures, an album that works as a loop starting from any song. For their forthcoming album, linea nigra, DeGuzman wrote about her experience of becoming a mother. She describes this new collection of songs as a “a hormonal feverdream of sorting through fears of labor and birth while staring down the seemingly impossible task of mothering while the world is on fire.” While bringing a child into this world seems inherently optimistic, DeGuzman’s work explores the psychic cost of new life.

Starting off with a flurry of power chords, “What Remains” eventually distills into a haunting, mesmerizing ballad (of sorts). DeGuzman’s harmonies are almost frightening, and the minor scales explored in the guitar work reinforce the feelings of terror. Conklin and Corbham-Morgese are a powerful rhythm section, crashing and receding perfectly with the song’s emotional spikes. “What Remains” sounds like a visual representation of the harsh desert sun, it’s warmth becoming increasingly unbearable. There’s tension that feels ready to burst into a frenzy at any moment. And yet, Female Gaze manage to keep the song under their control.

The world feels as though it’s spiraling right now. And while DeGuzman’s lyrics and songs are intensely personal, the sounds that Female Gaze conjures up matches the freefall of these modern times. Enlightened fear, engaged terror – all of us paying attention will find truth in these songs. DeGuzman recalls, “The experience of becoming a mother was staggering, beautiful and connected me to my most elemental experience of existing.” It’s clear from hearing “What Remains” that this is a band that wants to remove the veneer of circumstance and reach for the very heartbeat of life.

Friday, September 25, 2026

OUT NOW: Female Gaze "what remains" [Digital Single]

The second single "what remains" from Female Gaze's sophomore album linea nigra is out and available everywhere as of today September 24th.  “what remains” is just a taste of the brooding, long-form storytelling accomplished throughout linea nigra.  The heaviness of the instruments solidify the excitement and uncertainty of how linea nigra was conceived and allow the listener to enjoy the emotional ride.   Check out Female Gaze "what remains" today!

Sunday, September 6, 2026

REVIEW: Female Gaze "bury you"

[Repost from If It's Too Loud; by Ken Sears, August 31, 2026]

Female Gaze is back with a new single that defies what I had expected from the band. Back in 2024, I had referred to their single as "psychedelia meets shoegaze," but "bury you" doesn't have that same sound. Ok, sure... it's not a complete change of sound, and there are still plenty of psychedelic and shoegaze elements in the song, but this latest single has more of a pop driven sound. By pop, I don't mean modern Top 40 or even indie pop. This is more of a 60's girl group vibe, but through a indie rock, lo-fi prism. It's kind of like a DIY version of Psychocandy, with more raw elements and without the extreme wall of noise. Welcome back, Female Gaze! We can't wait to hear more.

Frontwoman Nelene DeGuzman says the band's upcoming album is “...a meditation on my thoughts and feelings around navigating labor, delivery, and the prospect of mothering while the world is on fire.”

You can listen to "bury you" below. linea nigra is due out October 23 on Fort Lowell Records, and is available to pre-order through Bandcamp. For more on Female Gaze, check out the band's website.

Friday, August 28, 2026

OUT NOW: Female Gaze "bury you" [Digital Single]

The first single "bury you" from Female Gaze's sophomore album linea nigra is out and available everywhere as of today August 28th.  “bury you,” the more pop-forward of the two lead singles from linea ligra, provides a momentary dance break before plunging into the depths of the rest of the album.  An infectious melody and perfectly balanced guitar, bass and drums make this a quintessential summer jam.   Check out Female Gaze "bury you" today!

Tuesday, August 25, 2026

Pre-Order the new Female Gaze album 'linea nigra' today

Female Gaze returns with their sophomore album, linea nigra. Frontwoman, Nelene DeGuzman, describes the upcoming record as “...a meditation on my thoughts and feelings around navigating labor, delivery, and the prospect of mothering while the world is on fire.” An accurate description given how the overall energy of the album screams sexy Apocalypse. Nostalgic alt-rock still shines through the cracks of this doomier, more evolved sound.

Female Gaze linea nigra will be released on Friday, October 23, 2026, available on 180-gram vinyl.

Tuesday, July 14, 2026

Pre-Order Female Gaze's new album 'linea nigra' now!

Tucson, Arizona's own Female Gaze have a brand new album coming out this October — their sophomore record, titled linea nigra — and we've made the pre-order link available now for the vinyl version of this album, which we are pressing on 180-gram black vinyl — the first 180-gram vinyl record we've ever released before; pretty exciting! 🖤 Reserve your copy today:

Female Gaze linea nigra [October 23, 2026]

Wednesday, October 29, 2025

LOW STOCK WARNING!

These following releases are all about to sell out, so if you wanted to grab a copy for your own personal vinyl record collection, now might be a good time to place an order:

Sunday, June 29, 2025

Here are some new artists you might like for your vinyl record collection

We are very excited about the last round of artists we've had the pleasure of working with these past twelve months for vinyl records we've released on Fort Lowell Records, so we thought to take a moment to highlight a few of them, just in case their awesomeness slipped through the cracks you and didn't quite catch how fantastic these musicians are.  Check them out using the information provided below, and if you happen to agree... pick-up a record or three or six to enjoy with your own vinyl collection at home.

JPW + DAD WEED — FOR FANS OF: My Morning Jacket, Steely Dan, Wilco
"Folky psych pop that meets melancholic alt-rock, in a timeless kaleidoscope of sound and sentiment—solid but surprising" ~ Add to Wantlist

        



KICKING BIRD — FOR FANS OF: Cheap Trick, The New Pornographers, The Pixies
"Quirky indie rock with pop sensibilities and classic rock roots" ~ Faster and Louder

        



FUZZ JAXX — FOR FANS OF: Common, GangStarr, Nas
"The best freestyle rapper the Port City has ever known" ~ StarNews

        



TERCEL — FOR FANS OF: Broken Social Scene, Pavement, Superchunk
"A musical aesthetic that juxtaposes jangly indie-rock/post punk with jangle rock/punk" ~ Janglepophub

        



FOREST FALLOWS — FOR FANS OF: Mac DeMarco, Real Estate, Stereolab
"The warmth but never overheat of summer air blows gently as Mike Barnett and Alex Morton strum soft chords, and sing like the fur of a rabbit in a straw hat" ~ Small Albums

        



NAÏM AMOR — FOR FANS OF: Nick Cave & The Bad Seeds, JD McPherson, Roy Orbison
"Late 60s Nouvelle Vague soundtrack vibe, spiced up with a bit of noise, a dash of post-rock and Tex Mex" ~ Here Comes the Flood

        



FEMALE GAZE — FOR FANS OF: Broadcast, Sugar Candy Mountain, The Velvet Underground
"Tender Futures explores the desert using empty space and towering nothingness as its language, intentionally evoking haziness and disorientation through psychedelia, post-rock, and even a bit of jazz-rock" ~ Rosy Overdrive

        

Wednesday, December 11, 2024

#53: Female Gaze 'Tender Futures' - Rosy Overdrive’s Top 100 Albums of 2024





[Repost from Rosy Overdrive; December 9, 2024]

Release date: May 17th
Record label: Fort Lowell/Totally Real
Genre: Psychedelic rock, art rock, desert rock, post-rock, jazz rock
Formats: Vinyl, cassette, digital

After retiring the name of their old band, The Rifle, Tucson’s Nelene DeGuzman and Kevin Conklin formed Female Gaze with Nicky David Cobham-Morgese, and the former garage rockers undergo a remarkable transformation on Tender Futures, their debut album under the new name. Stretching five songs across thirty-two minutes, Tender Futures is an expansive, vast record, with the band embodying the American southwest more than any of their projects ever have before. Inspired in part by DeGuzman’s chronic health issues that had left her in a “painful limbo”, Tender Futures explores the desert using empty space and towering nothingness as its language, intentionally evoking haziness and disorientation through psychedelia, post-rock, and even a bit of jazz-rock. (Read more)

Tuesday, July 2, 2024

Female Gaze | Interview | New Album, ‘Tender Futures’



[Repost from It's Psychedelic Baby Magazine; Klemen Breznikar, June 24, 2024]

Female Gaze releases sweet and swirling indie-rock with ‘Tender Futures.’

Finding patience in agony is like trying to dig a tunnel in the desert sand by hand. While it is almost certainly an unfathomable task, what else can you do to bide your time and preoccupy your mind? When life puts you in impossible situations, make possible decisions; keep going until you get to where you need to go. Nelene DeGuzman was forced into one such impossible situation, so she made a possible decision: Make music about it.

‘Tender Futures,’ the newest album from seasoned songwriters Female Gaze, comes from a place of increased and constant suffering, the dreadful sort that distorts the temporal and obfuscates your reality, so the soundscapes reflect this loss of space. Nelene DeGuzman (vox, guitars, piano), Kevin Conklin (bass, backing vox on ‘Severance’), and Nicky David Cobham-Morgese (percussion) combine their strengths to present just over a half hour of psychedelic shoegaze desert rock. DeGuzman has persevered through chronic health issues for most of her life thus far, but it was the most recent year where things turned overwhelming while awaiting a crucial surgery. During this prolonged difficulty, DeGuzman put pen to paper and came away with five new songs encapsulating this trying time. Thus, it’s a bit of a loose concept record, one in which you can start it from any point and loop through it just as effectively as if you started at track one and listened through. As the days and nights blurred together in real life, so too do the tracks on this record.

Starting from track one, ‘ghosts,’ we get a little taste of the meditative energy to come – whispery, willowy vocals and patient guitar passages with field recordings gently placed in the mix, effectively incorporating that sense of lost time as sunshine and moonlight coalesce. The following and longest track, ‘broadcast,’ ebbs and flows with Cobham-Morgese’s pounding percussion, driving the band wherever they want to wander. Conklin’s steady bass is a stalwart foundation for the ideas to incorporate, introducing budding branches on which DeGuzman’s effects-drenched guitars can roost. The title track embodies the idea well – futures that are tender, at mercy of the tides of life, as dissonance and harmony cascade throughout the extended jam. Track four ‘in the mezzanine’ serves as another pensive exercise for the weary of heart and soul before we reach the gentle closer ‘severance,’ my personal favorite, which feels almost triumphant before the chaotic end loops us right back around to the intro birdsong – another languid day gone by.

The journey you will take listening to this new Female Gaze release comes just in time for the approach of summer in the northern hemisphere. Its sun-battered melodies and murky rhythmic depths compliment one another like a classic summer cycle, hoping to provide relief from the heat and a compassionate blanket in the cold. Enjoy the art during these trying times, and embrace those impossible situations with possible decisions.

How did the name “Female Gaze” come about? What does it mean in relation to your art?

Nelene: The name first popped into my mind during a transitional period in my life. I was on a solo tour in 2019 which turned out to be a really transformative and meditative experience for me. In its literal sense, it is the inversion of the film concept of the male gaze. Donning the moniker felt like I was giving myself permission to be unapologetic in my identity as an artist. I was giving myself the liberty to just exist in these artistic spaces and not have to explain or justify my perspective or presence.

How long have you folks been together as a band now? What do you feel your strengths are when you work as a unit?

Nelene; Kevin (our bassist and also my husband) and I have been playing music together for over a decade, initially in our previous project, The Rifle. Nicky joined in 2020 just before we released our last LP as The Rifle. As Female Gaze, the three of us have been together since 2021. I feel like we have a natural rhythm together as a three piece and can groove in our own little language which allows us to be really improvisational live which I find really freeing. I love being surprised by things that arise naturally in the moment when we’re playing together.

For DeGuzman, what has helped you press on in defiance of your personal health struggles? How do you find the motivation to create and continue when faced with such difficulties?

Nelene: When I’m not feeling well, the only thing that seems to get me through is to put blinders on and just focus on translating pain or whatever is going on into art. Creating is how I understand myself and my experiences and sometimes when things have been bad, I won’t really understand how bad they were until I’ve expressed those experiences back to myself via something I’ve created if that makes sense.

If you could collaborate and/or perform with any current musician/group, who would it be?

Nicky: Witch!

Kevin: King Gizzard and the Lizard Wizard!

Nelene: Mitski!

If you had to start over from scratch without any of your instruments or gear (minus a computer), what would you buy first?

Nicky: a synthesizer!

Kevin: a Hofner Beatle Bass!

Nelene: hmmmm maybe a sweet petite lil parlor guitar.

Tuesday, June 25, 2024

Rosy Overdrive’s Top 40 Albums of 2024 So Far





[Repost from Rosy Overdrive; June 17, 2024]

Female Gaze – Tender Futures

Release date: May 17th
Record label: Fort Lowell/Totally Real
Genre: Psychedelic rock, art rock, desert rock, post-rock, jazz rock
Formats: Vinyl, cassette, digital

After retiring the name of their old band, The Rifle, Tucson’s Nelene DeGuzman and Kevin Conklin formed Female Gaze with Nicky David Cobham-Morgese, and the former garage rockers undergo a remarkable transformation on Tender Futures, their debut album under the name. Stretching five songs across thirty-two minutes, Tender Futures is an expansive, vast record, with the band embodying the American southwest more than any of their projects ever have before. Inspired in part by DeGuzman’s chronic health issues that had left her in a “painful limbo”, Tender Futures explores the desert using empty space and towering nothingness as its language, intentionally evoking haziness and disorientation through psychedelia, post-rock, and even a bit of jazz-rock. (Read more)

Sunday, June 9, 2024

New Playlist: May 2024 // “Severance”, Female Gaze





[Repost from Rosy Overdrive; June 4, 2024]

What a week! (and yes, I know it’s only Tuesday, Alec Baldwin). Yesterday, Pressing Concerns broke the 1,000-record barrier, and today we have the May 2024 playlist, two hours of absolutely stellar new music for you to peruse.

Here is where you can listen to the playlist on various streaming services: Spotify, Tidal, BNDCMPR (missing one song). Be sure to check out previous playlist posts if you’ve enjoyed this one, or visit the site directory. If you’d like to support Rosy Overdrive, you can share this (or another) post, or donate here.

“Severance”, Female Gaze
From Tender Futures (2024, Fort Lowell/Totally Real)

The latest album from Tucson trio Female Gaze, Tender Futures, intentionally evokes haziness and disorientation and, according to the band, can be started from any song and played “on a loop”. Stretching five songs across thirty-two minutes, Tender Futures is an expansive, vast record that embodies the American southwest. By the end of the album, the disorientation is at a high, as we’re feeling lost out in no-man’s land somewhere–but the last song on Tender Futures is its clearest olive branch. “Severance” is not a departure from the rest of the album, but it’s where everything snaps into focus, as the trio set their sights on fluttering guitar pop for six minutes. Read more about Tender Futures here.

Saturday, June 1, 2024

Pressing Concerns: Female Gaze





[Repost from Rosy Overdrive; May 21, 2024]

Female Gaze – Tender Futures

Release date: May 17th
Record label: Fort Lowell/Totally Real
Genre: Psychedelic rock, art rock, desert rock, post-rock, jazz rock
Formats: Vinyl, cassette, digital
Pull Track: Severance

Tucson trio The Rifle debuted about a decade ago, releasing three records in six years and growing from the solo project of guitarist/vocalist Nelene DeGuzman (2014’s Rib to Rib) to a 60s-tinged guitar pop act (2017’s Anababis) to incorporating a bit of desert psychedelia into their sound (2020’s Honeyden). Honeyden would prove to be The Rifle’s last album, but they didn’t break up, exactly–DeGuzman and bassist Kevin Conklin continued on as Female Gaze, with drummer Nicky David Cobham-Morgese replacing The Rifle’s Randy Rowland. Female Gaze debuted in 2021 with the one-off garage-indie-pop single “The Joy of Missing Out”, and while there’s a shade of darkness to that song, it doesn’t prepare one for the huge leap that the trio make on Tender Futures, the trio’s debut album. Stretching five songs across thirty-two minutes, Tender Futures is an expansive, vast record, with DeGuzman and her band embodying the American southwest more than they ever have before. Inspired in part by DeGuzman’s chronic health issues that had left her in a “painful limbo”, Tender Futures does with garage rock what Itasca’s Imitation of War did with folk music–it explores the desert using empty space and towering nothingness as its language.

Tender Futures intentionally evoke haziness and disorientation and, according to the band, can be started from any song and played “on a loop”. Female Gaze choose to begin the “proper” version of the album off with the sparsest moment on the record in “Ghosts”–it’s not the most accessible moment on Tender Futures, no, but there’s a captivating quality to how it sounds, a simple guitar part echoing cavernously with only DeGuzman’s, well, ghostly vocals as accompaniment. “Ghosts” also prepares one to expect extremes throughout the album, which the next song does as well, in a different way. “Broadcast” slides into focus by introducing us to Female Gaze the three-piece rock band, with elements of psychedelia and pop in their sound. It’d be a good choice for the “single”–if it wasn’t ten minutes long, expanding and probing all the while. The middle of the record is completely instrumental, most of which is comprised of the nine-minute title track, an impressive song that slouches towards post-rock and even a bit of jazz-rock (Conklin’s bass gets a nice showcase here), while the echoing piano of “In the Mezzanine” serves as a three-minute coda. By this point, the disorientation is at a high, as we’re feeling lost out in no-man’s land somewhere–but the last song on Tender Futures is its clearest olive branch. “Severance” is not a departure from the rest of the album, but it’s where everything snaps into focus, as the trio set their sights on fluttering guitar pop for six minutes. Ending with the triumphant is Tender Futures on easy mode, though–let’s see how quickly we get lost if we start with the title track… (Bandcamp link)

Monday, May 27, 2024

Female Gaze: Tender Futures

[Repost from Here Comes the Flood; by Hans Werksman, May 17, 2024]

Tuscon, AZ based trio Female Gaze goes in at the deep end with their album Tender Futures, a concept record inspired by the serious health issues of Nelene DeGuzman, who had to wait for months on end to finally receive long overdue surgery. Days and nights went by and it gave her plenty of time to come up with the idea of a continuous set of songs that should be enjoyed in one undisturbed sitting.

Taking elements of post-rock, shoegaze, indie rock and a few field recordings and radio broadcasts sprinkled on top, the trio created an intricate maze of transcendent drones and repetitive guitar motifs. It is an immersive listening experience, best enjoyed by either wearing decent headphones or in a room with good acoustics and serious speakers. There are barely any vocals, especially in two lengthy centre pieces, Broadcast and the album's title track, but when DeGuzman does step up to the mike, she makes every word count.

Female Gaze:
Nelene DeGuzman: guitar, piano, vocals
Kevin Conklin: bass
Nicky David Cobham-Morgese: drums, percussion, synths
Rosie Clements: Synth (track #2 & #3)

Tender Futures will be released via Fort Lowell Records (hand-numbered - 100 copies - red vinyl, digital). Release date: May 17.

Tracks:
  1. Ghosts
  2. Broadcast
  3. Tender Futures
  4. In the Mezzanine
  5. Severance
Live dates:
  • 05/17 Tucson, AZ @ MOCA - *Tender Futures Record Release Show*
  • 05/24 Tucson, AZ @ Blondie's - *Tender Futures Film Screening*
  • 05/31 Las Cruces, NM @ The Lighthouse
  • 06/01 Lamy, NM @ Lamy Taproom
  • 06/02 Silver City, NM @ Whiskey Creek Zocalo
  • 06/05 Phoenix, AZ @ Linger Longer
  • 06/06 San Diego, CA @ The Comet Theater
  • 06/07 Ojai, CA @ Greater Goods
  • 06/08 San Francisco, CA @ The Make Out Room
  • 06/09 Los Angeles, CA @ Healing Force Records
  • 06/15 Tucson, AZ @ Che's Lounge

» femalegazeband.com

Wednesday, May 22, 2024

PREMIERE | Female Gaze, 'Tender Futures'




Art and existence in our current era (and arguably other time periods) is not an inherently linear ordeal. While cycles and patterns can be observed in terms of how trends ebb and flow, earth science sequences analyzed, societal and civic fashions and fads parade in and out of style and so forth; nothing abides by a static algorithm. Our experiences are erratic, the best laid itineraries and plans are often met with diversions and interruptions that whisk us away from our otherwise regularly scheduled programming. We are beholden to the timelines that are outside of our own unique operations, and while we may be experiencing the slow steps of time in our own lives there are often cyclones of social circuses that buzz around our hives in a maelstrom of movements that are too innumerable to count. We witness these motions according to our time, the lulls of night and the lights of day as our consciousness absorbs the information and stimuli that arrives at our senses (while the unconscious grapples with the overwhelming deluge of external activities that exceeds the limits of our comprehension).

These non-linear sequences abound on the new record Tender Futures from Tucson, AZ trio Female Gaze. Bandleader Nelene DeGuzman, Kevin Conklin and Nicky David Cobham-Morgese create a 5 song cycle designed to be experienced like a Möbius film loop. The band prefaces it with the following:

…[Tender Futures] is a cycle meant to be listened to on a loop, starting anywhere but listening in order until you reach your starting point again…

A record that rose out of DeGuzman’s own health struggles where days and nights blended together into the arbitrary atmospheres of ambiguity, Tender Futures offers tangible textures that enrobe the constructs of time and spaces as we embark upon them. Female Gaze gives room for how we perceive our lives, minute by minute, moment to moment. Honoring these aspects of reality, DeGuzman surveys where we are, how we feel and how we are engaging in that very instance. Tender Gaze invites you to experience time not as a simplified flat line but as a circle, where the the rises and falls of solar and lunar intervals are heard and felt according to a planetary alignment that is outside of our own immediate purview.

Chronologically "Ghosts" begins the album with a journey through the paranormal where Nelene's voice echoes through chambers and is met by the found sounds of daylight where the ambience of wind and the chirps and cheeps of birdsongs fills the air. The voyage to the edges of night and the dams of daybreak collapses the conventions of calendars on "Broadcast" that transmits like a psychotropic journey to the places where time takes on new forms and new meanings. The title track runs shy of 10 minutes, an instrumental where the conventions of clocks, hours, minutes and seconds dissolves into a heady jam that entrances all who are brave enough to take the trip. "In the Mezzanine" employs lo-fi piano keys and field recorded sounds of evening where crickets and the rushing whooshes of traffic swim about the mix (replete with percussive car turn signal clicks and clacks).

Tender Futures is completed with "Severance" that transcends the pains of mortality. Transcends the trappings of 24 hour systems and cycles of bookkeeping. Transcends the movement of the planets. Transcends the trivialities of everything that we place meaning upon that are but chaff in the breeze as the wind adheres to its own wild code and convection trajectory that carries a compass of its own design and choosing. Nelene takes the listener on an out of body experience where everything and nothingness, day and night and other corresponding opposites find a cosmic and complimentary coupling like compatible constellations cruising up together in concert high above the sky.

Nelene DeGuzman of Female Gaze shared the following meditations on the new album:

Tender Futures is an experimental concept album that tracks an endless day/night cycle. I’ve struggled most of my adult life with pain stemming from chronic health issues.

Tender Futures was created while suffering through a particularly difficult health year, waiting 5 months in a painful limbo for a much needed surgery. Time seemed to slow to an intolerable pace but I also felt like everything was moving fast around me and I was unable to keep up.

My perception during this time became a fever dream of cycles, inhale/exhale, night/day, always a bit disoriented, like waking up from a nap that’s gone too long and now it’s dark and you’re not sure if it’s late at night or early in the morning.

Female Gaze’s Tender Futures arrives May 17 on vinyl via Fort Lowell Records and cassette courtesy of Totally Real Records. 

Friday, May 17, 2024

OUT NOW: Female Gaze 'Tender Futures' [Debut Album]





Female Gaze makes immersive art to get lost in. Their debut album, Tender Futures, is an experimental concept record that tracks an endless day/night cycle, exploring meditations on mindless-ness as a coping mechanism.

Songwriter and guitarist Nelene DeGuzman and bassist Kevin Conklin met drummer Nicky David Cobham-Morgese in Tucson, Arizona where the band is based. DeGuzman, who has struggled most of her adult life with pain stemming from chronic health issues, created Tender Futures while suffering through a particularly difficult health year, when she was left waiting 5 months in a painful limbo for a much needed surgery.

“Time seemed to slow to an intolerable pace but I also felt like everything was moving fast around me and I was unable to keep up. My perception during this time became a fever dream of cycles, inhale/exhale, night/day, always a bit disoriented, like waking up from a nap that’s gone too long and now it’s dark and you’re not sure if it’s late in the night or early in the morning” says DeGuzman.

The new album is meant to be experienced on a loop, starting from any song but then listening until reaching your starting point. Tender Futures is now available on vinyl via Fort Lowell Records and tape via Totally Real Records, as well as on all digital music platforms.